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Oxford

Lieder Recital Explores Goethe’s Lighter Side

22/10/201315/10/2013 by Stan

United KingdomUnited Kingdom Oxford Lieder Festival – Beethoven, Wolf, Loewe, Zelter, Schubert: Fflur Wyn (soprano), Rowan Hellier (mezzo-soprano), Adrian Thompson (tenor), Roderick Williams (baritone), Sholto Kynoch (piano): Holywell Music Room, Oxford 14.10.2013 (CR)

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Categories Concert Reviews, Previously Published, UK Concerts Tags Curtis Rogers, Oxford

Unity of Purpose in Goethe Settings at Oxford

18/10/201314/10/2013 by Stan

United KingdomUnited Kingdom   Oxford Lieder Festival (1) Schubert, Schumann, Wolf:  Louise Alder (soprano), Katarina Karnéus (mezzo-soprano), Neal Davies (baritone), Sholto Kynoch (piano): Holywell Music Room, Oxford 12.10.2013. (CR)

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Categories Concert Reviews, UK Concerts Tags Curtis Rogers, Oxford

Colli Demonstrates Charm and Affability in Schumann

14/08/201302/08/2013 by Stan

United KingdomUnited Kingdom  Schumann, Brahms: Federico Colli (piano), Oxford Philomusica / Marios Papadopoulos (conductor), Oxford Philomusica Piano Festival, Sheldonian Theatre, Oxford, 1.8.2013

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Categories Previously Published, UK Concerts Tags Curtis Rogers, Oxford

Honesty and Sensibility in Kovacevich Recital

14/08/201331/07/2013 by Stan

United KingdomUnited Kingdom Bach, Beethoven, Schubert: Stephen Kovacevich (piano), Oxford Philomusica Piano Festival, Christ Church Cathedral, Oxford 30.7.2013 (CR)

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Categories Concert Reviews, Previously Published, UK Concerts Tags Curtis Rogers, Oxford

Unity and Consistency in Schiff’s Vision of Schubert

30/07/201329/07/2013 by Stan

United KingdomUnited Kingdom Schubert: András Schiff (piano), Oxford Philomusica Piano Festival, Christ Church Cathedral, Oxford, 28.7.2013 (CR)

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Categories Concert Reviews, Previously Published, UK Concerts Tags Curtis Rogers, Oxford
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TOP 5 SEEN AND HEARD POSTS

  • Dialogue in color and form: Debussy and Ravel at Tanglewood
  • Outstanding concert by Stéphane Degout and Quatuor Diotima at the Festival d’Aix-en-Provence
  • Edgar Meyer’s eclectic magic and Ana María Martínez’s life-history recital are the week’s Aspen highlights
  • A remarkable Wigmore Hall evening from the Chiaroscuro Quartet and pianist Cédric Tiberghien
  • Much to admire and enjoy in Don Giovanni at the Festival d’Aix-en-Provence

RECENT COMMENTS

  • Ross aldridge on Longborough’s Péllias et Mélisande uses audience imagination to tell the story and the music is terrific!
  • Zsuzsi on Appl and Lepper showcase Kurtág and Schubert in Lines of Life at the Wigmore Hall
  • Ernest on Nadine Sierra is Violetta in an excellent La traviata at Madrid’s Teatro Real
  • denise stott on Gillian Anderson’s Blanche disappoints as the object of masculine desire in the Young Vic’s replayed 2014 Streetcar
  • Joan B Sutton on An Idomeneo with visual depth and musical incisiveness from San Francisco Opera

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SEEN AND HEARD'S RECENT REVIEWS

  • Dialogue in color and form: Debussy and Ravel at Tanglewood (14/07/2025)
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  • Outstanding concert by Stéphane Degout and Quatuor Diotima at the Festival d’Aix-en-Provence (13/07/2025) __________________________________
  • Edgar Meyer’s eclectic magic and Ana María Martínez’s life-history recital are the week’s Aspen highlights (13/07/2025) __________________________________
  • A remarkable Wigmore Hall evening from the Chiaroscuro Quartet and pianist Cédric Tiberghien (12/07/2025) __________________________________
  • Much to admire and enjoy in Don Giovanni at the Festival d’Aix-en-Provence (11/07/2025) __________________________________
  • Quiet radiance of Fauré’s chamber music revealed at the 92nd Street Y (11/07/2025) __________________________________
  • Marie Jacquot pairs rare Richard Strauss with Goosby’s Mozart in 2025’s first ‘Summers at Severance’ (11/07/2025) __________________________________
  • The Quatuor Diotima play with skill and sangfroid at the Festival d’Aix-en-Provence (10/07/2025) __________________________________
  • Kartaloff’s Tannhäuser triumphantly closes the Sofia Wagner Festival: a new star is born as Elisabeth (10/07/2025) __________________________________
  • Evocative, intimate opening to Chamber Music Society’s ‘Summer Evenings’ at Alice Tully Hall (10/07/2025) __________________________________
  • A very fine account of Cavalli’s La Calisto in Aix-en-Provence (09/07/2025) __________________________________
  • Sophia Theodorides – a star is born in Lübeck’s Lucia di Lammermoor (09/07/2025) __________________________________
  • Sofia Opera’s vibrantly colourful Götterdämmerung is enhanced by great singing (08/07/2025) __________________________________
  • Two Adès compositions score big in Aspen Music Festival’s first weekend (08/07/2025) __________________________________
  • Salieri’s The School for Jealousy is offered with flair and improvisatory flourish in Oxford (07/07/2025) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Saffron Opera Group’s Der fliegende Holländer on Sunday 14 September at Saffron Hall (09/07/2025)
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  • Violinist Miranda Cuckson in conversation with Daniele Sahr (09/07/2025) __________________________________
  • Blossom Music Festival – 3 July to 7 September (03/07/2025) __________________________________
  • 2025 Shostakovich Symposium Leipzig: a report by Gregor Tassie (19/06/2025) __________________________________
  • Lammermuir Festival 2025 – 4 to 15 September (12/06/2025) __________________________________
  • Oldenburg State Theatre in 2025-26 (31/05/2025) __________________________________
  • Zach Carstensen examines the Chicago Symphony Orchestra’s history with Mahler (24/05/2025) __________________________________
  • Das Rheingold at Grange Park Opera in June and July 2026 with the Orchestra of English National Opera (20/05/2025) __________________________________
  • Grimeborn Opera Festival 2025 – 16 July to 13 September (20/05/2025) __________________________________
  • English National Opera in 2025-26 and their new Music Director André de Ridder (14/05/2025) __________________________________
  • London’s Sadler’s Wells theatres in 2025-26 (13/05/2025) __________________________________
  • Bournemouth Symphony Orchestra in 2025-26 (09/05/2025) __________________________________
  • Oxford International Song Festival: 10 to 25 October 2025 (09/05/2025) __________________________________
  • Sir Antonio Pappano The Royal Opera’s first Conductor Laureate (09/05/2025) __________________________________
  • An interview with Alon Kariv who plays Chopin’s First Piano Concerto at the Cadogan Hall on Sunday 11 May (06/05/2025) __________________________________
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