A visual bag of tricks: Barrie Kosky’s The Magic Flute returns to LA Opera
18/11/2019
United States Mozart, The Magic Flute: Soloists, Chorus and Orchestra of LA Opera / James Conlon (conductor), Dorothy Chandler Pavilion, Los Angeles, 16.11.2019. (JRo)
Theo Hoffman (Papageno) and Zuzana Markova (Pamina) (c) Cory Weaver
Berlin sees and hears the world premiere of Chaya Czernowin’s fascinating new opera
17/11/2019
Germany Chaya Czernowin, Heart Chamber (world premiere): Soloists, Ensemble Nikel (Brian Archinal [percussion], Yaron Deutsch [electric guitar], Antoine Françoise [piano], Patrick Stadler [saxophone]), SWR Experimentalstudio (live electronics), Orchestra of the Deutsche Oper, Berlin / Johannes Kalitzke (conductor). Deutsche Oper, Berlin, 15.11.2019. (MB)
Deutsche Oper Berlin’s Heart Chamber (c) Michael Trippel
Doña Francisquita – nicely sung zarzuela on stage at Barcelona’s Liceu
13/11/2019
Spain Amadeo Vives, Doña Francisquita: Liceu Orchestra and Chorus / Óliver Díaz (conductor), Gran Teatre del Liceu, Barcelona, 11 & 12.11.2019. (JMI)
Doña Francisquita (c) A. Bofill
A new production of Purcell’s King Arthur in Berlin
12/11/2019
Germany Purcell, King Arthur: Actors, Soloists, Ein Skills Ensemble, Staatsopernchor Berlin (chorus director: Martin Wright), Akademie für Alte Musk Berlin, René Jacobs (conductor). Staatsoper Unter den Linden, Berlin, 8.11.2019. (MB)
King Arthur (c) Ruth and Martin Walz
The Met’s troubled Madama Butterfly does justice to Anthony Minghella’s vision and memory
11/11/2019
United States The Met: Live in HD – Puccini, Madama Butterfly: Soloists, Chorus and Orchestra of the Metropolitan Opera / Pier Giorgio Morandi (conductor). Broadcast live to Cineworld Basildon, Essex, from the Metropolitan Opera, New York, 9.11.2019. (JPr)
Hui He (Butterfly) and Paulo Szot (Sharpless) © Richard Termine/Met Opera
Anja Kampe blazes in Oper Frankfurt’s Lady Macbeth of Mstensk
06/11/2019
Germany Shostakovich, Lady Macbeth of Mstensk: Soloists, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester / Sebastian Weigle (conductor), Oper Frankfurt, Frankfurt, 3.11.2019. (RP)
Anja Kampe (Katerina Ismailova) & Dmitry Belosselskiy
(Boris Ismailov) © Barbara Aumüller
A memorable evening as the Komische Oper Berlin presents The Bassarids
06/11/2019
Germany Henze, The Bassarids: Soloists, Vocalconsort Berlin, Chorus (chorus director: David Cavelius) and Orchestra of the Komische Oper Berlin / Vladimir Jurowski (conductor). Komische Oper, Berlin, 5.11.2019. (MB)
The Bassarids (c) Monika Rittershaus
Passion, desperation and glorious singing in Oper Frankfurt’s Manon Lescaut
06/11/2019
Germany Puccini, Manon Lescaut: Soloists, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester / Lorenzo Viotti (conductor), Oper Frankfurt, Frankfurt, 2.11.2019. (RP)
Joshua Guerrero (Des Grieux) & Asmik Grigorian (Manon Lescaut) © Barbara Aumüller
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This joyous set of Beethoven's sonatas takes its place among the very best. [...]In its own way, the Seven Words of Christ is just as sublime as the Stabat Mater. [...]This sensitive, dynamic recording is a joy, and may even constitute a revelation. [...]The pair exhibits a refined style on these illuminating performances. [...]A deeply affecting experience that ought to win the opera many new admirers. [...]David McVicar's production of 'Die Zauberflöte' is filled with nocturnal high-jinks [...]All three movements are so intricately packed with incident that one is tempted to simply let onesel [...]Kenneth MacMillan's bouncy 'Concerto', Frederick Ashton's 'Enigma Variation [...]Don Pasquale has always invited playfulness, but Damiano Michieletto's take might be an experim [...]All the voices in this production are big, finds Michael Church, with Pasha Selim's roars of fr [...]
This joyous set of Beethoven's sonatas takes its place among the very best. 
In its own way, the Seven Words of Christ is just as sublime as the Stabat Mater. 
This sensitive, dynamic recording is a joy, and may even constitute a revelation. 
The pair exhibits a refined style on these illuminating performances. 
A deeply affecting experience that ought to win the opera many new admirers. 
David McVicar's production of 'Die Zauberflöte' is filled with nocturnal high-jinks 
All three movements are so intricately packed with incident that one is tempted to simply let onesel 
Kenneth MacMillan's bouncy 'Concerto', Frederick Ashton's 'Enigma Variation 
Don Pasquale has always invited playfulness, but Damiano Michieletto's take might be an experim 
All the voices in this production are big, finds Michael Church, with Pasha Selim's roars of fr 
