United Kingdom Mahler: Lucy Crowe (soprano), Karen Cargill (mezzo Soprano), CBSO Chorus, City of Birmingham Symphony Orchestra / Mirga Gražinytė-Tyla (conductor), Symphony Hall, Birmingham, 13.6.2019. (JQ)

SINCE 1999 A LIVE REVIEW SITE FOR OPERA, BALLET, CONCERTS, BROADCASTS, AND THEATRE
United Kingdom Mahler: Lucy Crowe (soprano), Karen Cargill (mezzo Soprano), CBSO Chorus, City of Birmingham Symphony Orchestra / Mirga Gražinytė-Tyla (conductor), Symphony Hall, Birmingham, 13.6.2019. (JQ)
United Kingdom Mozart, David Matthews, Schubert arr. Woods, Mahler arr. Simon: April Fredrick (soprano), Orchestra of the Swan / Kenneth Woods (conductor), The Play House, Stratford-upon-Avon, 28.5.2019 (JQ)
United Kingdom Chipping Campden Music Festival [3] – David Matthews, Chopin, Elgar: Eric Lu (piano), Chipping Campden Festival Academy Orchestra / Thomas Hull (conductor). St. James’ Church, Chipping Campden, 25.5.2019. (JQ)
United Kingdom Chipping Campden Music Festival [2] – Beethoven and Schubert: Roderick Williams (baritone), Susie Allan (piano). St. James’ Church, Chipping Campden, 19.5.2019. (JQ)
United Kingdom Chipping Campden Music Festival [1] – Handel: BBC Singers, Academy of Ancient Music / Gergely Madaras (conductor). St. James’ Church, Chipping Campden 13.5.2019. (JQ)
United Kingdom Bliss, Venables, Gurney: Andrew Randall (baritone), Eric McElroy (piano), Carducci String Quartet (Matthew Denton & Michelle Fleming [violins], Eoin Schmidt-Martin [viola], Emma Denton [cello]). Ivor Gurney Hall, King’s School, Gloucester, 11.5.2019. (JQ)
United Kingdom Parry: Sarah Fox (soprano), Kathryn Rudge (mezzo-soprano), Toby Spence (tenor), Henry Waddington (bass-baritone), Crouch End Festival Chorus, London Mozart Players / William Vann (conductor). Royal Festival Hall, London, 3.4.2019. (JQ)
2019 Three Choirs Festival in Gloucester
In remarks accompanying the pathfinder prospectus for the 2019 Three Choirs Festival in Gloucester the Artistic Director, Adrian Partington, commented: ‘Themes and anniversaries aren’t necessarily the best influences on successful programmes.’ I wouldn’t disagree, but even so, it’s surely appropriate that the highly attractive 2019 Festival programme, which has now been launched in full, reflects one or two notable anniversaries. This year the Festival will run from 26 July to 3 August.
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