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Curtis Rogers

The Skating Rink is Not as Engaging and Stimulating as it Could Be

19/07/201808/07/2018 by Curtis Rogers

United KingdomUnited Kingdom David Sawer, The Skating Rink (world premiere): Soloists, Garsington Opera Orchestra / Garry Walker (conductor), Garsington Opera at Wormsley, 5.7.2018 (CR)

Ben Edquist (Remo), Nuria (Lauren Zolezzi) & Enric (Grant Doyle) (c) Johan Persson

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Categories Opera & Ballet, UK Opera Tags Curtis Rogers, Wormsley Leave a comment

NCO’s Rare Haydn Opera is an Enchanting Oxford Evening

19/07/201806/07/2018 by Curtis Rogers

NCO

United KingdomUnited Kingdom Haydn: Soloists of New Chamber Opera and The Band of Instruments / Steven Devine (conductor/harpsichord), New College, Oxford, 4.7.2018. (CR)

IMg1
Bonafede (Thomas Kennedy) and the telescope
(c) Michael Burden

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Sparkling and Vital Falstaff from Farnes and Philharmonia Orchestra

03/07/201821/06/2018 by Curtis Rogers

United KingdomUnited Kingdom Verdi, Falstaff: Soloists, Garsington Opera Chorus, Philharmonia Orchestra / Richard Farnes (conductor), Garsington Opera at Wormsley, 18.6.2018. (CR)

Garsington Opera’s Falstaff (c) Clive Barda

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Garsington Gives Stimulating Performance of Strauss’s Capriccio

13/06/201805/06/2018 by Curtis Rogers

United KingdomUnited Kingdom Richard Strauss, Capriccio: Soloists, Garsington Opera Orchestra / Douglas Boyd (conductor) Garsington Opera at Wormsley, 3.6.2018. (CR)

Garsington Opera’s Capriccio (c) Johan Persson

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Categories Festival 2018, Festivals, Opera & Ballet, This Week's Review, UK Opera Tags Curtis Rogers, Wormsley Leave a comment

Garsington’s Die Zauberflöte is More Rewarding Vocally than Theatrically

13/06/201805/06/2018 by Curtis Rogers

United KingdomUnited Kingdom Mozart, Die Zauberflöte: Soloists, Garsington Opera Chorus & Orchestra / Christian Curnyn (conductor), Garsington Opera at Wormsley, 2.6.2018. (CR)

Garsington Opera’s Die Zauberflöte (c) Johan Persson

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Stephen Hough’s Accomplished Performances of Debussy, Chopin, and Beethoven

26/03/201821/03/2018 by Curtis Rogers

United KingdomUnited Kingdom International Piano Series – Debussy, Chopin, Beethoven: Stephen Hough (piano), St. John the Evangelist Church, Oxford, 17.3.2018. (CR)

Stephen Hough (c) Sim Canetty-Clarke

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Ashkenazy and the OPO offer a triptych of Russian compositions

15/12/201711/12/2017 by Curtis Rogers

United KingdomUnited Kingdom Nimrod Borenstein, Shostakovich and Rachmaninov: Natalia Lomeiko (violinist), Oxford Philharmonic /Vladimir Ashkenazy (conductor), Sheldonian Theatre, Oxford, 9.12.2017. (CR)

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Bampton Classical Opera Young Singers’ Competition (2017). And the Winner Is …

28/11/201720/11/2017 by Curtis Rogers

United KingdomUnited Kingdom Bampton Classical Opera – Young Singers’ Competition 2017: Holywell Music Room, Oxford 19.11.2017. (CR)

ES
Emma Stannard (mezzo-soprano)

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SEEN AND HEARD'S RECENT REVIEWS

  • Bedlam reigns at Longborough’s sparkling The Barber of Seville (10/06/2025)
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  • Chopin Competition winner Bruce Liu intrigues with a Prokofiev Concerto in Vancouver (10/06/2025) __________________________________
  • Garsington’s delightful production of L’elisir d’amore captures its warm-hearted Italian spirit and comedy (09/06/2025) __________________________________
  • Lots to love about Opera North’s Così fan tutte at Nevill Holt (08/06/2025) __________________________________
  • The Jerusalem Quartet’s ultimate interpretation of Shostakovich quartets (08/06/2025) __________________________________
  • SFS world premiere of Gabriella Smith’s Rewilding delves into primal sounds (08/06/2025) __________________________________
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  • The fun-loving side of Shostakovich is revealed in this entertaining Leipzig Festival concert (06/06/2025) __________________________________
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  • Leipzig recital by Trifonov and Szeps-Znaider of contrasting Shostakovich Violin and Piano Sonatas (05/06/2025) __________________________________
  • COG’s La straniera emerges as a fascinating piece with Helena Dix magnificent in the title role (04/06/2025) __________________________________
  • Cal McCrystal’s new L’elisir d’amore for INO is one of the funniest, most outrageous productions ever (03/06/2025) __________________________________
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