Honeck and Mørk Show Two Composers in a Fresh Light

16/10/2018

Prokofiev, Dvořák: Truls Mørk (cello), San Francisco Symphony / Manfred Honeck (conductor), Davies Symphony Hall, San Francisco. 11.10.2018. (HS)

Prokofiev — Sinfonia Concertante in E minor for Cello and Orchestra

Dvořák — Symphony No.8 in G major

There was absolutely nothing reticent or shy about Manfred Honeck’s conducting, or cellist Truls Mørk’s playing for that matter, in their first of three concerts with the San Francisco Symphony.

Honeck seemed intent on bringing out maximum contrasts in both Prokofiev’s Sinfonia Concertante for Cello and Orchestra and Dvořák’s Eighth Symphony. Even sections with hushed dynamics brimmed with intensity, and Honeck’s dramatic style showed off the musicians’ prowess. Most importantly, all this framed the composers’ efforts in a fresh light.

As a soloist, Mørk puts formidable technique in the service of not only getting the notes right but also articulating what the composer might have actually intended to say. His Domenico Montagnana cello speaks with clarity throughout its range and filled Davies Hall with rich sound even in quieter passages of Prokofiev’s 1950 work, a rewrite for Mstislav Rostropovich of a failed concerto. Mørk met the formidable technical challenges, which call upon the cellist to strum four-note chords one moment, make the bow dance in complex rhythmic passages in the next, and at other times, ascend to the instrument’s stratosphere.

The cello is hardly ever silent in this tour-de-force, yet Mørk tirelessly made it all seem natural and worry-free. With Honeck shaping well-considered balances even in the louder sections, the audience hardly missed a note — a rare occurrence in pieces for cello and orchestra. The cellist coaxed maximum sweetness out of Prokofiev in his lyrical mode — which is most of the time — but he also embraced thorny moments when they came along.

The broad second movement, marked ‘Allegro giusto,’ rollicked with terrific momentum, interrupted only by a long solo passage that Mørk made into a mini-sonata of its own before Honeck seamlessly slipped the orchestra’s return into the flow. The second big solo moment for the cello, shortly after the opening of the final movement, sparked a steadily increasing rhythmic thrust that brought a sharply formed finish.

Honeck’s search for contrast showed up right away in the Dvořák symphony. He paced the introduction, marked Andante, slower than usual, which only made the sudden appearance of the Allegro con brio all the brighter. Principal flutist Tim Day showed flair, his solo only the first of many moments when individual presence carried the momentum forward. Among those were timely interjections from principal clarinet Carey Bell and English horn Russ deLuna, principal horn Robert Ward, and to launch the finale, a brilliant unison fanfare from principal trumpet Mark Inouye and associate principal Aaron Schuman.

Texturally, louder passages emerged with a full-throated gleam and softer ones floated on silk or velvet. Fast tempos galloped, and slower tempos breathed gently. The sound always retained a richness that suited the composer’s style, even as Honeck coaxed these contrasts, adding up to a richly deserved standing ovation.

Harvey Steiman

Print Friendly, PDF & Email

Comments

Leave a Reply

Recent Reviews

MW

Facebook-button-1

Season Previews

__________________________________
  • NEW! Looking Ahead to the 2019 Lucerne Festivals __________________________________
  • NEW! Sándor Végh Memorial Concerts 2019 __________________________________
  • NEW! Bampton Classical Opera Perform Amahl and the Night Visitors in December __________________________________
  • NEW! The Royal Opera House’s Sundays for a Fiver Festival in November __________________________________
  • NEW! Opera Holland Park’s 2019 Season __________________________________
  • NEW! The Royal Opera House’s Linbury Theatre Reopens in December 2018 __________________________________
  • NEW! The Met: Live in HD in 2018/19 __________________________________
  • NEW! The Royal Opera House’s Exciting 2018/19 Cinema Season __________________________________
  • NEW! See Pop-Up Opera’s La Tragédie de Carmen this Autumn __________________________________
  • UPDATED! Zurich Opera in 2018/2019 and Beyond __________________________________
  • NEW! Wallis Annenberg Center for the Performing Arts
 in 2018/2019 __________________________________
  • NEW! Edinburgh Sunday International Concerts Series in 2018/19 __________________________________
  • NEW! Salzburg Whitsun Festival 7 – 10 June 2019 __________________________________
  • NEW! Bolshoi Ballet 2018/19 UK Cinema Season __________________________________
  • NEW! 2018-2019 Geneva Grand Theâtre Season __________________________________
  • NEW! 2018/19 Hallé Season in Manchester __________________________________
  • NEW! 2018/19 Tonhalle Orchestra Zürich __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

    __________________________________
  • NEW! The OAE Shakes Up Concert Hall Conventions as Players and Conductors Talk from Stage __________________________________
  • NEW! SOPRANO ELENA MOȘUC IN CONVERSATION WITH CASEY CREEL __________________________________
  • NEW! THE PIANIST ANGELA HEWITT IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • R.I.P. Montserrat Caballé (1933 – 2018): A Personal Tribute by Jack Buckley __________________________________
  • NEW! The Future of Opera is Theatre: An Essay by Casey Creel __________________________________
  • NEW! Jacqui and David Morris’s New Documentary Film Nureyev Celebrates a Unique Man and Dancer __________________________________
  • NEW! MAESTRO RICCARDO FRIZZA IN CONVERSATION WITH MARGARIDA MOTA-BULL __________________________________
  • NEW! JACK BUCKLEY’S MEMORIES OF LINDSAY KEMP (1938-2018) __________________________________
  • NEW! THE GESUALDO SIX IN CONVERSATION WITH GEOFFREY NEWMAN __________________________________
  • NEW! A Q&A WITH GERMAN SOPRANO PETRA LANG __________________________________
  • NEW! TENOR NICHOLAS PHAN IN CONVERSATION WITH CHRISTOPHER SALLON __________________________________
  • NEW! THE PIANIST GEORGE HARLIONO IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • NEW! THE CONDUCTOR ALEXANDER SLADKOVSKY IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • Search S&H

    Archives by Week

    Archives by Month