Spain Donizetti, La favorite (concert version): Soloists, Orchestra and Chorus of the Teatro Real / Daniel Oren (conductor), Teatro Real, Madrid, 6.11.2017. (JMI)
Barton’s ‘La Favorita del Re’ Proves the Favorite of Teatro Real’s Audience as Well
José Irurzun
A Musically Convincing Les Troyens, but a Very Unsatisfactory Production
Germany Berlioz, Les Troyens: Staatskapelle and Staatsoperchor Dresden / John Fiore (conductor), Semperoper, Dresden, 3.11.2017. (JMI)
A Visually Enchanting Abduction from the Seraglio
Germany Mozart, Die Entführung aus dem Serail: Staatskapelle and Staatsoperchor Dresden / Christopher Moulds (conductor), Semperoper, Dresden, 2.11.2017. (JMI)
Thielemann and a Stellar Cast Triumph in Götterdämmerung
Germany Wagner, Götterdämmerung: Staatskapelle and Staatsopernchor Dresden / Christian Thielemann (conductor), Semperoper, Dresden, 1.11.2017. (JMI)
Lise Davidsen’s Powerful Voice Impresses in the Wexford Festival Opera’s Medea
Ireland Wexford Festival Opera 2017 [3] – Cherubini, Medea: Wexford Festival Orchestra and Chorus / Stephen Barlow (conductor), National Opera House, Wexford, 28.10.2017. (JMI)
Another Rediscovered Opera Gem at the Wexford Festival: Alfano’s Risurrezione
Ireland Wexford Festival Opera [2] – Alfano, Risurrezione: Wexford Festival Orchestra and Chorus / Francesco Cilluffo (conductor), National Opera House, Wexford, 27.10.2017. (JMI)
A Compelling but Neglected Foroni Opera at the Wexford Festival
Ireland Wexford Festival 2017 [1] – Foroni, Margherita: Wexford Festival Orchestra and Chorus/Timothy Myers (conductor), National Opera House, Wexford, 26.10.2017. (JMI)
Piotr Beczala and Carlos Álvarez Shine in the Liceu’s Un ballo in maschera
Spain Verdi, Un ballo in maschera: Liceu Orchestra and Chorus / Renato Palumbo (conductor), Gran Teatre del Liceu, Barcelona, 23 & 24.10.2017. (JMI)
