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Colin Clarke

An Enthralling London Debut Recital by Vikingur Ólafsson

23/11/201717/11/2017 by Colin Clarke

United KingdomUnited Kingdom Bach, Chopin, Brahms: Vikingur Ólafsson (piano), St John’s, Smith Square, London, 15.11.2017. (CC)

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The LSO Begins its Celebration of the Bernstein Centenary

16/11/201710/11/2017 by Colin Clarke

United KingdomUnited Kingdom Bernstein, Mahler: Jamie Barton (mezzo-soprano), London Symphony Orchestra / Marin Alsop (conductor). Barbican Hall, London 9.11.2017. (CC)

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An Extraordinary Covent Garden Lucia from Oropesa, Castronovo, Maltman and Mariotti

05/11/201702/11/2017 by Colin Clarke

United KingdomUnited Kingdom Donizetti, Lucia di Lammermoor: Soloist; Chorus & Orchestra of the Royal Opera House, Covent Garden / Michele Mariotti (conductor). Royal Opera House, London, 30.10.2017. (CC)

Lucia
Lisette Oropesa (Lucia) & Charles Castronovo (Edgardo) in Lucia di Lammermoor
(c) Stephen Cummiskey

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Categories Opera & Ballet, UK Opera Tags Colin Clarke, London Leave a comment

A Colourful Exploration of Musical Istanbul and the Near East

05/11/201701/11/2017 by Colin Clarke

United KingdomUnited Kingdom Istanbul – Dimitrie Cantemir: The Book of the Science of Music: Hespèrion XXI / Jordi Savall (lyra/viol/director), Wigmore Hall, London 29.10.2017. (CC)

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A Rewarding Recital from Steven Isserlis and Olli Mustonen

02/11/201730/10/2017 by Colin Clarke

United KingdomUnited Kingdom Prokofiev, Mustonen, Kabalevsky: Steven Isserlis (cello); Olli Mustonen (piano). Wigmore Hall, London, 29.10.2017. (CC)

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The LPO on Top Form for Andrés Orozco-Estrada

02/11/201729/10/2017 by Colin Clarke

United KingdomUnited Kingdom Beethoven and Shostakovich: Inon Barnatan (piano); London Philharmonic Orchestra / Andrés Orozco-Estrada. Royal Festival Hall, London, 27.10.2017. (CC)

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ENO’s Rodelinda – Musical Triumph Beset by Problematic Staging

02/11/201729/10/2017 by Colin Clarke

United KingdomUnited Kingdom Handel, Rodelinda: Soloists, Chorus and Orchestra of English National Opera / Christian Curnyn (conductor). London Coliseum, 26.10.2017. (CC)

R
ENO’s Rodelinda © Jane Hobson

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A Most Stimulating Concert from Andrés Orozco-Estrada and the LPO

30/10/201727/10/2017 by Colin Clarke

United KingdomUnited Kingdom Shostakovich, Vasks, Gregorian Chant, Rachmaninov: István Várdai (cello); The Lay Vicars of Westminster Abbey; London Philharmonic Choir and Orchestra / Andrés Orozco-Estrada (conductor). Royal Festival Hall, London, 25.10.2017. (CC)

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CHOOSE A WEEK TO VIEW

CHOOSE A MONTH TO VIEW

TOP 10 SEEN AND HEARD POSTS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026)
__________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
    __________________________________
  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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