United Kingdom Beethoven, Kohn: The Villiers Quartet, St Andrew’s Psalter Lane Church, Sheffield, 14.11.2015. (JK)
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Sondra Radvanovsky’s Manon Lescaut at the Deutsche Oper Sets the Bar High
Nina Stemme Leads Strong Cast in Vienna Opera’s Elektra
Joshua Bell and the Academy of St Martin in the Fields: A Thrilling Partnership
United Kingdom Prokofiev, Tchaikovsky, Mozart: Academy of St Martin in the Fields/ Joshua Bell (Director and Violin Soloist), Barbican, London. 11.11.2015. (LB)
Suzuki Broadens his Horizons from Bach to Handel and Vivaldi to Great Effect
United States Bach, Vivaldi, Handel: Bach Collegium Japan, Masaaki Suzuki (conductor, organ, harpsichord), Joanne Lunn (soprano), Zankel Hall, Carnegie Hall, New York (6.11.2015) (SSM)
Haas’s Morgen und Abend is a New Existential Opera Exploring Life and Death
United Kingdom Georg Friedrich Haas, Morgen und Abend (world première): Soloists, Chorus and Orchestra of the Royal Opera House / Michael Boder (conductor). Royal Opera House, Covent Garden, London 13.11.2015. (JPr)

Carlos Acosta’s Farewell in Carmen Lacks his Usual Charisma
United Kingdom Carlos Acosta’s Carmen (part of a mixed bill including Viscera, Afternoon of a Faun and Tchaikovsky Pas de deux): Soloists, Corps de ballet and Royal Opera House Orchestra / Emmanuel Plasson and Martin Yates (conductors). Directed for the screen by Ross MacGibbon and broadcast to the Empire Cinema, Basildon, Essex. 12.11.2015. (JPr)





