NEW! MARKUS POSCHNER IN CONVERSATION WITH GREGOR TASSIE

19/04/2018

Markus Poschner talks to Gregor Tassie

Markus Poschner (c) Reinhard Winkler

Born in a musical family in 1971 in Munich, Markus Poschner has become one of the most sought-after conductors in recent years. He has worked extensively in both opera and concerts, all the major European orchestras, and in the United States and the Far East. Currently Markus Poschner is general music director of Opera Linz and principal conductor of the Bruckner Orchestra Linz, which he shares with and the principal conductorship of the Orchestra della Svizzera Italiana in Locarno with whom he has made a highly regarded cycle of the Brahms symphonies. As he prepares his orchestra from Linz on their third UK tour he spoke to me about his career and ambitions in music. Read more

NEW! A Q&A WITH ITALIAN BARITONE FRANCO VASSALLO

16/04/2018

FV

Franco Vassallo is an acclaimed interpreter of leading Verdi roles – amongst many others – in the world’s most important opera houses (including Teatro alla Scala di Milano, Opéra de Paris, London’s Royal Opera House and New York’s Metropolitan Opera). He has just sung Scarpia for the first time in Puccini’s Tosca at the Staatsoper Hamburg in the Robert Carsen production and performed with Anja Harteros and Jonas Kaufmann. Read more

NEW! MICHAEL SANDERLING IN CONVERSATION WITH GREGOR TASSIE

04/04/2018

Michael Sanderling talks to Gregor Tassie

Michael Sanderling (c) Marco Borgreeve

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NEW! ARABELLA STEINBACHER IN CONVERSATION WITH GREGOR TASSIE

09/03/2018

Interview with Arabella Steinbacher

Arabella Steinbacher (c) Sammy Hart

When I spoke with Arabella Steinbacher, she was half way through a tour with the Orchestre National de Lille in Southern France playing the Tchaikovsky Violin Concerto and conductor Mark Shanahan. The bitterly cold weather allowed the German violinist some extra time in her hotel to speak with me about her early career and her inspirations for what has been a busy calling embracing the standard classical repertoire and explorations of less known 20th century repertoire. Read more

NEW! THE CONDUCTOR LAURENCE EQUILBEY IN CONVERSATION WITH COLIN CLARKE

23/02/2018

Laurence Equilbey on La Seine Musicale, Insula Orchestra and Female Composers

SEINE MUSICALE

La Seine Musicale (c) CD92/Olivier Ravoire.

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NEW! A Q&A WITH LISETTE OROPESA AS SHE RETURNS TO LA OPERA FOR ORFEO ED EURIDICE

18/02/2018

Lisette Oropesa (c) Steven Harris

A highlight of this season for soprano Lisette Oropesa was her Royal Opera debut as Lucia (Lucia di Lammermoor) at Covent Garden. She will soon be making a role debut as Euridice in the French version of Gluck’s Orfeo ed Euridice with Los Angeles Opera, in a new production opening on the 10 March, directed and choreographed by John Neumeier, and conducted by James Conlon. In advance of these performances in Los Angeles, Lisette Oropesa answers Seen and Heard International’s questions about this current role, as well as, looking back on her life and his career. Read more

NEW! A Q&A WITH ANDREA CARÈ AS HE RETURNS TO COVENT GARDEN AS DON JOSÉ

16/02/2018

Andrea Carè © Juan Carranza

The Italian tenor Andrea Carè has recently appeared at the Teatro Real in Madrid – in Puccini’s Madama Butterfly (Puccini) and Bizet’s Carmen – and at the Palau de Les Arts in Valencia – in Verdi’s Don Carlo alongside Plácido Domingo – and he returns to Covent Garden’s Royal Opera House (February 16, 27 and March 8, 12, 16) in the role of Don José in Carmen, a role he first performed there in 2015. He has previously said: ‘In spite of the brutality and intolerance of what Don José does, I still believe that in reality he is a pure man who finds himself in the wrong place at the wrong time. He is a passionate man, as many of us are, but he does not have the luck or intelligence to realise that Carmen represents a danger to his own life, his heart and his mental stability. I believe that, however mistakenly and violently he behaves, there is a Don José in every one of us, constantly struggling not to fall into the abyss of insanity’.

In advance of these performances at Covent Garden Andrea Carè answers Seen and Heard International’s questions about this current role, as well as, looking back on his life and his career. Read more

NEW! BARRY DOUGLAS IN CONVERSATION WITH GEOFFREY NEWMAN

12/01/2018

Barry Douglas discusses – amongst other things – his career, composers, interpretation, recordings, masterclasses, chamber music, competitions, and his annual Clandeboye Festival.

Barry Douglas © Katya Kraynova

Winner of the Tchaikovsky International Piano Competition in 1986, Barry Douglas has toured the world for the last three decades, bringing distinction and splendour to the wide range of concertos he plays, and taking on innumerable institutional responsibilities as well. That is to be expected from any major competition-winner, but perhaps closest to the artist’s heart is the founding of his orchestra, the Camerata Ireland, and overseeing his annual Clandeboye Festival, both of which serve as a meeting place for Irish artists in general and young Irish musicians in particular. Read more

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