David Watkin leads an unassuming but enjoyable account of Messiah

United KingdomUnited Kingdom Handel, Messiah: Harriet Eyley (soprano), Jess Dandy (contralto), Stuart Jackson (tenor), James Newby (baritone), Choir of Jesus College, Cambridge (director, organ: Richard Pinel), Britten Sinfonia / David Watkin (conductor). Barbican Hall, London, 16.12.2021. (MB)

Britten Sinfonia’s Messiah at the Barbican Hall

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A phenomenal Messiah from Paul McCreesh and the Gabrieli Consort at the Tonhalle in Zurich

SwitzerlandSwitzerland Handel, Messiah: Mary Bevan (soprano), Caitlin Hulcup (alto), Benjamin Hulett (tenor), ​​​​​​​Ashley Riches (bass), Gabrieli Consort, Kammerorchester Basel / Paul McCreesh (conductor). Tonhalle, Zurich, 18.12.2021. (JR)

Paul McCreesh (c) Tonhalle Zurich

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Conductor Patrick Fournillier shines in Barbara Wysocka’s compelling new La bohème in Warsaw

PolandPoland Puccini, La bohème: Soloists, Władysław Skoraczewski Artos Children’s Choir, Chorus and Orchestra of the Polish National Opera / Patrick Fournillier (conductor). Polish National Opera, Warsaw, 11.12.2021. (RP)

Davide Giusti (Rodolfo) and Adriana Ferfecka (Mimì) © Krzysztof Bieliński

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Gergiev’s Mariinsky proves there is much to admire in Tchaikovsky’s The Enchantress

Russian FederationRussian Federation Tchaikovsky, The Enchantress: Soloists, Chorus and Orchestra of the Mariinsky Theatre / Valery Gergiev (conductor). Mariinsky II, St Petersburg, 4.12.2021. (GT)

Mariinsky Theatre’s The Enchantress (c) Valentin Baranovsky

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Manuel García’s five-opera cycle comes to an end in Madrid with Un avvertimento ai gelosi

SpainSpain Manuel García, Un avvertimento ai gelosi: Members of Centro de Perfeccionamiento del Palau de les Arts / Rubén Fernández de Aguirre (conductor and piano ). Fundación Juan March, Madrid, 17.12.2021. (JMI)

Fundación Juan March’s Un avvertimento ai gelosi © M. Alperi

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