Sofia Opera’s spectacular staging of The Hermit of Rila is a spiritual and visual musical wonder

BulgariaBulgaria Fr Kiril Popov, The Hermit of Rila: Soloists, Children’s Vocal and Theatre Formation (Dimitar Kostantsaliev, director), Chorus and Orchestra of Sofia Opera / Metropolitan of Stara Zagora Kyprian (conductor). Patriarchal Cathedral of Saint Alexander Nevsky, Sofia, 26.7.2024. (GT)

Sofia Opera’s The Hermit of Rila © Svetoslav Nikolov-Chapi

Read more

Sofia Opera’s revival of Das Rheingold has more colourful visual splendours backed by magnificent singing

BulgariaBulgaria Wagner, Das Rheingold: Soloists, ‘Talasumche’ Children’s Vocal and Drama Foundation, Orchestra of Sofia Opera and Ballet / Evan-Alexis Christ (conductor). Sofia Opera, 15.6.2024. (GT)

Sofia Opera and Ballet’s Das Rheingold

Read more

Bulgaria’s first Lohengrin in forty years sensationally opens the 2024 Wagner Festival at Sofia Opera

BulgariaBulgaria Wagner, Lohengrin: Soloists, Men’s Chorus of Bulgarian National Radio, Chorus and Orchestra of Sofia Opera and Ballet / Constantin Trinks (conductor). Sofia Opera, 13.6.2024. (GT)

Sofia Opera’s Lohengrin Kostadin Andreev as Lohengrin and Tsvetana Bandalovska as Elsa [centre]

Read more

Gregor Tassie in conversation with soprano Mariana Zvetkova

The Bulgarian soprano Mariana Zvetkova talks to Gregor Tassie about her career One of the most outstanding singers from the 2023 Ring cycle in Sofia was the distinguished soprano Mariana Zvetkova. She has enjoyed a major worldwide career over several decades and was cast in the first Sofia Ring cycle in 2013 and was Fricka in Das Rheingold in Plamen Kartaloff’s … Read more

Gregor Tassie in conversation with soprano Ayla Dobreva

Sofia Opera’s Woodbird Ayla Dobreva talks to Gregor Tassie

Ayla Dobreva

Apart from the stupendous production standards, a great deal of the acclaim for the 2023 Plamen Kartaloff Ring cycle was for the singers in the roles of Wotan, Brünnhilde and Hagen, but the coloratura soprano Ayla Dobreva as the Woodbird provided one of the most striking performances in Siegfried. Dobreva performed in all four operas of the cycle; firstly, as Woglinde in the opening scene of Das Rheingold singing when soaring on a trampoline, in Die Walküre, she was Helmwige mounted on one of eight red horses of the Valkyries, and finally challenging Alberich in the closing scene in Götterdämmerung. She was also one of the Flower Maidens in Parsifal, but it was her spectacular entry on a trapeze that made the biggest impression of all.

Read more

Gregor Tassie in conversation with mezzo-soprano Gergana Rusekova

The Bulgarian mezzo-soprano Gergana Rusekova talks to Gregor Tassie

Gergana Rusekova

Among the outstanding performances of the 2023 Wagner Festival in Sofia were those of the Brünnhilde in Die Walkure and the Kundry in Parsifal given by the young mezzo-soprano Gergana Rusekova. In my review of Die Walküre, I wrote, ‘Immediately, we are aware of the striking vocal gifts and personality of Gergana Rusekova, ‘Vater! Vater! Sage, was ist dir?’ And a couple of weeks later, in Parsifal, she was even more impressive, ‘The Kundry of Gergana Rusekova was world-class in both singing and characterisation – every word was clear and beautiful at times when revealing her plight and in other scenes of her lustful desire.’

Read more