NEW! JUSTIN DOYLE DISCUSSES MONTEVERDI WITH MARK BERRY

18/09/2017

Justin Doyle Discusses Monteverdi with Mark Berry

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Justin Doyle from the general rehearsal for Vespers (c) Matthias Heyde

For his first concerts as Chief Conductor and Artistic Director of the RIAS Chamber Choir, Justin Doyle finds himself very much in at the deep end: dual-venue performances of Monteverdi’s 1610 Vespers of the Blessed Virgin (at the Pierre Boulez Saal) and the Missa ‘In illo tempore’, with which it was published (just around the corner, at St Hedwig’s Cathedral). ‘Finds himself’, one might ask, or was he pushed? I was lucky enough to be able to do so, on the lunchtime in between the first, Friday evening performances, and the second ones on Saturday afternoon (the latter to be reviewed shortly). Read more

NEW! Katie Lowe Wins the 2017 Elizabeth Connell Prize

18/09/2017

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2017 Elizabeth Connell Prize Winner Announced

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Katie Lowe (c) Zohar Izenberg

KATIE LOWE from England Cheshire born 31 year old English soprano Katie Lowe has won the 4th annual Elizabeth Connell Prize for aspiring Dramatic Sopranos held in Sydney Australia on 16 September. Ms Lowe receives $30,000 and an audition at the Royal Opera House Covent Garden in London. The Finalists were chosen from live auditions held in London, New York, Zurich, Paris and Melbourne and competed over 3 rounds in Sydney for the prize. Ms Lowe sang the “Immolation Scene” from Wagner’s Götterdämmerung and “Suicidio” from La Gioconda by Ponchiello in the Final Round. Read more

NEW! ITINÉRAIRE BAROQUE 2017: TON KOOPMAN TALKS TO COLIN CLARKE

07/08/2017

Ton Koopman Talks to Colin Clarke

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Ton Koopman performing at his 2017 Itinéraire Baroque festival

I met Ton Koopman in his lovely home near Verteillac, France. Koopman’s festival, Itinéraire Baroque, had finished the night before; arriving at the house, there was a palpably convivial atmosphere, with artists featured in the festival relaxing alongside Koopman and his friends and family. The interview itself took place in a lovely, peaceful space away from the hubbub. Read more

NEW! The Royal Opera House in Mumbai is Restored to its Former Glory

31/07/2017

Return of the Royal in Mumbai

Royal Opera House Mumbai 1 Read more

NEW! iSING! – International Young Artists Festival in Suzhou, China

30/07/2017

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YOUNG ARTIST FESTIVAL IN CHINA TRAINS SINGERS FOR THE EVOLVING WORLD OF OPERA Read more

NEW! A Riveting Kokoschka’s Doll from Sir John Tomlinson and Counterpoise

24/07/2017

The Art of Love: Alma Mahler’s Life and Music: Zemlinsky, Alma Mahler, Gustav Mahler, Anton von Webern, D. Matthews.  Arranged by David Matthews (‘Erntelied’ co-arranged with Colin Matthews), with linking texts by Barry Millington. Rozanna Madylus (mezzo-soprano). Counterpoise ensemble: Fenella Humphreys (violin), Deborah Calland (trumpet), Kyle Horch (saxophone/clarinet), Iain Farrington (piano).

Kokoschka’s DollJohn Casken (composer), Sir John Tomlinson (bass), Counterpoise ensemble (as above), text by John Casken and Barry Millington.  Cheltenham Music Festival, 9.7.2017. Read more

NEW! ANGELA BROWNRIDGE IN CONVERSATION WITH ROBERT BEATTIE

07/06/2017

Angela Brownridge in Conversation with Robert Beattie

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Angela Brownridge

Angela Brownridge is one of the UK’s leading concert pianists.  She has won rave reviews for her interpretations, being compared to giants of the piano such as Solomon, Cherkassky and Bolet.  She was a child prodigy giving her first public recital at the age of 6 and her first concerto performance when she was 10 years old. She has performed with many of the world’s leading conductors and orchestras and she has an impressive and varied discography which includes the complete piano works of Barber and Gershwin.  I spoke to her about her musical background and training, the pianists and artists whom she most admires, her love of jazz and improvisation, her view of piano competitions and her recording plans for the future. Read more

NEW! THE GREAT CANADIAN ARTISTS: AN INTERVIEW WITH VIOLINIST JAMES EHNES

31/05/2017

James Ehnes in conversation with Geoffrey Newman

There are few more celebrated musicians in the world right now than Manitoba-born violinist James Ehnes; and few listeners have failed to succumb to his tonal luster, silken lyrical lines and insightful virtuosity. After initial training with Francis Chaplin, the violinist made his solo debut at age 13 with the Orchestre Symphonique de Montréal, followed by studies with Sally Thomas at Meadowmount and Juilliard (1993-97). Ehnes won the Peter Mennin Prize upon his Juilliard graduation, and subsequently received the first-ever Ivan Galamian Memorial Award and an Avery Fisher Career Grant, in addition to the highest Canadian honours. A turning point in Ehnes’ recording career came in 2006-2007 when his ‘homegrown’ recording of the Barber, Korngold and Walton concertos with the Vancouver Symphony Orchestra (under Bramwell Tovey) won both Juno and Grammy awards. This was followed by the widely-praised Onyx recording of the Elgar Violin Concerto with Sir Andrew Davis. Read more

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