Reunion at Sadler’s Wells – 17 to 30 May 2021
English National Ballet (click here) hopes to return to live performances with five works by renowned choreographers and rising talents (booking starts 8 April 2021).
Created and released as films during our critically acclaimed Digital Season in late 2020 (for our review click here) these original pieces are performed live on stage for the first time.
For 2021/22 see below about:
World premieres of Creature by Akram Khan and Raymonda by Tamara Rojo
New performance dates for THE FORSYTHE EVENING
Nutcracker returns for the festive season
Celebratory Emerging Dancer event
Maria Kochetkova returns to ENB, joining as Lead Principal
ENB’s new home to be named Mulryan Centre for Dance
New ballet talent pipeline project and expansion of Dance Leaders of the Future
Sidi Larbi Cherkaoui reimagines Laid in Earth as a ‘torn apart’ quartet. It is set to Purcell’s famous aria from Dido and Aeneas – sung live by mezzo soprano Flora McIntosh, as well as new electronic music composed by Olga Wojciechowska.
In Echoes, Russell Maliphant creates ever shifting choreography and uses light as an integral partner in the creative process. Collaborating with video artist Panagiotis Tomaras and with commissioned sound design by Dana Fouras, the result is mesmerising.
A former principal dancer with the Bolshoi Ballet, Royal Danish Ballet and San Francisco Ballet, world-renowned choreographer Yuri Possokhov works with a UK company for the first time. His piece for four dancers, Senseless Kindness, is based on Vasily Grossman’s great novel, Life and Fate, about a Russian family caught in the Second World War and set to Shostakovich’s Piano Trio No.1.
In creating Take Five Blues, ENB Associate Choreographer Stina Quagebeur was inspired by Nigel Kennedy’s take on Bach’s Vivace and Desmond’s Take Five, and the way in which contemporary jazz and classical music are uniquely married together. Her eight dancers play with the unexpected melodies and rhythms, feeding off each other’s energy in this high-spirited number that pushes past classical ballet’s rules and boundaries into new territories.
Arielle Smith’s Jolly Folly is like your favourite dance number in an old movie musical: fast-paced, surprising, and full of uncontainable energy. Driven by the Klazz Brothers’s Latin-infused covers of Tchaikovsky, Strauss and Mozart, it will make you grin from ear to ear.
The music for Laid in Earth and Senseless Kindness is performed live by musicians of English National Ballet Philharmonic.
Tickets go on sale to Great Friends and Benefactors on Wednesday 31 March, to Friends on Tuesday 6 April, and to the general public on Thursday 8 April. Become a Benefactor, Great Friend or Friend to receive a discount and enjoy priority booking.
Performances will be to socially distanced audiences, subject to UK Government guidance.
English National Ballet today announces plans for its 2021-2022 Season
Looking to the future with hope and optimism, English National Ballet’s 2021-2022 Season is a celebration of dance and its power to invigorate, inspire, and bring people together. Embracing both exciting new creations and the tradition of great classical ballet, the Company presents world premieres alongside perennial favourites.
English National Ballet’s Artistic Director, Tamara Rojo CBE said: ‘The past year has shown the determination, resilience and innovativeness of our Company. It has demonstrated the importance of the arts in gathering us together as a society, to share stories and to develop an understanding of, and empathy for, ourselves and others. Whilst the impact of the pandemic will continue to be felt for some time, I am pleased that today we are able to look ahead with optimism at better times to come. I cannot wait to share a Season of live performances and to once again hear the sounds of an audience slowly filling the auditorium and feel the energy build as we wait for the curtain to rise.’
New dates for the eagerly awaited world premiere of Raymonda by English National Ballet’s Artistic Director Tamara Rojo CBE, after Marius Petipa, are today announced. Rojo’s version of the classic 19th century ballet will be performed at the London Coliseum from 13-23 January 2022. Marking her debut in choreography and direction, Rojo adapts the three-act production for today’s audiences, revisiting this important but rarely performed work of the ballet canon, which is not, in its entirety, in any other UK dance company’s repertoire.
Bringing the story into the setting of the Crimean war and drawing inspiration from the spirit and ground-breaking work of the women supporting the war effort, including Florence Nightingale, Raymonda is recast as a young woman with a calling to become a nurse. With a new narrative and developed characterisation bringing women’s voices to the fore, Rojo’s Raymonda introduces a heroine in command of her own destiny.
Tamara Rojo said: ‘It continues to be a part of my vision for English National Ballet to look at classics with fresh eyes, to make them relevant, find new contexts, amplify new voices and ultimately evolve the art form. I have truly enjoyed delving into the creative process of adapting and choreographing a large-scale ballet.
‘Raymonda is a beautiful ballet – extraordinary music, exquisite and intricate original choreography – with a female lead who I felt deserved more of a voice, more agency in her own story. Working with my incredible creative team, I have set Raymonda in a new historical context, adapting the narrative in order to bring something unique, relevant and inspiring to our audiences.
‘This story is about many themes; duty, war, patriotism, culture, but at its centre are the nurse characters – inspired by Florence Nightingale’s vision, drive and passion. Reflecting on the last year, we have seen how nurses, and many others in the medical sector, sacrifice so much to take care of other people and I hope this, in some small way, pays homage to them.’
Rojo brings together a stellar production team for Raymonda with costume and set design by Antony McDonald, lighting design by Mark Henderson, dramaturgy by Lucinda Coxon, character dances by Vadim Sirotin, and choreology research and advice on the Sergeyev notation by Doug Fullington. Alexander Glazunov’s original score, adapted and edited by Gavin Sutherland and Lars Payne, will be performed live by English National Ballet Philharmonic. Raymonda is a Co-Production between English National Ballet and Finnish National Opera and Ballet.
As previously announced, the much-anticipated world premiere of Creature by Akram Khan will now take place at Sadler’s Wells from 23 September – 02 October 2021, with its postponed international premiere taking place at Chicago’s Joan W. and Irving B. Harris Theater in February 2022. A Co-Production between English National Ballet and Opera Ballet Vlaanderen, this is Khan’s third collaboration with the Company. Creature is an unearthly tale of exploitation and human frontiers inspired by Georg Büchner’s expressionist classic Woyzeck, with shadows of Mary Shelley’s Frankenstein. Drawing on themes of abandonment, isolation and the fragility of the mind, Creature is the tale of an outsider and the search for belonging.
Akram Khan said: ‘The COVID-19 pandemic hit the UK just weeks before Creature was due to premiere in London last April and the final stages of our creation and rehearsal process were brought to an abrupt halt as the country went into lockdown. On returning to the studio, I’ve brought the experiences of the last year with me, drawing on themes of isolation, mental health, and patriarchal systems…and within that, I am exploring our very destructive nature of wanting to control everything…man-made systems, nature, animals, fellow humans, our future, and even our past…we want to control it all. And what I am realising is that you can’t control a living thing, without destroying what’s alive about them.”
Following a year in which COVID-19 restrictions meant English National Ballet was unable to present a live version of Nutcracker for the first time in its history, the family favourite makes a welcome return to the London Coliseum for Christmas 2021 (16 December 2021 – 08 January 2022). The Company has performed a version of Nutcracker every year since it was founded in 1950 and this production by Wayne Eagling encapsulates all that is loved most about the festive ballet. Over 100 dancers and musicians bring to life the popular Tchaikovsky score featuring the Dance of the Sugar Plum Fairy and Waltz of the Flowers, performed live by English National Ballet Philharmonic.
Tamara Rojo said: ‘The London Coliseum is an amazing theatre for ballet and has been the home of our Winter Season for many years. I think performing there this year will feel particularly special, for both the Company and our audiences.’
Performances of THE FORSYTHE EVENING will now take place at Sadler’s Wells from 31 March – 10 April 2022, replacing dates in April 2021. In 2018 English National Ballet premiered William Forsythe’s first creation for a UK ballet company in over 20 years, Playlist (Track 1, 2). The Company’s relationship with the revered American choreographer continues with a triple bill that comprises of the UK premiere of Blake Works I, featuring the music of James Blake’s album, The Colour in Anything; alongside Approximate Sonata 2016, a series of deconstructed pas de deux first performed by English National Ballet in 2018; it will also present for the first time in the UK an extended version of Playlist (Track 1, 2), Playlist (EP).
Tamara Rojo said: ‘William Forsythe is a genius of 20th century choreography. This triple bill exemplifies his ability to present classical vocabulary in a modern context in a way that speaks to audiences of all ages. In Approximate Sonata 2016 we see an intimate exploration of the relationships between women and men; Blake Works I is one of the most beautiful ballets I have seen in a long time; and I am thrilled we will see the Company return to Playlist with its combination of Forsythe’s unique choreographic style and exhilarating pop music – it’s an onstage party which is a complete joy to witness.’
The COVID-19 pandemic has seen English National Ballet adapt and innovate, remaining committed to bringing world-class ballet to the widest possible audience. Although performing in theatres hasn’t been possible, the Company continued to bring dance to audiences through ENB at Home. The launch of the dedicated on-demand digital platform has given audiences at home the opportunity to rent full-length ballets and insightful documentaries through Ballet on Demand and engage in a wide range of ballet-based fitness classes through BalletActive.
Looking ahead, English National Ballet will continue to offer digital access to its work. Whilst an absence of live performance has made it impossible to select Emerging Dancer finalists and People’s Choice Award winners this year, the Company continues to recognise the excellence of its Artists with Emerging Dancer: A Celebration. Performances from previous winners will be live streamed from the Holloway Production Studio in English National Ballet’s east London home on 2 September 2021.
Tamara Rojo said: ‘Despite the challenges of the last year, I am proud that through our digital work we have continued to create and to engage with our audiences. Indeed, in sharing work online, we have reached more people than ever before, and I am so pleased that we will continue to do so.’
Due to the ongoing impact of the COVID-19 pandemic, English National Ballet’s UK autumn tour and My First Ballet tour will not take place this Season. The Company looks forward to returning to partner venues and performing to audiences around the UK next year.
English National Ballet’s new home to be named Mulryan Centre for Dance
2019 saw English National Ballet enter a new chapter in its history when it moved into a purpose-built state-of-the-art home in a new east London neighbourhood, London City Island. Today, the Company announces that its award-winning building will be named Mulryan Centre for Dance, after the family of one of its major supporters, Sean Mulryan, Chairman and Group Chief Executive of major developer Ballymore.
Tamara Rojo said: “On behalf of all of us at English National Ballet I want to thank Sean Mulryan and his family for this incredible generosity. This building has transformed the way we work, providing us with the scale and versatility to be more creative and ambitious than ever before. That has been particularly true this last year when, despite the huge challenges faced, it has allowed our dancers to safely rehearse, given us the space to innovate and create, and enabled us to continue connecting with our audiences and communities, near and far.”
Sean Mulryan said: “The arts, culture and design are essential to our lives and to our wellbeing. We must appreciate the significance of the arts to our quality of life, in particular it is this that gives London its soul. English National Ballet is a treasured national asset, and we should all be grateful for what they and other artistic talents, bring to our society. I have been pleased to support them, and urge others to support the arts, especially at this very difficult time”.
The 2021-2022 Season sees Maria Kochetkova welcomed into the Company.
International ballet star Maria Kochetkova returns to the Company, joining as a Lead Principal. Born in Moscow, Kochetkova trained at the Bolshoi Ballet School before dancing with companies including English National Ballet (2003 – 2007), The Royal Ballet, San Francisco Ballet, Finnish National Opera and Ballet, the Mariinsky and Mikhailovsky Theatres, and American Ballet Theatre. She also danced as a Guest Artist with English National Ballet in performances of Cinderella in-the-round in 2019.
Tamara Rojo said: “I am delighted that Maria has decided to join ENB as her home company. I have known and admired Maria for many years and I look forward to welcoming such a dedicated, intelligent, and versatile artist. I am sure our audiences will delight in her performances.”
English National Ballet announces a new ballet pipeline project.
English National Ballet is to launch a new ballet talent pipeline project. The high-quality, early-stage, ballet training programme for children aged 8-12 years will run in association with five dance schools across England: West London School of Dance in collaboration with the Young Dancers Academy, Dupont Dance Stage School, Beckenham Ballet Academy, The Joanne Bond School of Classical Ballet, and The Janet Lomas School of Dancing. The five year programme aims to contribute to and promote a diverse classical landscape by proactively encouraging and incentivising more dancers from traditionally underrepresented groups to participate in professional ballet training at the earliest possible point; in turn, impacting on 21st century work.
English National Ballet’s senior leadership team will work with members of the Company’s artistic staff as well as Company dancer, Sarah Kundi, who will help shape the programme and be a mentor to the children involved in the project.
Tamara Rojo said: “I believe that there are spaces to be filled in the dance training system for young artists who are representative of the world we live in, the stories we want to tell, and the people who tell them. I am excited that by working with dance schools for children, this project will provide gifted and talented individuals with space to grow into their potential as young artists. I am delighted that, together with these schools, we will be enabling them to increase their natural aptitude, harness their confidence, and understand their artistic personality, and to helping them find their places in the dance world in the future.”
An initial 12-month pilot phase of the project will begin in July 2021. Further details will be announced soon.
Following a successful launch, English National Ballet’s Dance Leaders of the Future programme is expanded.
Launched in 2019, Dance Leaders of the Future is part of English National Ballet’s commitment to the development of every individual and every aspect of the art form, including leadership. It offers Company dancers the opportunity to develop their leadership skills and gain experience and a greater understanding of the running of an arts organisation. The programme sees dancers selected for the programme attend key organisational meetings, carry out placements in administrative departments and learn more about the business model at English National Ballet.
Looking ahead, the programme expands to span two years. The first offers an induction to all company departments and core leadership training, whilst the second year investigates a specialist focus, and develops autonomy with the delivery of an independent-led project.
Tamara Rojo said: “The expansion of the Dance Leaders of the Future program is another example of English National Ballet’s commitment to consistently invest resources, time and effort into the development of our dancers, whether this is in the studio, on the stage or in other aspects of their career.”
English National Ballet’s Engagement programme: English National Ballet’s Engagement programme has continued throughout the pandemic, improving wellbeing through online adaptation of ENB’s Dance for Parkinson’s and ENBEldersCo,
The 2021-2022 Season reactivates Dance Journeys Digital Works film capture, Digital Arts Award – Demi & Grand Pas packages and Ballet Explored as a blended model for schools with packages for both Creature and Raymonda. EN
English National Ballet is grateful for the generous grant it has been awarded through the Government’s Culture Recovery Fund, which allows it to continue to create, perform and serve its audiences.