Glyndebourne will move to full houses for the remainder of its Festival from 19 July 2021

UPDATE: Glyndebourne Festival 2021 

Following the government announcement that social distancing restrictions will be lifted on 19 July, Glyndebourne has confirmed that it will release more tickets to Glyndebourne Festival performances after that date. Audiences were previously capped at 50% of capacity.

All seats in the opera house’s 1,200-capacity auditorium will now be available for performances between 19 July and 29 August, with additional tickets to Mozart’s Così fan tutte, Verdi’s Luisa Miller, Wagner’s Tristan und Isolde and three concerts by the Orchestra of the Age of Enlightenment.

Ensuring the safety of its audiences remains Glyndebourne’s top priority. Glyndebourne is strongly encouraging the continued use of face coverings in the auditorium, in line with the theatre industry’s ‘See it safely’ guidance. A number of other safety measures will remain in place for Festival 2021 performances from 19 July onwards, including temperature testing, enhanced cleaning and contactless ticketing.

Glyndebourne chose to invest in a loss-making Festival this year in order to protect jobs and provide work to freelance artists, technicians and craftspeople. Every additional ticket that is sold this summer will support Glyndebourne’s long-term survival.

Public booking for the additional tickets will open at 10.00am on Sunday 18 July from click here

Previous announcement

Glyndebourne has confirmed its plans to proceed with its annual opera festival in 2021, with adaptations to ensure the show can go on, even if social distancing is still in place.

Glyndebourne Festival 2021 will run from 20 May until 29 August with new productions of Janáček’s Kát’a Kabanová, Rossini’s Il turco in Italia and Verdi’s Luisa Miller, alongside a revival of Mozart’s Così fan tutte. In a change to original plans, Wagner’s Tristan und Isolde will be presented as a semi-staged concert with a full orchestra, seated on the stage, to do justice to the opera’s epic score.

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Tonhalle-Orchester Zürich in 2021/22

New Season’s Preview: Tonhalle Orchestra Zurich 2021/2022

Tonhalle, Zurich (c) Georg Aerni

The Tonhalle Orchestra Zurich has just announced its new season’s programme. The orchestra moves back into its splendidly renovated old hall, the Tonhalle, down by the lake. It has taken four years to re-paint, re-gild, put in a new floor, seats, air-cooling and humidity system, create a terrace with a view of the lake and the Alps and modernise backstage. A new organ has been installed, and I can testify it sounds magnificent. Everyone looks forward to the opening of the new season, in the ‘new old hall’. ‘See you am See’ (See you by the lake) is the orchestra’s current slogan – typically, partly in English, partly in German.

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London Philharmonic Orchestra in 2021/22

THE LONDON PHILHARMONIC ORCHESTRA ANNOUNCES ITS 2021/22 ROYAL FESTIVAL HALL SEASON (11 PREMIERES, 34 CONCERTS AND A NEW PRINCIPAL CONDUCTOR, EDWARD GARDNER)

The London Philharmonic Orchestra today announced its 2021/22 season at the Royal Festival Hall, featuring 34 concerts of brilliantly curated programmes performed by many of the world’s leading musicians – and all in front of live audiences.

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San Francisco Opera in 2021/22

An unusual 2021-2022 season for San Francisco Opera

SFO’s new music director Eun Sun Kim (c) Marc Olivier Le Blanc

San Francisco Opera’s upcoming 2021-2022 season looks very different from anything they have ever done. It is not the repertory – which consists of familiar works by Mozart, Beethoven and Puccini and a reprise of one of its more successful contemporary commissions – but the format.

Live performances in the War Memorial Opera House for the first time since December 2019 feature five fully staged operas and two concerts. For the first time in the company’s history, operas will not be run in repertory. Instead, they are spread out to allow three weeks between opera runs, a concession to COVID-19 protocols.

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Pittsburgh Opera in 2020/21

Pittsburgh Opera announces 2021/2022 season

Pittsburgh Opera will be returning to larger venues in its upcoming season, beginning with Mozart’s The Magic Flute in November. During the height of the COVID pandemic, Pittsburgh Opera was able to combine live performances with limited, socially-distanced audiences and live-streams of each production. For the 2021/2022 season, the company will be returning to the Benedum Center and August Wilson African American Cultural Center, while also staging operas at its headquarters.

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City of Birmingham Symphony links up with marquee.tv to show unseen and existing performances

CITY OF BIRMINGHAM SYMPHONY ORCHESTRA PARTNERS WITH MARQUEE TV

The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce it has agreed a two-year partnership with the leading arts streaming service, Marquee TV.

Launching on Saturday 5 June, six broadcasts of previously unseen and existing CBSO performances will be released throughout June and July on marquee.tv. Featuring repertoire ranging from Nielsen to Gilbert and Sullivan, the broadcasts will enable global audiences to experience the CBSO, building on the orchestra’s work throughout the pandemic to connect digitally with music-lovers worldwide.

The six-concert series will premiere five previously unseen performances including music by ClyneColeridge-TaylorDvořákGlinkaGlazunovShawMendelssohnNielsenSaint-Saëns, Sibelius, Takemitsu and Tchaikovsky conducted by Ryan Bancroft, Jonathan BloxhamBen Gernon, John Wilson and Kazuki YamadaStephen Hough performs Mendelssohn’s First Piano Concerto with Alpesh Chauhan and in a special programme of British light music, John Wilson joins the orchestra to shine a spotlight on Coates, Delius, ElgarGilbert and Sullivan and Haydn Wood.

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