There was much evidence that the Staatsoper audience in Berlin enjoyed their first Janáček Vixen

GermanyGermany Janáček, The Cunning Little Vixen: Soloists, Children’s Choir of the Staatsoper Unter den Linden (director: Vinzenz Weissenburger), Staatsopernchor Berlin (director: Dani Juris), Staatskapelle Berlin / Sir Simon Rattle (conductor). Staatsoper Unter den Linden, Berlin, 28.2.2026. (MB)

Staatsoper Unter den Linden’s The Cunning Little Vixen © Monika Rittershaus

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Berlioz was a magnificent ending to a magnificent Berlin Philharmonic Orchestra evening

GermanyGermany Mendelssohn, Brahms, and Berlioz: Noah Bendix-Balgley (violin), Bruno Delepelaire (cello), Berlin Philharmonic Orchestra / Tugan Sokhiev (conductor). Philharmonie Berlin, 27.2.2026. (MB)

Cellist Bruno Delepelaire (cello) and violinist Noah Bendix-Balgley, conductor Tugan Sokhiev and the BPO © Stephan Rabold

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Weill’s Mahagonny is a properly barbed, defiant way for ENO to bid London au revoir

United KingdomUnited Kingdom Weill, Rise and Fall of the City of Mahagonny (Aufstieg und Fall der Stadt Mahagonny): Soloists, Chorus, Additional Chorus (director: Matthew Quinn) and Orchestra of the English National Opera / André de Ridder (conductor). London Coliseum, 16.2.2026. (MB)

Danielle de Niese (centre front, Jenny) and Damon Gould (rear, Jenny’s Boy) and Ella Kirkpatrick, Deborah Davison and Claire Mitcher  (Jenny’s Girls) © Tristram Kenton

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