John O’Dwyer – Page 6 – Seen and Heard International

Birmingham Royal Ballet’s Ignite Shows a Promising Legacy for Dance

28/11/201804/11/2018 by John O'Dwyer

United Kingdom Birmingham Royal Ballet’s Fire & Fury: The King Dances/Ignite: Dancers of Birmingham Royal Ballet, Royal Ballet Sinfonia / Jonathan Lo (The King Dances) and Martin Georgiev (Ignite) (conductors), Sadler’s Wells, London, 31.10.2018. (JO’D)

Delia Mathews (River) and Dancers of BRB in *Ignite* (c) Andrew Ross

Simple Communication Through Movement from Forsythe’s A Quiet Evening of Dance

17/10/201808/10/2018 by John O'Dwyer

United Kingdom William Forsythe – A Quiet Evening of Dance: Sadler’s Wells, London, 5.10.2018. (JO’D)

William Forsythe’s *Seventeen/Twenty One*

Ambitious NEBT’s Remembrance Marks the Centenary of the Armistice

17/10/201830/09/2018 by John O'Dwyer

United Kingdom New English Ballet Theatre – Remembrance/The Four Seasons: Peacock Theatre, London, 28.9.2018. (JO’D)

In Pure Dance Osipova Can Seem to be Speaking a Language Not Her Own

24/09/201817/09/2018 by John O'Dwyer

United Kingdom Natalia Osipova’s Pure Dance: Sadler’s Wells, London, 14.9.2018. (JO’D)

Anthony Tudor’s *The Leaves Are Fading*: Natalia Osipova and David Hallberg (c) Johan Persson

Jefta van Dinther’s Dark Field Analysis Has Powerful Intimacy

24/09/201815/09/2018 by John O'Dwyer

United Kingdom Jefta van Dinther’s Dark Field Analysis: Lilian Bayis Studio, Sadler’s Wells, London, 12.9.2018. (JO’D)

Jefta van Dinther’s *Dark Field Analysis* ©Ben Mergelsberg

Autobiography Brings Elements of Wayne McGregor’s Life to Sadler’s Wells

13/08/201801/08/2018 by John O'Dwyer

United Kingdom Company Wayne McGregor, Autobiography: Sadler’s Wells, London, 26.7.2018. (JO’D)

Company Wayne McGregor’s *Autobiography* (c) Andrej Uspenski

Semperoper Ballett Present a Triple-Bill of Work by William Forsythe

15/07/201825/06/2018 by John O'Dwyer

United Kingdom Semperoper Ballett’s All Forsythe: Sadler’s Wells, London, 21.6.2018. (JO’D)

Denis Veginy & Kanako Fujimoto in *In the Middle, Somewhat Elevated* © Foteini Christofilopoulou

BRB’s Polarity & Proximity is Strong in Design, Music, Lighting and Execution

23/06/201817/06/2018 by John O'Dwyer

United Kingdom Various composers, Polarity & Proximity: Dancers of Birmingham Royal Ballet, Royal Ballet Sinfonia / Jonathan Lo (Kin.) and Koen Kessels (Embrace), Sadler’s Wells, London, 15.6.2018. (JO’D)

Artists of Birmingham Royal Ballet in *Embrace* (c) Emma Kauldhar

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