United StatesVarious,PIVOT Festival [1]:Nicholas Phan (tenor), Brooklyn Rider (Johnny Gandelsman, Colin Jacobsen [violins], Nicholas Cords [viola], Michael Nicolas [cello]). Presented by San Francisco Performances, Herbst Theatre, San Francisco, 21.10.2021. (HS)
United StatesVarious, ‘Exotic Birds’: Jeremy Denk (piano), Claire Chase (flute), San Francisco Symphony / Esa-Pekka Salonen (conductor). Davies Symphony Hall, San Francisco, 17.10.2021. (HS)
Claire Chase playing Saariaho’s Oiseaux exotiques (c) Kristen Loken
United States Beethoven, Fidelio: Soloists, Chorus and Orchestra of San Francisco Opera / Eun Sun Kim (conductor). War Memorial Opera House, San Francisco. 14.10.2021. (HS)
United StatesSan Francisco Symphony’s ‘Re-Opening Night’: esperanza spalding (bass and vocals), Leo Genovese (piano), Terri Lyne Carrington (drums), Ravi Coltrane (tenor sax), dancers from Alonzo King LINES Ballet, San Francisco Symphony / Esa-Pekka Salonen (conductor). Davies Symphony Hall, San Francisco, 1.10.2021. (HS)
esmeralda spalding sings Wayne Shorter’s Gaia (c) Drew Altizer Photography
United States‘Live and In Concert: The Homecoming’: Rachel Willis-Sørensen (soprano), Jamie Barton (mezzo-soprano), San Francisco Opera Orchestra / Eun Sun Kim (conductor). War Memorial Opera House, San Francisco, 10.9.2021. (HS)
Rachel Willis-Sorensen (r), Jamie Barton (l) and Eun Sun Kim conducting the San Francisco Opera Orchestra (c) Corey Weaver
An unusual 2021-2022 season for San Francisco Opera
SFO’s new music director Eun Sun Kim (c) Marc Olivier Le Blanc
San Francisco Opera’s upcoming 2021-2022 season looks very different from anything they have ever done. It is not the repertory – which consists of familiar works by Mozart, Beethoven and Puccini and a reprise of one of its more successful contemporary commissions – but the format.
Live performances in the War Memorial Opera House for the first time since December 2019 feature five fully staged operas and two concerts. For the first time in the company’s history, operas will not be run in repertory. Instead, they are spread out to allow three weeks between opera runs, a concession to COVID-19 protocols.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.