United Kingdom Prokofiev, Romeo and Juliet: Scottish Ballet, Scottish Ballet Orchestra / Richard Honner, (conductor), Sadler’s Wells, London, 14.5.2014 (J.O’D)
Scottish Ballet’s Updated Romeo And Juliet Makes an Impact
John O’Dwyer
Joe Moran’s Three Responses to What Can Dance Say Today?
United Kingdom Assembly (Decommission, Obverse, Arrangement), Joe Moran/Dance Art Foundation, The Place, London, 13.5.2014 (J.O’D)
Silva Blends Portuguese Song Tradition with Contemporary Dance
United Kingdom Arez, A Darker Shade of Fado: Nino Silva (supported by Pavilion Dance South West and Greenwich Dance) artsdepot, London, 1.5.2014 (J.O’D)
Conviction and Daring in Eva Recacha’s Easy Rider
United Kingdom Easy Rider, Eva Recacha/The Place: The Place, London, 26.0.2014 (J.O’D)
Crystal Pite’s Choreographed Encounters Based on The Tempest
United Kingdom Belton, The Tempest Replica: Kidd Pivot/Crystal Pite, Sadler’s Wells, London, 25.4.2014 (J.O’D)
Eifman’s Anna Karenina Harks Back to Choreography Soviet Style
United Kingdom Tchaikovsky, Anna Karenina: Saint Petersburg Eifman Ballet, London Coliseum, London, 19.04.2014 (J.O’D)
Dance with Talk Doesn’t Quite Come Off
United Kingdom Various Composers, If Play Is Play…: HeadSpaceDance, Royal Opera House (Linbury Studio Theatre), London, 16.04.2014 (J.O’D)
Eifman Offers Halfway House Between Classical Ballet and Moderrn Dance
United Kingdom Ravel, Saint-Saëns, Massenet (recorded), Rodin: Saint Petersburg Eifman Ballet, London Coliseum, London, 15.4.2014 (J.O’D)
