Strategy is all: taking risks in Joyce DiDonato’s RAM masterclass

United KingdomUnited Kingdom Masterclass with Joyce DiDonato: Joyce DiDonato (mezzo-soprano) with students Sophie Sparrow (soprano), Jack Lee (baritone), Bernadette Johns (mezzo-soprano), Liam Bonthrone (tenor), Harry Rylance and Chad Vindin (piano). Susie Sainsbury Theatre, Royal Academy of Music, London. 15.2.2022. (CSa)

Liam Bonthrone and Joyce DiDonato

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Optimism conquers despair: Rattle and LSO thrill with Berg and Beethoven  

United KingdomUnited Kingdom Berg and Beethoven: Iwona Sobotka (soprano) Anna Stéphany (mezzo-soprano), Robert Murray (tenor), Florian Boesch (baritone), London Symphony Chorus & Orchestra /Sir Simon Rattle (conductor). Barbican Hall, London. 16.2.2020. (CSa)

Soloists, London Symphony Chorus, LSO & Simon Rattle (conductor)
(c) Candice Witton

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PIANIST JONATHAN BISS IN CONVERSATION WITH CHRISTOPHER SALLON

Jonathan Biss and His Promethean struggle with Beethoven

Jonathan Biss (c) Benjamin Ealovega

 

The 250th anniversary of the birth of the irrepressible Ludwig van Beethoven late last year has unleashed ceaseless commemorative celebrations across the world’s concert halls and classical radio stations. It has also triggered a plethora of new recordings by some of the world’s greatest artists, not least the last of a nine-volume set of Beethoven’s 32 piano sonatas by the renowned Philadelphia-based pianist, teacher, musical thinker and writer, Jonathan Biss. He has dedicated many of his 39 years to interrogating the sonatas and has embarked on a punishing worldwide programme of Beethoven concerts and talks, including a series of seven recitals at London’s Wigmore Hall.

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