Mark Berry – Page 68 – Seen and Heard International

The Komische Oper’s La bohème is More Memorable than Poro

19/05/201922/04/2019 by Mark Berry

Germany Puccini, La bohème and Handel, Poro: Soloists, Children’s Chorus (chorus director: Dagmar Fiebach), Chorus (chorus director: David Cavelius), and Orchestra of the Komische Oper, Berlin / Jordan de Souza and Jörg Halubeck (conductors). Komische Oper, Berlin, 19. and 20.4.2019. (MB)

Komische Oper’s *La bohème* (c) Iko Freese/drama-berlin.de

Deutsche Oper’s Rienzi is Compromised by Cuts and Miserable Conducting

04/05/201921/04/2019 by Mark Berry

Germany Wagner, Rienzi: Soloists, Chorus and Extra Chorus of the Deutsche Oper, Berlin (chorus director: Jeremy Bines), Orchestra of the Deutsche Oper, Berlin / Evan Rogister (conductor). Deutsche Oper, Berlin, 18.4.2019. (MB)

Deutsche Oper’s *Rienzi* Act IV (c) Bettina Stöß

Semperoper’s Excellent Production of Platée is a Controlled Riot with Vigour and Style

04/05/201920/04/2019 by Mark Berry

Germany Rameau, Platée: Soloists, Dancers, Sächsische Staatsopernchor Dresden (chorus director: Cornelius Volke), Säschsische Staatskapelle Dresden / Paul Agnew (conductor). Semperoper, Dresden, 16.4.2019. (MB)

Betrothal in a Monastery Provides an Intriguing, Challenging, and Amusing Evening

04/05/201919/04/2019 by Mark Berry

Germany Prokofiev, Betrothal in a Monastery: Soloists, Berlin State Opera Chorus (chorus director: Martin Wright), Staatskapelle Berlin / Daniel Barenboim (conductor). Staatsoper Unter den Linden, Berlin, 13.4.2019. (MB)

Betrothal in a Monastery (c) Ruth and Martin Walz — *Betrothal in a Monastery* (c) Ruth and Martin Walz

Three Stimulating Works and Performances from the LSO and François-Xavier Roth

15/04/201901/04/2019 by Mark Berry

United Kingdom Lang, Manoury, Shin, and Scriabin: London Symphony Chorus, LSO Community Choir, 500 Voices Participants (Simon Halsey [chorus director]) / Esmerelda Conde-Ruiz, Emily Dickens, Lucy Griffiths, David Lawrence, Jack Apperley (conductors), London Symphony Orchestra, François-Xavier Roth (conductor). Barbican foyers and Barbican Hall, London, 24.3.2019. (MB)

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The Komische Oper’s La bohème is More Memorable than Poro

Deutsche Oper’s Rienzi is Compromised by Cuts and Miserable Conducting

Semperoper’s Excellent Production of Platée is a Controlled Riot with Vigour and Style

Betrothal in a Monastery Provides an Intriguing, Challenging, and Amusing Evening

Three Stimulating Works and Performances from the LSO and François-Xavier Roth

Much to Savour in the Royal Academy’s Tchaikovsky and Ravel Double Bill

A Highly Rewarding Programme from the Heath Quartet

Fine Singing is the Best Feature of ENO’s Magic Flute Revival