English National Ballet’s Seemingly New-minted Nutcracker Intrigues and Enchants

14/12/2017

Tchaikovsky, Nutcracker (choreography by Wayne Eagling): Dancers of English National Ballet, Students from Tring Park School for the Performing Arts and Students from English National Ballet School, English National Ballet Philharmonic / Gavin Sutherland (conductor), London Coliseum, 13.12.2017. (J.O’D)

5.-Snowflakes-Nutcracker-©-Laurent-Liotardo

English National Ballet’s artists as Snowflakes in Nutcracker © Laurent Liotardo

Cast:

Clara as a child – Sophia Mucha
Freddie as a child – Emile Gooding
Clara – Shiori Kase
Nephew – Joseph Caley
Nutcracker – Guilherme Menezes
Drosselmeyer – Fabian Reimair
Mouse King – James Streeter

Production:

Choreography – Wayne Eagling
Based on a concept by Toer van Schayk and Wayne Eagling
Design – Peter Farmer
Lighting – David Richardson

English National Ballet’s Nutcracker had its premiere in 2010. Last year, more than one critic found it ‘tired’. Perhaps to refute that charge, or perhaps due to some happy combination of circumstances, this season’s opening night was as fresh as paint. There may be awkwardness in the choreography at the start of Act II. The constant swapping of the masked Nutcracker for Drosselmeyer’s unmasked Nephew can still confuse. But for its magical use of the scrim at the beginning and end, for its Snowflakes and its Mouse King, for the performances by Shiori Kase (Clara) and Joseph Caley (Nephew), and those by Sophia Mucha and Emile Gooding as their child avatars, this seemingly new-minted Nutcracker continues to intrigue and enchant.

In the concept by Toer van Schayk and Wayne Eagling on which the production is based, everything that happens after a hectic Act I party to Tchaikovsky’s hectic music is the dream of the young Clara. With its masks and its soldier costumes, its juxtaposition of youth and age (and death in a puppet theatre), the party contains all the elements that figure in the dream. The Nutcracker doll, given to Clara by Drosselmeyer but broken by her brother, Freddie, becomes a wounded Nutcracker soldier. Drosselmeyer’s Nephew, for whom, at the party, Clara develops a first crush, becomes the hero who kills the Mouse King and partners her in the white, gold and glitter of the Grand Pas de deux.

Until 2013, when he was expunged, Freddie’s adult avatar also formed part of the dream. Brought on in a cage during the Arabian Dance, he was the victim of Clara’s subconscious desire to be revenged (for the broken Nutcracker doll). Although re-choreographed to cover his absence, and despite its references to Nijinsky, the Arabian Dance has always seemed rather blank since. Now it is only Clara’s parents who reappear in the dream world. Fittingly dressed as a Romanov tsar and tsarina in medieval costume, they weave their way, on demi-pointe, between the dancers of the Russian Dance.

Jane Haworth, Fabian Reimair and James Streeter anchor the performance in their familiar roles of Mother, Drosselmeyer and Mouse King. The children of the Tring Park School for the Performing Arts behave, in Act I, as if they really were at a party. The transition from the child to adult Clara is smooth. Shiori Kase performs the backward bourrée with ease, but retains a childlike sense of wonder at what is happening around her. Before making their exit, the Snowflakes splendidly advance in pairs to downstage right, on pointe, arms raised and fingers fluttering. The Flowers (women in pink, men in grey and white) trace diagonal lines of arabesques and arabesques en l’air.

Joseph Caley, who joined English National Ballet from Birmingham Royal Ballet this year and whose promotion to Lead Principal was announced after this performance, has all the charm for the role of Nephew, and all the skill for the Grand Pas de deux. Although the score seems to be asking for something different, he and Shiori Kase dance this on a note of happiness alone. Two years ago, Begoña Cao drew out the sadness in Tchaikovsky’s music with her arms. Last year, Katja Khaniukova showed signs of the grande ballerina she seems destined to become. Shiori Kase is always Clara, nothing else but happy to be dancing in her dream with Drosselmeyer’s Nephew, a confident and consonant partner whose smiles match her own.

John O’Dwyer

For more about English National Ballet click here.

Print Friendly

Comments

Leave a Reply

Recent Reviews

MW

Facebook-button-1

Season Previews

__________________________________
  • NEW! Wallis Annenberg Center for the Performing Arts
 in 2018/2019 __________________________________
  • NEW! Edinburgh Sunday International Concerts Series in 2018/19 __________________________________
  • NEW! Salzburg Whitsun Festival 7 – 10 June 2019 __________________________________
  • NEW! Bolshoi Ballet 2018/19 UK Cinema Season __________________________________
  • NEW! Opera Holland Park’s 2018 Season Begins Soon __________________________________
  • NEW! 2018-2019 Geneva Grand Theâtre Season __________________________________
  • NEW! 2018/19 Hallé Season in Manchester __________________________________
  • NEW! 2018/19 Tonhalle Orchestra Zürich __________________________________
  • NEW! 2018/19 CBSO at Symphony Hall, Birmingham __________________________________
  • NEW! 2018/19 BBC NOW in Cardiff and Swansea __________________________________
  • NEW! English National Opera in 2018/19 __________________________________
  • NEW! The 2018/19 Birmingham Classical Season __________________________________
  • NEW! Kelli O’Hara and Ken Watanabe Star in The King and I at the London Palladium __________________________________
  • NEW! The 2018 BBC Proms __________________________________
  • NEW! Bampton Classical Opera Celebrates its 25th Anniversary with Nicolò Isouard’s Cinderella __________________________________
  • NEW! Pop-Up Opera’s 2018 Mozart Double Bill __________________________________
  • NEW! Zurich Opera in 2018/2019 __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

    __________________________________
  • NEW! Abandoned Liszt Opera Sardanapalo Premieres in Weimar in August __________________________________
  • NEW! THE TENOR RUSSELL THOMAS IN CONVERSATION WITH MARGARIDA MOTA-BULL __________________________________
  • NEW! RAFAL BLECHACZ IN CONVERSATION WITH GEOFFREY NEWMAN __________________________________
  • NEW! MARKUS POSCHNER IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • UPDATED! Chelsea Opera Group Perform Massenet’s Thaïs at the Cadogan Hall on 23 June __________________________________
  • UPDATED! Carly Paoli Sings for Chelsea Pensioners, at Cadogan Hall, and Signs for Sony/ATV __________________________________
  • NEW! A Q&A WITH ITALIAN BARITONE FRANCO VASSALLO __________________________________
  • NEW! MICHAEL SANDERLING IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • NEW! Trinity Laban Moves to Abolish All-Male Composer Concerts __________________________________
  • NEW! ARABELLA STEINBACHER IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! THE CONDUCTOR LAURENCE EQUILBEY IN CONVERSATION WITH COLIN CLARKE __________________________________
  • NEW! A Q&A WITH LISETTE OROPESA AS SHE RETURNS TO LA OPERA FOR ORFEO ED EURIDICE __________________________________
  • NEW! A Q&A WITH ANDREA CARÈ AS HE RETURNS TO COVENT GARDEN AS DON JOSÉ __________________________________
  • Search S&H

    Archives by Week

    Archives by Month