Varduhi Abrahamyan and Luca Pisaroni Are Outstanding in Liceu’s L’italiana in Algeri

19/12/2018

Rossini, L’italiana in Algeri: Liceu Chorus and Orchestra / Riccardo Frizza (conductor), Gran Theatre del Liceu, Barcelona, 17 & 18.12.2018. (JMI)

L’italiana in Algeri © A. Bofill

L’italiana in Algeri © A. Bofill

Production:
Direction – Vittorio Borrelli
Sets – Claudia Boasso
Costumes – Santuzza Calì
Lighting – Andrea Anfossi (original), Vladi Spigarolo (revival)

Cast:
Isabella – Varduhi Abrahamyan/Maite Beaumont
Lindoro – Maxim Mironov/Edgardo Rocha
Mustafà – Luca Pisaroni/Simón Orfila
Taddeo – Giorgio Caoduro/Manel Esteve
Haly – Toni Marsol
Elvira – Sara Blanch
Zulma – Lidia Vinyes-Curtis

It has been 36 years since L’italiana in Algeri was last performed at the Liceu, which is rather surprising given that it’s an opera one would consider to be part of the main repertoire.

This Vittorio Borrelli production originated at the Teatro Regio in Turin, where it premiered in 2009; it was revived there four years later and will be staged again next spring. A very classic, traditional production with a Muslim palace, rich colors and no shortage of baths and eunuchs, it reminds one of the well-known staging by Jean-Pierre Ponnelle. The costumes are also traditional and richly colored, and the lighting works well. The stage direction follows the path of a buffo opera with some funny gags: it tries hard to get the audience to laugh and is sometimes more successful at it than others. In sum, it is an appealing production and well-suited to this Rossini opera.

Riccardo Frizza handled the musical direction, and I must say my expectations ran high. He was for years a frequent conductor of opera performances featuring Juan Diego Flórez and, therefore, is quite accustomed to leading Rossini operas. In fact, I saw him conduct this opera in 2003 and have a very positive memory of it. In addition, he was recently at the Donizetti Festival in Bergamo and was excellent. His reading here was what you can expect of a solid conductor, although I admit I hoped for something more from him.

Isabella was played by mezzo-soprano Varduhi Abrahamyan, who gave a superb performance. Until now, I had only seen her perform in Valencia, and she was always good. Her debut at the Liceu has been especially positive: she has an appealing voice, well suited to the demands of the role, and she moves well on stage. In the second cast Isabella was sung by Maite Beaumont, who has an engaging voice. Her problem lies in the fact that her volume is not sufficient for a big house, and she does on occasion fall short.

Tenor Maxim Mironov was Lindoro in the first cast. Among his virtues are a voice that is attractive in the middle and well-handled, including agilities, but it is too small for this house. Some of the same points can be made about tenor Edgardo Rocha in the second cast.

Both Mustafàs were excellent in terms both of singing and acting. Luca Pisaroni gave an outstanding interpretation of the character, as did Simón Orfila in the second cast. The former is more baritone, while the latter singer is more bass, but both were impressive.

Taddeo is a basso buffo or, if you prefer, a buffo bass-baritone. Giorgio Caoduro’s voice was suited to the character, while baritone Manel Esteve fared less well. Toni Marsol was correct in the part of Haly, as was mezzo-soprano Lidia Vinyes-Curtis as Zulma. Soprano Sara Blanch in the character of Elvira made a strong impression; she shone in the concertante that closes the first part of the opera.

José M. Irurzun

Print Friendly, PDF & Email

Comments

Leave a Reply

Recent Reviews

MW

Facebook-button-1

Season Previews

__________________________________
  • NEW! Venus Unwrapped: Kings Place’s Year-Long Focus on Women Composers __________________________________
  • NEW! Opera Buenos Aires in 2019 – Largely Traditional __________________________________
  • NEW! English National Ballet at the London Coliseum 13 December 2018 – 20 January 2019 __________________________________
  • NEW! Looking Ahead to the 2019 Lucerne Festivals __________________________________
  • NEW! Opera Holland Park’s 2019 Season __________________________________
  • NEW! The Met: Live in HD in 2018/19 __________________________________
  • NEW! The Royal Opera House’s Exciting 2018/19 Cinema Season __________________________________
  • UPDATED! Zurich Opera in 2018/2019 and Beyond __________________________________
  • NEW! Salzburg Whitsun Festival 7 – 10 June 2019 __________________________________
  • NEW! Bolshoi Ballet 2018/19 UK Cinema Season __________________________________
  • NEW! 2018-2019 Geneva Grand Theâtre Season __________________________________
  • NEW! 2018/19 Hallé Season in Manchester __________________________________
  • NEW! 2018/19 Tonhalle Orchestra Zürich __________________________________
  • NEW! 2018/19 CBSO at Symphony Hall, Birmingham __________________________________
  • NEW! 2018/19 BBC NOW in Cardiff and Swansea __________________________________
  • UPDATED! English National Opera in 2018/19 and the New Free Tickets Scheme __________________________________
  • NEW! The 2018/19 Birmingham Classical Season __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

    __________________________________
  • NEW! PIANIST MARC-ANDRÉ HAMELIN IN CONVERSATION WITH GEOFFREY NEWMAN __________________________________
  • NEW! Ik zeg: NU: I say now, now … an interview with Richard Causton __________________________________
  • NEW! Grieg Grainger Piano Rolls: an Equivocation __________________________________
  • NEW AND UPDATED! SOME OF SEEN AND HEARD’S REVIEWERS LOOK BACK AT 2018 __________________________________
  • NEW! CONDUCTOR ÁDÁM FISCHER IN CONVERSATION WITH MICHAEL COOKSON __________________________________
  • NEW! BARITONE SIMON MECHLIŃSKI IN CONVERSATION WITH ROBERT BEATTIE __________________________________
  • NEW! CONDUCTOR ELIM CHAN IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! Iain Farrington’s Mahler Piano Series was an Extraordinary Marathon __________________________________
  • NEW! SOPRANO ELENA MOȘUC IN CONVERSATION WITH CASEY CREEL __________________________________
  • NEW! The Future of Opera is Theatre: An Essay by Casey Creel __________________________________
  • NEW! MAESTRO RICCARDO FRIZZA IN CONVERSATION WITH MARGARIDA MOTA-BULL __________________________________
  • NEW! A Q&A WITH GERMAN SOPRANO PETRA LANG __________________________________
  • NEW! TENOR NICHOLAS PHAN IN CONVERSATION WITH CHRISTOPHER SALLON __________________________________
  • NEW! HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • Search S&H

    Archives by Week

    Archives by Month