United KingdomSibelius, Mahler: Lisa Batiashvili (violin), Philharmonia Orchestra / Lahav Shani (conductor). Royal Festival Hall, London, 8.12.2022. (JR)
Gregor Tassie’s interview with pianist Yeol Eum Son
Yoel Eum Son
Music lovers in Scotland will be able to enjoy a rare festive musical occasion when the brilliant young Korean pianist plays Mozart’s sparkling Concerto No.27 in B flat. She is not only magnificent at the keyboard, but also an artist of the highest order. In musical terms, Yeol Eum shares Shakespeare’s truism, ‘To thine own self be true’, reflecting ‘As an artist, I want to become more adventurous, free and daring but, at the same time, remain curious and “up-to-date”.’ Her choice of repertoire, which spans the works of Bach and Mozart to those of Shchedrin and Kapustin, is guided chiefly by the quality and depth of the music.
GermanyBayreuth Festival 2022 – Wagner, Die Walküre: Soloists, Bayreuth Festival Orchestra / Cornelius Meister (conductor). Recorded (directed by Michael Beyer and Jule Geissler) at the Bayreuth Festspielhaus and available on STAGE+ until 14.11.2047. (JPr)
United StatesVarious,Notes from Ukraine – 100 Years of ‘Carol of the Bells’: Marichka Marczyk (vocalist), Janai Brugger (soprano), Ukrainian Children’s Choir ‘Shchedryk’ / Marianna Sablina (conductor), Ukrainian Bandurist Chorus / Oleh Mahlay (conductor), Ukrainian Chorus Dumka of New York / Vasly Hrechynsky (conductor), Choir of Trinity Wall Street / Daniela Candillari (conductor). Carnegie Hall, New York, 4.12.2022. (RP)
United KingdomHandel, Messiah, HWV 56 (1741): Mary Bevan (soprano), Anna Harvey (mezzo-soprano), Oliver Johnston (tenor), Jonathan Lemalu (bass), English Concerto Chorus, Goldsmiths Choral Union, Highgate Choral Society, Philharmonia Orchestra / Brian Wright (conductor). Royal Festival Hall, London, 4.12.2022. (CC)
Handel’s Messiah previously at the Royal Festival Hall
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