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This Week’s Review

Joyce DiDonato Leads a Superb Cast in Dead Man Walking Under the Baton of Mark Wigglesworth

03/02/201829/01/2018 by José Irurzun

SpainSpain Heggie, Dead Man Walking: Orchestra and Chorus of the Teatro Real / Mark Wigglesworth (conductor), Teatro Real, Madrid, 26.1.2018. (JMI)

Joyce DiDonato in Dead Man Walking © J. del Real
Joyce DiDonato in Dead Man Walking © J. del Real

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Categories International Opera, Opera & Ballet, This Week's Review Tags José Irurzun, Madrid Leave a comment

Giltburg’s Dazzling Shostakovich Second Piano Concerto

03/02/201825/01/2018 by Ian Lace

United KingdomUnited Kingdom Khachaturian, Shostakovich, Tchaikovsky: Boris Giltburg (piano), Bournemouth Symphony Orchestra, Michael Tatarnikov (conductor). The Lighthouse, Poole, 24.1.2018. (IL)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Ian Lace, Poole Leave a comment

Two Orchestras in One Concert

03/02/201825/01/2018 by Paul Corfield Godfrey

United KingdomUnited Kingdom Strauss, Rimsky-Korsakov: Welsh National Opera Orchestra, Tomáš Hanus (conductor): BBC National Orchestra of Wales / Thomas Søndergård (conductor). Hoddinott Hall, Cardiff, 24.1.2018 (PCG)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Cardiff, Paul Corfield Godfrey Leave a comment

Julia Fischer Quartet Play With Meticulousness, Precision and Accord

03/02/201825/01/2018 by Claire Seymour

United KingdomUnited Kingdom Beethoven, Janáček, Schubert: Julia Fischer Quartet (Julia Fischer & Alexander Sitkovetsky [violins], Nils Mönkmeyer [viola], Benjamin Nyffenegger [cello], Wigmore Hall, London, 24.1.2018. (CS)

Julia Fischer Quartet (c) Irene Zandel
Julia Fischer Quartet (c) Irene Zandel

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Claire Seymour, London Leave a comment

Mendelssohn’s Greatest Symphony Crowns a Varied British Isles Salute

03/02/201824/01/2018 by Bernard Jacobson

United StatesUnited States Maxwell Davies, Bruch, Mendelssohn: Juliette Kang (violin), Philadelphia Orchestra / Yannick Nézet-Séguin (conductor), Verizon Hall, Kimmel Center, Philadelphia, 19.1.2018. (BJ)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Bernard Jacobson, Philadelphia Leave a comment

A Delightful Double-Feature of Holst and Ullmann at the Royal Conservatoire of Scotland

30/01/201823/01/2018 by Simon Thompson

United KingdomUnited Kingdom Holst and Ullmann: Orchestra of the Royal Conservatoire of Scotland / Lionel Friend (conductor), Royal Conservatoire of Scotland, Glasgow, 20.1.2018. (SRT)

Savitri (c) Robert McFadzean Royal Conservatoire of Scotland
Sāvitri (c) Robert McFadzean/Royal Conservatoire of Scotland

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Categories Opera & Ballet, This Week's Review, UK Opera Tags Glasgow, Simon Thompson Leave a comment

François-Xavier Roth in Refreshing Revivals of Lalo and Massenet

30/01/201823/01/2018 by Alan Sanders

United KingdomUnited Kingdom Wagner, Lalo, Debussy and Massenet: Edgar Moreau (cello), London Symphony Orchestra/ François-Xavier Roth (conductor), Barbican Hall, Barbican Centre, London, 21.1.2018. (AS)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Alan Sanders, London Leave a comment

Solzhenitsyn’s Schubert Still Compelling Two Decades Later

30/01/201822/01/2018 by Bernard Jacobson

United StatesUnited States Shostakovich, Schubert: Ignat Solzhenitsyn (piano), Benjamin Franklin Hall, American Philosophical Society, Philadelphia, 12.1.2018. (BJ)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Bernard Jacobson, Philadelphia Leave a comment
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  • Scottish Ballet’s new Mary, Queen of Scots at the EIF tells a well-trodden story in their own, powerful way
  • Ben Grosvenor and the BBC NOW fill the Royal Albert Hall with a collage of sounds
  • The EIF now relies more on concert opera, but if it’s all as good as Suor Angelica there’s no complaint
  • Recitals with distinctiveness and distinction spice up the 2025 festival in Aspen
  • An unmitigated triumph: Bieto’s and Sagripanti’s Zelmira at the Rossini Opera Festival in Pesaro

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  • Peter Bowen on Overly complex Die Walküre – though with a sensitive streak – at Santa Fe Opera
  • Andrew John on Beatrice Rana’s fresh performance of Rachmaninov’s Rhapsody on a Theme of Paganini wows Prommers
  • Ian Belsey on Churning is a fresh look for Patience in Buxton
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SEEN AND HEARD'S RECENT REVIEWS

  • Ben Grosvenor and the BBC NOW fill the Royal Albert Hall with a collage of sounds (17/08/2025)
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  • The EIF now relies more on concert opera, but if it’s all as good as Suor Angelica there’s no complaint (17/08/2025) __________________________________
  • Recitals with distinctiveness and distinction spice up the 2025 festival in Aspen (17/08/2025) __________________________________
  • An unmitigated triumph: Bieto’s and Sagripanti’s Zelmira at the Rossini Opera Festival in Pesaro (17/08/2025) __________________________________
  • Wild Arts’s simply conceived Eugene Onegin brings poetry and humanity to Tchaikovsky’s opera (16/08/2025) __________________________________
  • The EIF’s Poland strand concludes with Polish music from multiple sources and multiple centuries (16/08/2025) __________________________________
  • A most memorable Prom concert from Johannes Moser, Eva Ollikainen and the BBC SO (15/08/2025) __________________________________
  • Florian Boesch and Malcolm Martineau scale lieder heights in Robert Schumann and Brahms. (15/08/2025) __________________________________
  • Compelling directorial craftsmanship and musical excellence come together in Bayreuth’s new Die Meistersinger (15/08/2025) __________________________________
  • In Bayreuth, Semyon Bychkov explores the primordial depths of the Tristan und Isolde score (15/08/2025) __________________________________
  • A vague Bayreuth Lohengrin production but it is unlikely the music could sound better (14/08/2025) __________________________________
  • After 300 years: Innsbruck sees a musically brilliant return to the stage of Caldara’s Ifigenia in Aulide (14/08/2025) __________________________________
  • Ensemble Amarine Belladiva’s concert was an absolute joy: my preferred event of L’Itinéraire (14/08/2025) __________________________________
  • Churning is a fresh look for Patience in Buxton (14/08/2025) __________________________________
  • The LSO’s principals play chamber music at the EIF and Ian Bostridge sings affectingly, sometimes (13/08/2025) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Bass-baritone Ryan Speedo Green in conversation with Harvey Steiman (08/08/2025)
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  • Warwick Arts Centre’s Orchestral Season 2025-2026 (21/07/2025) __________________________________
  • Opera Holland Park in 2026 (17/07/2025) __________________________________
  • Waterperry Opera Festival in 2025 and its new CEO and Artistic Director John Savourin (17/07/2025) __________________________________
  • Saffron Opera Group’s Der fliegende Holländer on Sunday 14 September at Saffron Hall (09/07/2025) __________________________________
  • Violinist Miranda Cuckson in conversation with Daniele Sahr (09/07/2025) __________________________________
  • Blossom Music Festival – 3 July to 7 September (03/07/2025) __________________________________
  • 2025 Shostakovich Symposium Leipzig: a report by Gregor Tassie (19/06/2025) __________________________________
  • Lammermuir Festival 2025 – 4 to 15 September (12/06/2025) __________________________________
  • Oldenburg State Theatre in 2025-26 (31/05/2025) __________________________________
  • Zach Carstensen examines the Chicago Symphony Orchestra’s history with Mahler (24/05/2025) __________________________________
  • Grimeborn Opera Festival 2025 – 16 July to 13 September (20/05/2025) __________________________________
  • Das Rheingold at Grange Park Opera in June and July 2026 with the Orchestra of English National Opera (14/05/2025) __________________________________
  • English National Opera in 2025-26 and their new Music Director André de Ridder (14/05/2025) __________________________________
  • London’s Sadler’s Wells theatres in 2025-26 (13/05/2025) __________________________________
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