NEW! ‘Between Two Worlds’: An Interview With Violinist Tianwa Yang

10/12/2015

BETWEEN TWO WORLDS: AN INTERVIEW WITH VIOLINIST TIANWA YANG

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Tianwa Yang

The dramatic growth in the number of talented artists of Asian origin has been one of the outstanding features of classical music today, indeed sufficiently important to influence the focus of major recording companies and media. Traditionally, the road to exposure for young Asian artists, and violinists in particular, has been straightforward: move to America, gain entrance into Juilliard or Curtis from an early age, and let their budding musical and technical skills be honed by the great teachers. This was the route taken by Kyung Wha Chung originally, and later Cho Liang Lin and Sarah Chang, among many others.

If one looks at the career of 28-year-old Chinese violinist Tianwa Yang, one would think that she must be cut from standard cloth. After all, her virtuoso skills are pristine and her recordings for Naxos, the most enterprising being the complete violin compositions of Pablo Sarasate, have received the highest praise. They have often been cited as a model of ‘the art of the violin’ for their technical accuracy, perception and emotional commitment. Of her more than 20 recordings, she has also received the ECHO Klassic 2015 award as Violin Instrumentalist of the Year for Ysaÿe’s Sonatas for Solo Violin. Yet Ms Yang did all her early studies in China, and in fact did not want to study in America. She recoils at the term ‘virtuoso’ being used to describe her talents, showing almost no interest in the ‘International Violin Olympiad’, as she aptly calls it.  Rather, her dream from her teens was to study German chamber music in Germany, and that is eventually what she did. It is a long jump from Schubert to Sarasate or Paganini, so when she visited Vancouver to play Paganini’s 2nd Concerto, I was more than a little intrigued, especially since she apparently had not touched the work for over a decade. Read more

NEW! Interview with Bertrand Chamayou

04/11/2015

INTERVIEW WITH BERTRAND CHAMAYOU

Bertrand Chamayou (c) Marco Borggreve

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Bruce Dickey on the Cornetto and the Vespers

18/10/2015

Bruce Dickey on the Cornetto and the Vespers

Dickey

Bruce Dickey

For four decades, Bruce Dickey has almost single-handedly pioneered the resurgence of the cornetto, an instrument forgotten for centuries but absolutely essential to faithful historical performance. He has been a fixture at the Schola Cantorum Basiliensis, leading new students of the instrument forward. In 2000, the Historic Brass Society awarded him the prestigious Christopher Monk Award for ‘his monumental work in cornetto performance, historical performance practice and musicological scholarship’. Read more

NEW! New Energy in Early Music in the Pacific Northwest: An Interview with Matthew White

10/09/2015

New Energy in Early Music in the Pacific Northwest: An Interview with Matthew White

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Matthew White

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Magnificent Schubert from Bernard Haitink and the Chamber Orchestra of Europe.

30/08/2015

 

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Prom 57 – Schubert and Mozart: Maria João Pires (piano), Chamber Orchestra of Europe, Bernard Haitink (conductor). Royal Albert Hall, London, 28.8.2015 (MB)

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                            Prom 57  CR BBC Chris Christodoulou 1

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NEW! The Three Choirs Festival: Recollections of a Chorus Member

01/07/2015

    The Three Choirs Festival: Recollections of a Chorus Member

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NEW! The Great Canadian Artists: An Interview with Pianist Angela Hewitt

04/06/2015

  The Great Canadian Artists: An Interview with Pianist Angela Hewitthewitt(1)-400

 

Angela Hewitt grew up in Ottawa and began her piano studies at the age of three. She gave her first full-length recital at the age of nine at the Royal Conservatory of Music in Toronto, where she studied from 1964 to 1973. Read more

NEW! Pianist Paul Lewis in Conversation with Geoffrey Newman

24/05/2015

Pianist Paul Lewis in Conversation with Geoffrey Newman

Paul Lewis

Paul Lewis

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