Glorious Mahler ‘Resurrection’ Symphony and Weston’s new Push is great fun in San Francisco

United StatesUnited States Mahler, Weston: Golda Schultz (soprano), Michelle DeYoung (mezzo-soprano), San Francisco Symphony / Esa-Pekka Salonen (conductor). Davies Symphony Hall, San Francisco, 29.9.2022. (HS)

Composer Trevor Weston acknowledges ovation after world premiere of Push © Stefan Cohen

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John Adams’ Antony and Cleopatra delivers a punch in its world premiere at San Francisco Opera

United StatesUnited States John Adams, Antony and Cleopatra: Soloists, chorus and orchestra of San Francisco Opera / Eun Sun Kim (conductor). War Memorial Opera House, San Francisco, 15.9.2022. (HS)

(Opening of Act II) Antony (Gerald Finley) brooding after his and Cleopatra’s loss in battle © Corey Weaver

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Alisa Weilerstein in conversation with Harvey Steiman about FRAGMENTS, her fresh approach to Bach’s cello suites

Cellist Alisa Weilerstein in conversation with Harvey Steiman

Alisa Weilerstein walked onto the stage Monday morning at Harris Concert Hall in Aspen, picked up her cello and played for a select audience who were there to provide feedback on her new idea for a concert experience.

Alisa Weilerstein © Graham Northrup/Northrup Studios

For the project, called FRAGMENTS, Weilerstein had commissioned short pieces from 27 living classical composers to intersperse between the 36 movements of Johann Sebastian Bach’s six suites for unaccompanied cello. The audience got no printed program and knew only that she was going to play all of the first cello suite and music from five contemporary composers. There would be a stage set and lighting.

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