United Kingdom Various composers, Mixed Programme 2014, Phoenix Dance Theatre, Royal Opera House (Linbury Studio Theatre), London, 26.11.2014 (J.O’D)
John O'Dwyer
Expressively Deep and Wide Movement in Cousins’ There We Have Been
United Kingdom Without Stars/There We Have Been: James Cousins Company, The Place, London, 21.11.2014 (J.O’D)
Rambert’s Triptych Takes Exploration as its Theme
United Kingdom Turnage, Stravinsky, Bach, Frances-Hoad, Prokofiev, Triptych: Rambert, Rambert Orchestra conducted by Paul Hoskins), Sadler’s Wells, London, 19.11.2014 (J.O’D)
Company Chameleon’s Beauty of the Beast Surprises and Shocks
United Kingdom Various composers, Beauty of the Beast: Company Chameleon, The Place, London, 18.11.2014 (J.O’D)
Logical Conclusion to Cullberg Ballet’s Sisyphean Struggle
United Kingdom Plateau Effect: Cullberg Ballet, Sadler’s Wells, London, 14.11.2014 (J.O’D)
Wigglesworth’s Dynamic Account of The Dream of Gerontius
Elgar, The Dream of Gerontius: Peter Hoare (tenor), Anna Larsson (mezzo-soprano), Peter Rose (bass), Members of Bristol Choral Society, BBC National Chorus and Orchestra of Wales, Mark Wigglesworth (conductor). St David’s Hall, Cardiff. 7.11.2014 (PCG)
Moran Dance Piece Examines “Overblown Masculinity”
United Kingdom, Joe Moran, Arrangement, Greenwich Dance, London, 15.11.2014 (J.O’D)
Disconcerting Dance Programme with Audience Participation
United Kingdom Please Be Seated: New Movement Collective, Southbank Centre, London 11.11.2014 (J.O’D)