MacMillan’s naturalistic – and ageless – Romeo and Juliet sees The Royal Ballet performing consummately well

United KingdomUnited Kingdom The Royal Ballet’s Romeo and Juliet: Dancers of The Royal Ballet, Orchestra of the Royal Opera House / Jonathan Lo (conductor). Performance of 3.2.2022 broadcast to Cineworld Basildon, Essex, 14.2.2022. (JPr)

Marcelino Sambé (Romeo) and Anna Rose O’Sullivan (Juliet)

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Così fan tutte is another wonderful ensemble achievement for Saffron Opera Group

United KingdomUnited Kingdom Mozart, Così fan tutte (concert performance): Chorus (chorus master: James Davey) and Orchestra of Saffron Opera Group / Michael Thorne (conductor). Saffron Hall, Saffron Walden, Essex, 13.2.2022. (JPr)

Jessica Cale (Fiordiligi), Liam Bonthrone (Ferrando),  Rebecca Afonwy-Jones (Dorabella) and Marcus Farnsworth (Guglielmo) (c) Roger King

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Anthony Negus and his remarkable cast excel in Suzanne Chaundy’s gimmick-free Melbourne Opera Die Walküre

AustraliaAustralia Wagner, Die Walküre: Soloists, Melbourne Opera Orchestra / Anthony Negus (conductor). Her Majesty’s Theatre, Melbourne, 9.2.2022. (JPr)

Bradley Daley (Siegmund), Zara Barrett (Brünnhilde) and Lee Abrahmsen (Sieglinde) © Robin Halls

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Asmik Grigorian stars in a revival of Robert Carsen’s shop till you drop Vienna Manon Lescaut

AustriaAustria Puccini, Manon Lescaut: Soloists, Chorus and Orchestra of Vienna State Opera / Francesco Ivan Ciampa (conductor). Livestreamed (directed by Domnik Kepczynski) from Vienna State Opera on 7.2.2022. (JPr)

Boris Pinkhasovich (Lescaut) and Asmik Grigorian (Manon) © Wiener Staatsoper/Michael Poehn

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In the Liceu revival of Tchaikovsky’s The Queen of Spades, ‘cancellation’ becomes a major protagonist

SpainSpain Tchaikovsky, The Queen of Spades (Pique Dame): Chorus and Orchestra of the Gran Teatre del Liceu / Dmitri Jurowski (conductor). Gran Teatre del Liceu, Barcelona, 6 & 8.2.2022. (JMI)

Larissa Diadkova as the Old Countess in her death scene (c) A. Bofill

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