MULTI-FACETED MUSICIAN JOY LISNEY IN CONVERSATION WITH ROBERT BEATTIE

30/05/2019

Joy Lisney talks to Robert Beattie

Joy Lisney (c) Krisztian Siphos

I first came across Joy Lisney at a concert in London’s Purcell Room where she performed all five Beethoven Cello Sonatas with her father, James (review click here).  I was struck by the extraordinarily high level of her technical accomplishment and musicianship, and her willingness to take on such demanding repertoire at a relatively young age. Read more

‘MUSICAL MAGIC’: AN INTERVIEW WITH VIOLINIST HENNING KRAGGERUD

21/05/2019

Geoffrey Newman in Conversation with Henning Kraggerud

Henning Kraggerud © Robert Romic

There are few artists who convey a greater sense of communication and discovery in the concert hall than Norwegian violinist Henning Kraggerud. There is a life-enhancing glow in his appearances, and one surmises that his bountiful inspiration must come from somewhere – perhaps from a tradition that stresses experimentation and an almost Renaissance diversity in musical reach. Kraggerud is not only a beautifully fine-toned and sensitive violin soloist and chamber musician, but a devoted educator, a play/direct specialist, a (sometimes) violist and a composer. Read more

CONDUCTOR THOMAS SANDERLING IN CONVERSATION WITH GREGOR TASSIE

04/05/2019

Thomas Sanderling talks to Gregor Tassie

Thomas Sanderling

Read more

CONDUCTOR ÁDÁM FISCHER IN CONVERSATION WITH MICHAEL COOKSON

21/12/2018

Michael Cookson interviews Ádám Fischer

Ádám Fischer conducting the Düsseldorfer Symphoniker © Susanne Diesner

Sitting in the conductor room at the famous Semperoper, Dresden last May I interviewed conductor Ádám Fischer. In an hour’s time he would be conducting a compelling performance of Beethoven’s Fidelio directed Keith Warner (click here). I couldn’t help but contemplate on the many famous conductors who had been in the room over the years since the Semperoper’s reconstruction in 1985. Read more

A Q&A WITH GERMAN SOPRANO PETRA LANG

22/08/2018

Petra Lang (c) Ann Weitz, Düsseldorf

To admirers of great singing Petra Lang needs little introduction because of her superb performances on the world’s leading opera stages and concert platforms. In recent years, especially, she has brought the audiences at the annual Bayreuth Festival to their feet to acclaim her wonderful portrayals of Ortrud (review click here) and Isolde (review click here). Seen and Heard was delighted when Petra Lang agreed to answer our questions to look back – amongst much else – at how she began as a singer, who gave her advice along the way, a singer’s life, her thoughts on the roles she has sung and the colleagues she has worked with, as well as, her own advice for young singers. Read more

HOW TO CONTACT SEEN AND HEARD INTERNATIONAL

01/08/2018

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A Q&A WITH ITALIAN BARITONE FRANCO VASSALLO

16/04/2018

FV

Franco Vassallo is an acclaimed interpreter of leading Verdi roles – amongst many others – in the world’s most important opera houses (including Teatro alla Scala di Milano, Opéra de Paris, London’s Royal Opera House and New York’s Metropolitan Opera). He has just sung Scarpia for the first time in Puccini’s Tosca at the Staatsoper Hamburg in the Robert Carsen production and performed with Anja Harteros and Jonas Kaufmann. Read more

A Q&A WITH LISETTE OROPESA AS SHE RETURNS TO LA OPERA FOR ORFEO ED EURIDICE

18/02/2018

Lisette Oropesa (c) Steven Harris

A highlight of this season for soprano Lisette Oropesa was her Royal Opera debut as Lucia (Lucia di Lammermoor) at Covent Garden. She will soon be making a role debut as Euridice in the French version of Gluck’s Orfeo ed Euridice with Los Angeles Opera, in a new production opening on the 10 March, directed and choreographed by John Neumeier, and conducted by James Conlon. In advance of these performances in Los Angeles, Lisette Oropesa answers Seen and Heard International’s questions about this current role, as well as, looking back on her life and his career. Read more

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