CHORUS MASTER STEPHEN DOUGHTY IN CONVERSATION WITH ROBERT BEATTIE

01/06/2019

Stephen Doughty Tells Robert Beattie About the Work of the Belfast Philharmonic Choir

Stephen Doughty conducts the Belfast Philharmonic Choir (c) Linda Salem

The Belfast Philharmonic Choir is Northern Ireland’s only symphonic choir.  I went to listen to them perform in St Anne’s Cathedral a few months ago and was impressed with the quality of the singing and the range of their repertoire. The repertoire of the choir is exceptionally varied and includes key works by Bach, Mozart, Beethoven, Brahms and Bruckner. The Phil also champion new works and in 2015 they performed the world premiere of James Whitbourn’s The Seven Heavens which was written especially to commemorate the choir’s 140th anniversary.

They will be performing Mendelssohn’s Elijah with the Ulster Orchestra on 7 June.  I spoke to their Chorus Master Stephen Doughty about preparations for the performance and about the work of the choir more generally. Read more

REVIEWED! Ron Howard’s Pavarotti in Cinemas 13 July (Preview) and Nationwide (15 July)

30/05/2019

Pav

REVIEWED BY JIM PRITCHARD Read more

MULTI-FACETED MUSICIAN JOY LISNEY IN CONVERSATION WITH ROBERT BEATTIE

30/05/2019

Joy Lisney talks to Robert Beattie

Joy Lisney (c) Krisztian Siphos

I first came across Joy Lisney at a concert in London’s Purcell Room where she performed all five Beethoven Cello Sonatas with her father, James (review click here).  I was struck by the extraordinarily high level of her technical accomplishment and musicianship, and her willingness to take on such demanding repertoire at a relatively young age. Read more

‘MUSICAL MAGIC’: AN INTERVIEW WITH VIOLINIST HENNING KRAGGERUD

21/05/2019

Geoffrey Newman in Conversation with Henning Kraggerud

Henning Kraggerud © Robert Romic

There are few artists who convey a greater sense of communication and discovery in the concert hall than Norwegian violinist Henning Kraggerud. There is a life-enhancing glow in his appearances, and one surmises that his bountiful inspiration must come from somewhere – perhaps from a tradition that stresses experimentation and an almost Renaissance diversity in musical reach. Kraggerud is not only a beautifully fine-toned and sensitive violin soloist and chamber musician, but a devoted educator, a play/direct specialist, a (sometimes) violist and a composer. Read more

CONDUCTOR THOMAS SANDERLING IN CONVERSATION WITH GREGOR TASSIE

04/05/2019

Thomas Sanderling talks to Gregor Tassie

Thomas Sanderling

Read more

HOW TO CONTACT SEEN AND HEARD INTERNATIONAL

01/08/2018

TO CONTACT SEEN AND HEARD INTERNATIONAL

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A Q&A WITH ITALIAN BARITONE FRANCO VASSALLO

16/04/2018

FV

Franco Vassallo is an acclaimed interpreter of leading Verdi roles – amongst many others – in the world’s most important opera houses (including Teatro alla Scala di Milano, Opéra de Paris, London’s Royal Opera House and New York’s Metropolitan Opera). He has just sung Scarpia for the first time in Puccini’s Tosca at the Staatsoper Hamburg in the Robert Carsen production and performed with Anja Harteros and Jonas Kaufmann. Read more

A Q&A WITH LISETTE OROPESA AS SHE RETURNS TO LA OPERA FOR ORFEO ED EURIDICE

18/02/2018

Lisette Oropesa (c) Steven Harris

A highlight of this season for soprano Lisette Oropesa was her Royal Opera debut as Lucia (Lucia di Lammermoor) at Covent Garden. She will soon be making a role debut as Euridice in the French version of Gluck’s Orfeo ed Euridice with Los Angeles Opera, in a new production opening on the 10 March, directed and choreographed by John Neumeier, and conducted by James Conlon. In advance of these performances in Los Angeles, Lisette Oropesa answers Seen and Heard International’s questions about this current role, as well as, looking back on her life and his career. Read more

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