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Opera & Ballet

Collected opera and ballet reviews

The Tales of Hoffmann is Welcomed Back to Helsinski

18/11/201827/10/2018 by Goran Forsling

FinlandFinland Offenbach, Les contes d’Hoffmann: Soloists, Finnish National Opera Chorus & Orchestra / Patrick Fournillier (conductor) Finnish National Opera, Helsinki, 19.10.2018. (GF)

Les contes d’Hoffmann ©Heikki Tuuli/FNO

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Categories International Opera, Opera & Ballet Tags Göran Forsling, Helsinki Leave a comment

A Resonant and Powerful Interpretation of Dusapin’s Fascinating Passion

18/11/201826/10/2018 by Glyn Pursglove

United KingdomUnited Kingdom Pascal Dusapin, Passion: Soloists, Exaudi (off-stage chorus), Sound InterMedia, London Sinfonietta / Geoffrey Paterson (conductor). Millennium Centre, Cardiff, 23.10.2018. (GPu)

Jennifer France (Her) and dancers © Clive Barda

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Categories Opera & Ballet, UK Concerts Tags Cardiff, Glyn Pursglove Leave a comment

Ekaterina Bakanova Excels in Wexford’s Staging of Mercadante’s Il Bravo

04/11/201825/10/2018 by Robert Beattie

IrelandIreland Wexford Festival Opera 2018 [3] – Saverio Mercadante, Il Bravo:  Soloists, Chorus and Orchestra of Wexford Festival Opera / Jonathan Brandani (Conductor). National Opera House, Wexford 21.10.2018. (RB)

Alessandro Luciano & Ekaterina Bakanova in Il Bravo (c) Clive Barda

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Categories International Opera, Opera & Ballet Tags Robert Beattie, Wexford Leave a comment

Zurich Opera’s Die Entführung is an Exercise in Cleverness

04/11/201825/10/2018 by Casey Creel

SwitzerlandSwitzerland Mozart, Die Entführung aus dem Serail: Soloists and Chorus of the Opernhaus Zürich, Orchestra La Scintilla / Riccardo Minasi (conductor), Opernhaus Zürich, Zurich, 21.10.2018. (CCr)

Die Entführung aus dem Serail (c) Tanja Dorendorf

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Categories International Opera, Opera & Ballet Tags Casey Creel, Zurich Leave a comment

A Minimalist Opera in a Minimalist Production

04/11/201824/10/2018 by José Irurzun

SpainSpain Saariaho, Only the Sound Remains: Meta 4 Quartet, Theatre of Voices / Ivor Bolton (conductor), Teatro Real, Madrid, 23.10.2018. (JMI)

Philippe Jaroussky, Davone Tines, Nora Kimball-Mentzos
in Only the Sound Remains © J. del Real

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Categories International Opera, Opera & Ballet, This Week's Review Tags José Irurzun, Madrid Leave a comment

Stark Realism and Perfect Casting Make for an Unforgettable Jenůfa

04/11/201824/10/2018 by Rick Perdian

Czech RepublicCzech Republic Janáček, Jenůfa: Soloists, Chorus, Ballet and Orchestra of The National Theatre / Jaroslav Kyzlink (conductor), The National Theatre, Prague, 19.10.2018. (RP)

Alžběta Poláčková as Jenůfa © National Theatre Prague

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Categories International Opera, Opera & Ballet, This Week's Review Tags Prague, Rick Perdian Leave a comment

Polenzani Excels in Title Role of Idomeneo

04/11/201824/10/2018 by James Zychowicz

United StatesUnited States Mozart, Idomeneo: Soloists, Chorus, Lyric Opera of Chicago / Sir Andrew Davis (conductor). Civic Opera House, Chicago. 20.10.2018. (JLZ)

Matthew Polenzani in Idomeneo
(c) Kyle Flubacker

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Categories International Opera, Opera & Ballet, This Week's Review Tags Chicago, James L. Zychowicz Leave a comment

No Gimmicks Just Sheer Professionalism from McVicar’s Traviata for WNO

04/11/201824/10/2018 by Robert Farr

United KingdomUnited Kingdom Verdi, La traviata: Soloists, Chorus and Orchestra of Welsh National Opera/ James Southall (conductor). Theatre Cymru, Llandudno, 19.10.2018. (RJF)

Kang Wang (Alfredo) & Linda Richardson (Violetta). (c) Betina Skovbro

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Categories Opera & Ballet, UK Opera Tags Llandudno, Robert J. Farr Leave a comment
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  • A blistering, unforgettable Salome from Grigorian, Volle, Pappano and the LSO
  • Four superb woodwind soloists help make Jasmine Barnes’s piece a winner in Aspen
  • Cleveland opens Blossom with Osmo Vänskä leading piercing performances of mythical epics
  • In Eugene Onegin Wild Arts’s greatest strength is that it acts as a collective not a collection of starry individuals
  • Dialogue in color and form: Debussy and Ravel at Tanglewood

RECENT COMMENTS

  • Ross aldridge on Longborough’s Péllias et Mélisande uses audience imagination to tell the story and the music is terrific!
  • Zsuzsi on Appl and Lepper showcase Kurtág and Schubert in Lines of Life at the Wigmore Hall
  • Ernest on Nadine Sierra is Violetta in an excellent La traviata at Madrid’s Teatro Real
  • denise stott on Gillian Anderson’s Blanche disappoints as the object of masculine desire in the Young Vic’s replayed 2014 Streetcar
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SEEN AND HEARD'S RECENT REVIEWS

  • A blistering, unforgettable Salome from Grigorian, Volle, Pappano and the LSO (15/07/2025)
__________________________________
  • Four superb woodwind soloists help make Jasmine Barnes’s piece a winner in Aspen (15/07/2025) __________________________________
  • Cleveland opens Blossom with Osmo Vänskä leading piercing performances of mythical epics (15/07/2025) __________________________________
  • In Eugene Onegin Wild Arts’s greatest strength is that it acts as a collective not a collection of starry individuals (15/07/2025) __________________________________
  • Dialogue in color and form: Debussy and Ravel at Tanglewood (14/07/2025) __________________________________
  • Outstanding concert by Stéphane Degout and Quatuor Diotima at the Festival d’Aix-en-Provence (13/07/2025) __________________________________
  • Edgar Meyer’s eclectic magic and Ana María Martínez’s life-history recital are the week’s Aspen highlights (13/07/2025) __________________________________
  • A remarkable Wigmore Hall evening from the Chiaroscuro Quartet and pianist Cédric Tiberghien (12/07/2025) __________________________________
  • Much to admire and enjoy in Don Giovanni at the Festival d’Aix-en-Provence (11/07/2025) __________________________________
  • Quiet radiance of Fauré’s chamber music revealed at the 92nd Street Y (11/07/2025) __________________________________
  • Marie Jacquot pairs rare Richard Strauss with Goosby’s Mozart in 2025’s first ‘Summers at Severance’ (11/07/2025) __________________________________
  • The Quatuor Diotima play with skill and sangfroid at the Festival d’Aix-en-Provence (10/07/2025) __________________________________
  • Kartaloff’s Tannhäuser triumphantly closes the Sofia Wagner Festival: a new star is born as Elisabeth (10/07/2025) __________________________________
  • Evocative, intimate opening to Chamber Music Society’s ‘Summer Evenings’ at Alice Tully Hall (10/07/2025) __________________________________
  • A very fine account of Cavalli’s La Calisto in Aix-en-Provence (09/07/2025) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Saffron Opera Group’s Der fliegende Holländer on Sunday 14 September at Saffron Hall (09/07/2025)
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  • Violinist Miranda Cuckson in conversation with Daniele Sahr (09/07/2025) __________________________________
  • Blossom Music Festival – 3 July to 7 September (03/07/2025) __________________________________
  • 2025 Shostakovich Symposium Leipzig: a report by Gregor Tassie (19/06/2025) __________________________________
  • Lammermuir Festival 2025 – 4 to 15 September (12/06/2025) __________________________________
  • Oldenburg State Theatre in 2025-26 (31/05/2025) __________________________________
  • Zach Carstensen examines the Chicago Symphony Orchestra’s history with Mahler (24/05/2025) __________________________________
  • Das Rheingold at Grange Park Opera in June and July 2026 with the Orchestra of English National Opera (20/05/2025) __________________________________
  • Grimeborn Opera Festival 2025 – 16 July to 13 September (20/05/2025) __________________________________
  • English National Opera in 2025-26 and their new Music Director André de Ridder (14/05/2025) __________________________________
  • London’s Sadler’s Wells theatres in 2025-26 (13/05/2025) __________________________________
  • Bournemouth Symphony Orchestra in 2025-26 (09/05/2025) __________________________________
  • Oxford International Song Festival: 10 to 25 October 2025 (09/05/2025) __________________________________
  • Sir Antonio Pappano The Royal Opera’s first Conductor Laureate (09/05/2025) __________________________________
  • An interview with Alon Kariv who plays Chopin’s First Piano Concerto at the Cadogan Hall on Sunday 11 May (06/05/2025) __________________________________
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