Young Concert Artists announces 2020 events

Young Concert Artists announces 60th anniversary season

The 60th anniversary season of the Young Concert Artists opens on 21 October with a concert streaming live from Merkin Hall that will feature performances by an array of artists representing YCA’s remarkable history. The program will include solo and chamber works by Ravel, Bach, Handel and Higdon, as well as the world premiere of a partita for solo violin by YCA Composer Chris Rogerson. (Rogerson is represented by Young Concert Artists, Inc., and served as YCA Composer-in-Residence from 2010-2012. In 2016, he joined the Musical Studies Faculty at the Curtis Institute of Music in Philadelphia.)

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François Girard’s static, drab, and unevenly cast Met Der fliegende Holländer

United StatesUnited States Wagner, Der fliegende Holländer: Soloists, Chorus and Orchestra of the Metropolitan Opera, New York / Valery Gergiev (conductor). Performance recorded on 10.3.2020 (directed by Gary Halvorson) and reviewed as Met Opera on Demand. (JPr)

Anja Kampe (Senta) in Act II Der fliegende Holländer
(c) Ken Howard/Met Opera

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‘Musical Passports’ – a streamed concert with Tessa Lark and Andrew Armstrong from Cal Performances

United StatesUnited States Bartók, Ysaÿe, Schubert, Grieg, Ravel, Tessa Lark (violin) and Andrew Armstrong (piano): Recorded at New York’s Merkin Hall for Cal Performances, 1.10.2020. (HS)

Tessa Lark in a recital presented by Cal Performances

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The Metropolitan Opera (2020–)2021 season update

The Met in 2021

The Metropolitan Opera Cancels Its 2020–21 Season Due to the Ongoing Pandemic
while also Announcing Its Lineup for 2021–22 (for more information click here)

  • A full slate of performances is announced for 2021–22, including three contemporary Met premieres—the most since 1928—starting with the Opening Night presentation of Terence Blanchard’s Fire Shut Up in My Bones, conducted by Yannick Nézet-Séguin, on September 27, 2021.
  • In addition to Fire Shut Up in My Bones, the 2021–22 season will feature five more new productions: the Met premieres of Matthew Aucoin’s Eurydice, Brett Dean’s Hamlet, and the original five-act French version of Verdi’s Don Carlos, and new stagings of Verdi’s Rigoletto and Donizetti’s Lucia di Lammermoor.
  • Maestro Nézet-Séguin will conduct Fire Shut Up in My BonesEurydiceDon Carlos, and revivals of Le Nozze di Figaro and Tosca.
  • The Met’s Live in HD series of cinema transmissions will return with ten presentations, including all six new productions.

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Composer Alexey Shor in conversation with Colin Clarke

Alexey Shor (c) ALIKHAN

It is an exciting time for composer Alexey Shor. I personally first came across his music on a Delos release entitled Classical Music Stars in Malta in which four of his chamber pieces (Farewell Nocturne; Addio; King Matt the First; Coming of Age) shared disc space with music by Ilya Dimov, Khachaturian, Joseph Vella, and the fabulous Handel/Halvorsen Passacaglia. Then, the superstar violinist Maxim Vengerov, no less, performed Shor’s St. Elmo Barcarolle at the Barbican in January this year under the baton of a conductor who is a tireless champion of Shor’s music, Sergey Smbatyan (review); and Vengerov’s encore, after Bruch’s First Violin Concerto and Ravel’s Tzigane, was another work by Shor: his Elegy for violin and orchestra.

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Kathleen Battle sparkles in a 1988 Il barbiere di Siviglia from the Met

United StatesUnited States Rossini, Il barbiere di Siviglia: Soloists, Chorus and Orchestra of The Metropolitan Opera / Ralf Weikert (conductor). Performance of 3.12.1988 reviewed as a Nightly Met Opera Stream on 22.8.2020. (RP)

Leo Nucci (Figaro) and Kathleen Battle (Rosina)
© Metropolitan Opera

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