Austria Wien Modern (3) – Zorn, Lim, Tonia, Parades, Kessler: Arditti Quartet [Irvine Arditti and Ashot Sarkissjan (violins), Ralf Ehlers (viola), Lucas Fels (cello)]. Mozart-Saal, Konzerthaus, Vienna, 12.11.2015 (MB)
Previously Published
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Scottish Opera’s Carmen Lacks Colour and Life
Telemann: Baroque Composer, Renaissance Man
United States Telemann: Juilliard Baroque, Sandra Miller (flute), Monica Huggett (violin), Dominic Teresi (bassoon), Sarah Cunningham (viola da gamba), Avi Stein (harpsichord), Paul Hall, Juilliard School, New York, 2.11.2015 (SSM)
Wozzeck Returns to Chicago’s Lyric Opera in a Memorable New Production
United States Berg, Wozzeck: Lyric Opera of Chicago Orchestra & Chorus, Chicago Children’s Choir. Sir Andrew Davis (conductor), Michael Black (chorus master), Josephine Lee (children’s chorus master). Civic Opera House, Chicago, Illinois, 4.11.2015. (DP)

Photo: Cory Weaver
Anne Sofie von Otter in Philadelphia: A Singer With All the Virtues
United States Purcell, Dowland, Robert Johnson, Kapsberger, Dalza, Provenzale, Couperin, Michel Lambert, de Visée, M.-A. Charpentier, Rameau, Pärt, et al.: Anne Sofie von Otter (mezzo-soprano), Thomas Dunford (theorbo), Jonathan Cohen (harpsichord and organ), Perelman Theater, Kimmel Center, Philadelphia, 11.11.2015. (BJ)
Old and New Combine in Rossini’s Barber to Give a Very Enjoyable Evening.
Terry Gilliam’s Benvenuto Cellini Triumphs at the Liceu
Handel’s Tamerlano: Well Sung and Played but Lacking in Drama
United Kingdom Handel: Il Pomo d’Oro/Maxim Emelyanychev (conductor), Barbican Hall, London 10.11.2015 (CS)



