Strauss’s Don Quixote with John Sharp and the Chicago Symphony Orchestra on 24 to 26 October 2024

John Sharp and Don Quixote: Chicago Symphony’s principal cellist returns to a classic role

Cellist John Sharp © Todd Rosenberg

‘It was intimidating and it was thrilling. That is what I remember about my first audition week’, John Sharp says, reflecting on his first moments with the Chicago Symphony Orchestra. ‘To see Solti conduct and the way the orchestra played – it was really incredibly exciting’.

Sharp, now the CSO’s principal cellist, began his musical journey far from the concert stage. Growing up in Texas, it was a stroke of luck that led him to the cello. ‘It was complete chance, really. I raised my hand’, he recalls, thinking back to his early days with the cello. ‘I was trying all kinds of things and ended up choosing the cello’. The choice propelled him on a professional journey that, starting on 24 October, will see him perform Richard Strauss’s Don Quixote with the CSO under the baton of Sir Donald Runnicles.

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Chicago Opera Theater’s Leonora shines light on Ferdinando Paër’s overlooked masterpiece

United StatesUnited States Ferdinando Paër, Leonora: Soloists and Orchestra of Chicago Opera Theater / Dame Jane Glover (conductor). Studebaker Theater, Chicago, 4.10.2024. (ZC)

Alex Soare (Giachino), Keely Futterer (Marcellina), Vanessa Becerra (Fedele/Leonora) , and Joo Won Kang (Rocco) © Michael Brosilow

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Tension and drama abound in the Chicago Symphony’s Tchaikovsky Fourth and Walton Viola Concerto

United StatesUnited States Vaughan-Williams, Walton, Tchaikovsky: Antoine Tamestit (viola), Chicago Symphony Orchestra / Nikolaj Szeps-Znaider (conductor). Orchestra Hall, Chicago, 26.9.2024. (ZC)

Nikolaj Szeps-Znaider conducting the Chicago Symphony Orchestra in 2021 © Todd Rosenberg/CSO

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Conrad Tao introduces his upcoming Playlist Series concert for the Seattle Symphony

Conrad Tao’s Playlist Series concert for the Seattle Symphony: a journey beyond boundaries

Conrad Tao © Kevin Condon

When the Seattle Symphony presented pianist Conrad Tao with an opportunity to curate a program anchored by a Mozart piano concerto, his answer was an emphatic yes.

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Kahchun Wong’s musical alchemy: Beethoven and Mahler in perfect harmony

Zach Carstensen profiles conductor Kahchun Wong

Kahchun Wong © Ayane Sato

Anticipation crackles in the air, thick like summer lightning before the storm breaks. A hush descends, settling over an expectant audience. Every cough or rustling program feels like a desecration. At the podium, conductor Kahchun Wong stands at the edge of creation – shoulders squared, back straight, baton held aloft.  A moment’s pause, pregnant with possibility, his hand dips, slow and deliberate, tracing the first stroke of a masterpiece: Beethoven’s Symphony No.9.

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