Jakub Józef Orliński talks to Rick Perdian Jakub Józef Orliński became an international sensation in 2017 with a YouTube video of him singing an aria, ‘Vedro con mio diletto’, from Vivaldi’s opera Il Giustino. Rather than the fiery coloratura Baroque showpieces that he often sings, the Polish countertenor performed a smoothly flowing love song with … Read more
The Singapore Symphony Orchestra is one of ten contenders for the 2021 Gramophone’s Orchestra of the Year Award. This year, as has been the case since the award’s inception in 2018, nominees are chosen by the magazine’s editors and reviewers, and the winner will be decided entirely by international public vote. Previous winners include the … Read more
Note For Note: Bewitched, Bothered and Bewildered An interview with author and amateur pianist, Howard Smith
Howard Smith has had a top-flight career in the world of computing and computer programming. On approaching retirement, he decided to leave his career and try something completely different – learn to play the piano. Howard had started the learn to play the piano as a child but was uninspired by the rigid approach adopted at that time and did not continue with his studies. In his book, Note For Note – Bewitched Bothered and Bewildered he describes the new and creative approaches which his teachers adopted to enable him to engage with the process of learning to play.
When Covid restrictions caused the cancellation of the 2020 Three Choirs Festival I regretted that decision on many levels. One of my main disappointments was that the cancellation deprived us of the opportunity to hear the world premiere of a major new work by Gabriel Jackson, The World Imagined. Happily, it has been possible to reschedule the premiere and include it in the plans for the 2021 Three Choirs Festival. I have been an admirer of this composer’s music, especially his choral works, for many years now so the prospect of such a significant new score is enticing. Consequently, I seized the chance to discuss the new work with Gabriel, albeit in a socially distanced way.
Dr Samantha Ege in conversation withAntoine Lévy-Leboyer
Florence Price (1887-1953) was an Afro-American Composer who wrote a very significant amount of music: symphonies, concertos, chamber music, Lieder and some quite simply outstanding piano music. As was the case for numerous composers who, after their death, were somewhat forgotten, Price has found a formidable interpreter in pianist Samantha Ege who has championed her works in concert, recordings and at conferences.
Pianist Lisa Maria Schachtschneider in conversation with Gregor Tassie ‘The female in music is my contribution on the way to equality’ is the heading for the young German pianist Lisa Maria Schachtschneider’s debut recording. Through neglect and ignorance, the question of women in music is a perennial problem to overcome and is exacerbated by recent … Read more
This season was to be a celebration of Christopher Hahn’s twentieth anniversary with the Pittsburgh Opera. It was, but not as anyone could possibly have imagined a year ago. Hahn was appointed General Director of the Pittsburgh Opera in 2008, having served as Artistic Director since 2000. During his tenure, the company has been transformed. … Read more
Even in the midst of a pandemic, a Zoom call with Brandon Ridenour and Ben Russell is an upbeat experience. Their plans for performances, tours and just about everything else hit a brick wall in March, as they did for just about everyone on the planet. For Russell, it has been a peripatetic few months: circumstances required him to leave Brooklyn early in the pandemic and, since then, he and his wife have stayed in a cabin in Maine and with family in California and Mississippi. Apart from a few brief trips out of New York, Ridenour has stuck it out in Brooklyn.
They are two of the five members of Founders, the award-winning, Brooklyn-based ensemble, a songwriting collective that is reimagining the boundaries of musical styles. In addition to Russell (violin/vocals) and Ridenour (trumpet/piano), the other members of the group are Hamilton Berry (cello/vocals), Yoonah Kim (clarinet) and Greg Chudzik (bass). All are conservatory-trained musicians.
Individually, they have worked with songwriters such as James Taylor, Sufjan Stevens, Sting, and Björk, as well as with classical ensembles such as Canadian Brass, A Far Cry and the Mahler Chamber Orchestra. They have performed on the stages of Carnegie Hall, the Kennedy Center, Walt Disney Hall and Lincoln Center, as well as on television broadcasts such as The Late Show and Saturday Night Live.
January saw the release of Founders’ latest recording, Songs for the End of Time, Vol. 1, which features Russell and Ridenour’s arrangement of Olivier Messiaen’s Quartet for the End of Time. Their adaptation of this seminal work received its world premiere at the 2019 Tribeca New Music Festival. With this thoughtful, imaginative and at times stunningly beautiful rethinking of Messiaen’s Quartet, Founders is introducing it to audiences that might never have encountered it before.