A Bold Statement of Intent from Elmhurst Ballet Company at Sadler’s Wells


Origins: Elmhurst Ballet Company, Sadler’s Wells, London, 15.2.2019. (J.OD)

Elmhurst Ballet Company’s Paquita (c) Andy Ross

Choreography – Sir Kenneth MacMillan, David Bintley, Lev Ivanov and Sir Peter Wright, Wayne McGregor, Marius Petipa

Dancers – Ellie Hennequin, Ryan Felix, Theresa Tan, Andrea Canalicchio, Olivia Duran, Isla Ghali, Samuel Parham, Nina Avrillon-Rivault, Samantha Clay, Amy Turner-Daly, Amelia Hancock, Kirsty Walker, Joseph Tidswell

Sir Kenneth MacMillan, David Bintley, Lev Ivanov and Sir Peter Wright, Wayne McGregor, Marius Petipa: for its ‘inaugural tour’ Elmhurst Ballet Company makes varied and ambitious choices to demonstrate the versatility of its dancers. Set up by Elmhurst Ballet School in association with Birmingham Royal Ballet, the company aims to ‘bridge the gap’ for final-year students between school and professional life.

At this stage of their careers the students are still developing stagecraft and technique (excerpts from Petipa’s Paquita, after the interval, were visibly taxing), but many of the performances impressed. Not simply because these dancers are young, or strong, or able to go on smiling, professionally, after the occasional mishap. Several of them seemed to know, already, how to dance with their eyes.

The company as a whole made a brief, bold statement of intent in the opening work, Adrenaline, choreographed by one of its members, Amy Turner-Daly, to the sound of urgent drums and violins (Karl Jenkins). The women are in pointe shoes but the focus, for men and women, is on fast-moving, synchronised arms. In MacMillan’s Romeo and Juliet Balcony pas de deux (Act I), Ellie Hennequin and Ryan Felix convincingly charted the growth of mutual physical attraction. Theresa Tan was a prim foil to the exuberant character dance of Andrea Canalicchio in an excerpt from David Bintley’s Hobson’s Choice. Canalicchio’s musicality and ballon were in evidence again during the Paquita excerpts.

A solo from Bintley’s The Nutcracker Sweeties, to music by Duke Ellington and Billy Strayhorn, saw Olivia Duran, as Rita Hayworth, do the best she could with unflattering choreography. The best was at the end, when she put a finger to her lips and whispered: ‘Shush!’ A solo from the same choreographer’s The Shakespeare Suite, to music by the same composers, gave a crowd-pleasing Ryan Felix, in Jasper Conran, tight-fitting black, the opportunity to circle the stage as an athletic, agonised, self-mocking Hamlet.

In Swan Lake Suite (Act II), with choreography by Lev Ivanov and Peter Wright, Isla Ghali was a delicate Odette, of mournful expression, while Samuel Parham seemed to capture, even in an excerpt, the introspection of Prince Siegfried. As a dancer, however, the selfless concentration bestowed on his partner was noticeable. Amelia Hancock, in a later Odette variation, made one think of photographs of the young Beryl Grey.

Excerpts from Entity was choreography by Wayne McGregor that did not involve technology. This was so much gained; it gave the barefoot dancers freedom of movement. Starting as a duet, with the choreographer’s familiar six-o’clock extensions for the woman, familiar undulation of back and neck for the man, it built effectively to a work performed by the whole company.

Paquita, on the other hand, was a question of diminishing returns. It started out alright, with female dancers in pale orange and gold tracing Petipa’s diagonal lines. But the recording of Minkus’s music soon became relentless, and mistakes began to be made, and it seemed that no one (apart from Andrea Canalicchio) was being done any favours. Dance, for these young dancers at this stage of their careers and of the evening, too far.

John O’Dwyer

For more about Elmhurst Ballet Company click here.


Leave a Reply

Recent Reviews



Season Previews

  • NEW! Classical Music and Other Events at the Southbank Centre in 2019-20 __________________________________
  • NEW! Longborough Festival Opera’s 2019 Season __________________________________
  • UPDATED! Cleveland Orchestra in 2019-20 __________________________________
  • NEW! Classical Music at the Barbican in 2019-20 __________________________________
  • NEW! The Met: Live in HD in 2019-20 __________________________________
  • NEW! Carnegie Hall 2019-2020 Season Highlights __________________________________
  • NEW! Bampton Classical Opera’s 2019 Performances of Stephen Storace’s Gli sposi malcontenti __________________________________
  • NEW! Nevill Holt Opera’s 2019 Season __________________________________
  • NEW! 2019 Aldeburgh Festival at the Snape Maltings in June __________________________________
  • NEW! Garsington Opera’s 2019 30th Anniversary Season __________________________________
  • NEW! Venus Unwrapped: Kings Place’s Year-Long Focus on Women Composers __________________________________
  • NEW! Opera Buenos Aires in 2019 – Largely Traditional __________________________________
  • NEW! Looking Ahead to the 2019 Lucerne Festivals __________________________________
  • NEW! Opera Holland Park’s 2019 Season __________________________________
  • The Royal Opera House’s Exciting 2018/19 Cinema Season __________________________________
  • UPDATED! Zurich Opera in 2018/2019 and Beyond __________________________________
  • Salzburg Whitsun Festival 7 – 10 June 2019 __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

  • NEW! A New Initiative is Announced Supporting the Development of Female Conductors __________________________________
  • NEW! In August Fulham Opera’s Most Ambitious Project to Date – Die Meistersinger Von Nürnberg __________________________________
  • NEW! Chelsea Opera Group Perform Boito’s Mefistofele on 24 March at the QEH __________________________________
  • R.I.P. IN MEMORIAM ANDRÉ PREVIN (1929-2019) __________________________________
  • NEW! Ivan Putrov’s Against the Stream Ballet Gala Night on 7 April __________________________________
  • NEW! London To Hear Long-Overdue Revival of Parry’s Oratorio Judith in April __________________________________
  • NEW! Ik zeg: NU: I say now, now … an interview with Richard Causton __________________________________
  • NEW! SOPRANO ELENA MOȘUC IN CONVERSATION WITH CASEY CREEL __________________________________
  • NEW! A Q&A WITH GERMAN SOPRANO PETRA LANG __________________________________
  • HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • Search S&H

    Archives by Week

    Archives by Month