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Alan Sanders

Grzegorz Nowak Excels in Tchaikovsky with the RPO

26/06/201722/06/2017 by Alan Sanders

United KingdomUnited Kingdom Tchaikovsky: Teo Gheorghiu (piano), Royal Philharmonic Orchestra / Grzegorz Nowak (conductor), Royal Albert Hall, London, 20.6.2017. (AS)

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A Memorable Performance of Quatuor pour le fin de temps

09/06/201704/06/2017 by Alan Sanders

United KingdomUnited Kingdom Messiaen and Schubert: Janine Jansen (violin), Lucas Debargue (piano), Torleif Thedéen (cello), Martin Fröst (clarinet), Wigmore Hall, London, 2.6.2107. (AS)

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Haitink’s Reading of Bruckner’s Ninth Improves as it Unfolds

09/06/201703/06/2017 by Alan Sanders

United KingdomUnited Kingdom Beethoven and Bruckner: Mitsuko Uchida (piano), London Symphony Orchestra / Bernard Haitink (conductor), Barbican Hall, Barbican Centre, London, 1.6.2017. (AS)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Alan Sanders, London 1 Comment

Sakari Oramo’s Stunning Account of Turangalîla-symphonie

31/05/201726/05/2017 by Alan Sanders

United KingdomUnited Kingdom Messiaen: Steven Osborne (piano), Cynthia Miller (ondes Martinot), BBC Symphony Orchestra / Sakari Oramo (conductor), Barbican Hall, Barbican Centre, London, 24.5.2017. (AS) 

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Danny Driver’s Impressive, Humane Beethoven

31/05/201724/05/2017 by Alan Sanders

United KingdomUnited Kingdom Schubert, Beethoven and Brahms: Danny Driver (piano), Royal Philharmonic Orchestra / Mario Venzago (conductor), Cadogan Hall, London, 23.5.2017. (AS)

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Elder and the LSO Bring a Remarkable Sense of Freshness to The Planets

24/05/201720/05/2017 by Alan Sanders

United KingdomUnited Kingdom Vaughan Williams, Brahms and Holst: Roman Simovic (violin), Tim Hugh (cello), Ladies of the London Symphony Chorus, London Symphony Orchestra / Sir Mark Elder (conductor), Barbican Hall, Barbican Centre, London, 18.5.2017. (AS)

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Sir Andrew Davis Leads an Impressive Revival of The Beatitudes

21/05/201714/05/2017 by Alan Sanders

United KingdomUnited Kingdom Elgar and Bliss: Emily Birsan (soprano), Ben Johnson (tenor), BBC Symphony Chorus, BBC Symphony Orchestra / Sir Andrew Davis (conductor), Barbican Hall, Barbican Centre, London, 12.5.2017. (AS)

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Yuja Wang on Scintillating Form in Tchaikovsky

21/05/201712/05/2017 by Alan Sanders

United KingdomUnited Kingdom Rossini, Tchaikovsky and Respighi: Yuja Wang (piano), Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma / Sir Antonio Pappano (conductor), Royal Festival Hall, Southbank Centre, London, 11.5.2017. (AS)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Alan Sanders, London 1 Comment
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CHOOSE A WEEK TO VIEW

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TOP 10 SEEN AND HEARD POSTS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026)
__________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • The ninth revival of Zeffirelli’s 2010 Turandot is still impressive in the Verona Arena (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026)
    __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
  • King Charles III unveils new Main Stage curtains at the Royal Opera House (16/05/2026) __________________________________
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