A remarkable, unforgettable St John Passion from Bach Collegium Japan and Masaaki Suzuki

13/03/2020

United KingdomUnited Kingdom Bach: James Gilchrist (Evangelist), Hana Blažiková (soprano), Damien Guillon (countertenor), Zachary Wilder (tenor), Christian Immler (bass-baritone, Jesus), Aki Matsui (Maid), Yasuke Tamiguchi (Servant), Yusuke Watanabe (Peter and Pilate). Bach Collegium Japan / Masaaki Suzuki (conductor). Barbican Hall, London, 10.3.2020. (CC)

Masaaki Suzuki (c) Ronald Knapp

Bach – St John Passion (sung in German)

Just as Masaaki Suzuki has just revisited the St Matthew Passion, some two decades after his first BIS recording, so here he reconnects with the St John Passion. (My colleague Mark Sealey reviews that recent St Matthew on MusicWeb International here.)

And what a powerful interpretation of the St John Passion this was. The acidic oboes of the opening chorus, ‘Herr, unser Herrscher’ penetrated even more than in the BIS recording, their pain reflecting the urgency of the pulsing lower strings as the choir intones ‘Herr!’. This Barbican Bach was pungent, and above all uncompromising. The rapport between Suzuki and his choir is, of course, preternaturally strong (they have, after all recorded, a Bach cantata cycle together) – the choral attack is remarkable, the discipline complete, their evocation of various vocal groups (High Priests, crowd, soldiers) in the Turbae sequences was brilliant throughout, but particularly in the court and trial passages, while the chorales seemed to offer solace to the assembled ‘congregation’ (the audience). A balance between exactitude of execution and pure emotive power was to characterise the evening. The inclusion of a contrabassoon seemed to tie the text’s pain to the very earth itself. The choir’s urgent ‘Wohin?’ contributions to the bass aria ‘Eilt, ihr angefocht’nen Seelen’ were intensively involving, as was the late chorus ‘Ruht voll’, where the sighing gestures were incredibly touching.

Suzuki’s grasp of the score is second to none; the time just fell away as one became absorbed in the tale. Our all-important Evangelist was James Gilchrist, a role he knows inside out and delivered with supreme authority. His work as narrator was superb, the timing perfect, the diction immaculate. But more, we were drawn into the familiar story – familiar, but, as it unravelled in real time, supremely involving.

Christian Immler, who took the Hermit and Voice of Samael in the Insula Der Freischütz (Aix review; Barbican review) here sang Jesus, presenting a very human Saviour. It is true that in this particular Gospel setting, Jesus has a relatively small part, but Immler’s performance was searing in its emotive power.

Damien Guillon is a superb countertenor who, away from the Bach Collegium Japan, also has his own ensemble, Le Banquet Céleste: see their fabulously inventive pairing of Bach and Pergolesi on Glossa – in which Pergolesi’s Stabat Mater is coupled with Bach’s version of that same piece, his Psalm 51, BWV 1083 and the virtuoso solo cantata by Vivaldi, the Nisi Dominus, RV 608. Here his contributions were restrained yet pure; ‘Es ist vollbracht,’ with the voice plaintive and potent, joined by the superb viola da gamba of Rainer Zipperling.

It was wonderful to hear the soprano Hana Blažiková, who has previously appeared on Suzuki’s Bach Cantata series. Her light, beautiful voice illuminated ‘Ich folge dir gleichfals’ from within, in supreme dialogue with the flutes of Kiyami Suga and Liliko Maeda. Zachary Wilder’s sweet tenor nevertheless offered emotional power in ‘Ach, mein Sinn’.

A remarkable, unforgettable evening.

Colin Clarke

Comments

Leave a Reply

Recent Reviews

Season Previews

__________________________________
  • NEW! English Music Festival’s 2020 online series of concerts and talks __________________________________
  • NEW! Glyndebourne 2020 cancelled and looking to the future __________________________________
  • NEW! Opera Philadelphia announces Digital Festival O __________________________________
  • NEW! The Singapore Symphony in 2020-2021 __________________________________
  • NEW! Musikfest Berlin 2020 __________________________________
  • NEW! Berlin’s Staatsoper Unter den Linden 2020-2021 __________________________________
  • NEW! 2020-2021 at Dresden’s Semperoper __________________________________
  • NEW! Zurich Opera in 2020-2021 __________________________________
  • NEW! London’s Southbank Centre in 2020-2021 __________________________________
  • NEW! The Met: Live in HD in 2020-2021 __________________________________
  • NEW! 2020-2021 at London’s Barbican __________________________________
  • NEW! Birmingham Royal Ballet in 2020-2021 __________________________________
  • NEW! Carnegie Hall’s 2020-2021 season __________________________________
  • NEW! London’s Wigmore Hall in 2020-2021 __________________________________
  • NEW! Tamara Rojo’s new Raymonda and ENB in 2020-2021 __________________________________
  • Subscribe to Free Review Summary Newsletter

    Search S&H

    News and Featured Articles

    __________________________________
  • NEW! An update about the 2020 Salzburg Festival __________________________________
  • NEW! Did we really need Vera Lynn during the war – and when will we all meet again? __________________________________
  • NEW! 2020 Three Choirs Festival – postponed __________________________________
  • UPDATED ONLINE NEWS! IMPACT OF CORONAVIRUS (COVID-19) PANDEMIC __________________________________
  • NEW! ACCOMPANIST OR PARTNER? PIANIST SUSIE ALLAN IN CONVERSATION WITH JOHN QUINN __________________________________
  • NEW! Perfect Pianists at the BBC: education and entertainment __________________________________
  • NEW! Need to escape reality? Enter into the magical world of composer David Hertzberg __________________________________
  • NEW! BTHVN2020 – Beethoven anniversary goes into overtime __________________________________
  • SOME GOOD NEWS! Extraordinary generosity of the Longborough Festival Opera audience __________________________________
  • NEW! Remembering Margaret Rutherford: murder on and off screen __________________________________
  • Remembering George London’s life and legacy on the 100th anniversary of his birth __________________________________
  • PIANIST LOUIS LORTIE IN CONVERSATION WITH GEOFFREY NEWMAN __________________________________
  • PIANIST JONATHAN BISS IN CONVERSATION WITH CHRISTOPHER SALLON __________________________________
  • A Q&A WITH SARDINIAN TENOR PIERO PRETTI __________________________________
  • Archives by Week

    Archives by Month