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Mark Berry

The Perceptive Joy of Renaud Capuçon’s Playing in Beethoven

23/11/201411/11/2014 by Mark Berry

United KingdomUnited Kingdom Beethoven: Renaud Capuçon (violin), Frank Braley (piano). Queen Elizabeth Hall, London, 9.11.2014 (MB)

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Magisterial Bruckner from Haitink and the LSO

07/11/201424/10/2014 by Mark Berry

United KingdomUnited Kingdom Bruckner: London Symphony Orchestra, Bernard Haitink (conductor). Barbican Hall, London, 23.10.2014 (MB)

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Keenlyside and Ax: A Rewarding Partnership in Winterreise

07/11/201424/10/2014 by Mark Berry

United KingdomUnited Kingdom Schubert, Winterreise, D911: Simon Keenlyside (baritone), Emanuel Ax (piano). Wigmore Hall, London, 24.10.2014 (MB)

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Mastery and Sensitivity from Dame Mitsuko Uchida in Schubert and Beethoven

22/10/201417/10/2014 by Mark Berry

United KingdomUnited Kingdom  Schubert and Beethoven: Dame Mitsuko Uchida (piano). Royal Festival Hall, London, 16.10.2014

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Enthralling Performances by Ensemble Modern

22/10/201416/10/2014 by Mark Berry

United KingdomUnited Kingdom Cerha, Petraškevičs, Schöllhorn, and Schoenberg: Ensemble Modern [Jagdish Mystry, Giorgos Panagiotidis, Corinna Canzian, Diego Ramos Rodriguez (violins), Megumi Kasakawa, Patrick Jüdt (viola), Eva Böcker, Michael M. Kasper (cello)], Wigmore Hall, London, 10.10.2014 (MB)

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Pierre-Laurent Aimard’s Bach: Very Much More Than the Sum of its Parts  

06/10/201425/09/2014 by Mark Berry

United KingdomUnited Kingdom Bach: Pierre-Laurent Aimard (piano). Wigmore Hall, London, 20.9.2014 (MB)

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Impressive Performances of Schoenberg and Berg Bring Vienna to King’s Place

06/10/201425/09/2014 by Mark Berry

United KingdomUnited Kingdom ‘Vienna Revisited’ – Schoenberg and Berg: Sarah Connolly (mezzo-soprano), Alice Privett (soprano), Chad Vindin (piano), Members of the Aurora Orchestra, London Sinfonietta, Nicholas Collon (conductor).  Hall One, Kings Place, 18. and 20.9.2014 (MB)

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Nicolas Hodges’ Fascinating Recital Offers Much More than the Sum of its Parts

25/09/201425/09/2014 by Mark Berry

United KingdomUnited Kingdom Debussy, Birtwistle, and Mozart-Busoni: Nicolas Hodges (piano). Wigmore Hall, London, 14.9.2014 (MB)

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TOP 5 SEEN AND HEARD POSTS

  • Dialogue in color and form: Debussy and Ravel at Tanglewood
  • Outstanding concert by Stéphane Degout and Quatuor Diotima at the Festival d’Aix-en-Provence
  • Edgar Meyer’s eclectic magic and Ana María Martínez’s life-history recital are the week’s Aspen highlights
  • A remarkable Wigmore Hall evening from the Chiaroscuro Quartet and pianist Cédric Tiberghien
  • Much to admire and enjoy in Don Giovanni at the Festival d’Aix-en-Provence

RECENT COMMENTS

  • Ross aldridge on Longborough’s Péllias et Mélisande uses audience imagination to tell the story and the music is terrific!
  • Zsuzsi on Appl and Lepper showcase Kurtág and Schubert in Lines of Life at the Wigmore Hall
  • Ernest on Nadine Sierra is Violetta in an excellent La traviata at Madrid’s Teatro Real
  • denise stott on Gillian Anderson’s Blanche disappoints as the object of masculine desire in the Young Vic’s replayed 2014 Streetcar
  • Joan B Sutton on An Idomeneo with visual depth and musical incisiveness from San Francisco Opera

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SEEN AND HEARD'S RECENT REVIEWS

  • Dialogue in color and form: Debussy and Ravel at Tanglewood (14/07/2025)
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  • Outstanding concert by Stéphane Degout and Quatuor Diotima at the Festival d’Aix-en-Provence (13/07/2025) __________________________________
  • Edgar Meyer’s eclectic magic and Ana María Martínez’s life-history recital are the week’s Aspen highlights (13/07/2025) __________________________________
  • A remarkable Wigmore Hall evening from the Chiaroscuro Quartet and pianist Cédric Tiberghien (12/07/2025) __________________________________
  • Much to admire and enjoy in Don Giovanni at the Festival d’Aix-en-Provence (11/07/2025) __________________________________
  • Quiet radiance of Fauré’s chamber music revealed at the 92nd Street Y (11/07/2025) __________________________________
  • Marie Jacquot pairs rare Richard Strauss with Goosby’s Mozart in 2025’s first ‘Summers at Severance’ (11/07/2025) __________________________________
  • The Quatuor Diotima play with skill and sangfroid at the Festival d’Aix-en-Provence (10/07/2025) __________________________________
  • Kartaloff’s Tannhäuser triumphantly closes the Sofia Wagner Festival: a new star is born as Elisabeth (10/07/2025) __________________________________
  • Evocative, intimate opening to Chamber Music Society’s ‘Summer Evenings’ at Alice Tully Hall (10/07/2025) __________________________________
  • A very fine account of Cavalli’s La Calisto in Aix-en-Provence (09/07/2025) __________________________________
  • Sophia Theodorides – a star is born in Lübeck’s Lucia di Lammermoor (09/07/2025) __________________________________
  • Sofia Opera’s vibrantly colourful Götterdämmerung is enhanced by great singing (08/07/2025) __________________________________
  • Two Adès compositions score big in Aspen Music Festival’s first weekend (08/07/2025) __________________________________
  • Salieri’s The School for Jealousy is offered with flair and improvisatory flourish in Oxford (07/07/2025) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Saffron Opera Group’s Der fliegende Holländer on Sunday 14 September at Saffron Hall (09/07/2025)
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  • Violinist Miranda Cuckson in conversation with Daniele Sahr (09/07/2025) __________________________________
  • Blossom Music Festival – 3 July to 7 September (03/07/2025) __________________________________
  • 2025 Shostakovich Symposium Leipzig: a report by Gregor Tassie (19/06/2025) __________________________________
  • Lammermuir Festival 2025 – 4 to 15 September (12/06/2025) __________________________________
  • Oldenburg State Theatre in 2025-26 (31/05/2025) __________________________________
  • Zach Carstensen examines the Chicago Symphony Orchestra’s history with Mahler (24/05/2025) __________________________________
  • Das Rheingold at Grange Park Opera in June and July 2026 with the Orchestra of English National Opera (20/05/2025) __________________________________
  • Grimeborn Opera Festival 2025 – 16 July to 13 September (20/05/2025) __________________________________
  • English National Opera in 2025-26 and their new Music Director André de Ridder (14/05/2025) __________________________________
  • London’s Sadler’s Wells theatres in 2025-26 (13/05/2025) __________________________________
  • Bournemouth Symphony Orchestra in 2025-26 (09/05/2025) __________________________________
  • Oxford International Song Festival: 10 to 25 October 2025 (09/05/2025) __________________________________
  • Sir Antonio Pappano The Royal Opera’s first Conductor Laureate (09/05/2025) __________________________________
  • An interview with Alon Kariv who plays Chopin’s First Piano Concerto at the Cadogan Hall on Sunday 11 May (06/05/2025) __________________________________
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