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Simon Thompson

More is Less: Balletic Realisation of Casanova’s Life Fails To Grip

29/03/201727/03/2017 by Simon Thompson

United KingdomUnited Kingdom Northern Ballet’s Casanova: Dancers of Northern Ballet, Northern Ballet Sinfonia / Nathan Fifield (conductor), Edinburgh Festival Theatre, Edinburgh, 25.3.2017. (SRT)

Giuliano Contadini as Casanova and Dreda Blow as Bellino in Casanova. Photo Caroline Holden
Giuliano Contadini (Casanova) and Dreda Blow (Bellino)
in Casanova (c) Caroline Holden

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Categories Ballet and Dance Reviews, Opera & Ballet Tags Edinburgh, Simon Thompson Leave a comment

Scottish Opera are on their Finest Form for David McVicar’s Pelléas et Melisande

18/03/201712/03/2017 by Simon Thompson

United KingdomUnited Kingdom Debussy, Pelléas et Melisande: Soloists and Chorus of Scottish Opera / Stuart Stratford (conductor), Edinburgh Festival Theatre, 11.3.2017. (SRT)

Carolyn Sampson as Mélisande in Pelléas and Mélisande. Scottish Opera 2017. Credit Richard Campbell. (3)
Carolyn Sampson (Mélisande) in SO’s Pelléas and Mélisande (c) Richard Campbell

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Categories Opera & Ballet, UK Opera Tags Edinburgh, Simon Thompson Leave a comment

Benedetti’s Bruch Concerto has Blissful Serenity and Great Peace

18/03/201712/03/2017 by Simon Thompson

United KingdomUnited Kingdom Debussy, Bruch, Beethoven: Nicola Benedetti (violin), Royal Scottish National Orchestra, Peter Oundjian (conductor), Usher Hall, Edinburgh, 10.3.2017. (SRT)

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Parisian Élan in Baroque and Classical Guises from the SCO

13/03/201710/03/2017 by Simon Thompson

United KingdomUnited Kingdom ‘The Paris Concert’: Scottish Chamber Orchestra / Laurence Cummings (conductor), Queen’s Hall, Edinburgh, 9.3.2017. (SRT)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Edinburgh, Simon Thompson Leave a comment

Idiosyncrasies and Ragged Edges from Sado and the Vienna Tonkünstler

11/03/201706/03/2017 by Simon Thompson

United KingdomUnited Kingdom Mendelssohn, Mozart, Brahms: Emma Johnson (clarinet), Vienna Tonkünstler Orchestra / Yutaka Sado (conductor), Usher Hall, Edinburgh, 5.3.2017. (SRT)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Edinburgh, Simon Thompson Leave a comment

Big-Boned Russian Beasts in Riveting Performances from the BBC SSO

03/03/201727/02/2017 by Simon Thompson

United KingdomUnited Kingdom Finnis, Rachmaninov, Rimsky-Korsakov: Vadym Kholodenko (piano), BBC Scottish Symphony Orchestra / Ilan Volkov (conductor), Usher Hall, Edinburgh, 26.2.2017. (SRT)

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Hollywood Film Scores Delivered with Aplomb by the RSNO

03/03/201725/02/2017 by Simon Thompson

United KingdomUnited Kingdom John Williams and Friends: Royal Scottish National Orchestra, Richard Kaufmann (conductor), Usher Hall, Edinburgh, 24.2.2017. (SRT)

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Vigour and Zing: Egarr and the SCO bring New Life to Beethoven and Mozart

03/03/201725/02/2017 by Simon Thompson

United KingdomUnited Kingdom Beethoven, Mozart: Rowan Pierce (soprano), Daniela Lehner (mezzo), James Gilchrist (tenor), Andrew Foster-Williams (bass-bar), SCO Chorus, Scottish Chamber Orchestra / Richard Egarr (conductor), Queen’s Hall, Edinburgh, 23.2.2017. (SRT)

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Categories Concert Reviews, UK Concerts Tags Edinburgh, Simon Thompson Leave a comment
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CHOOSE A WEEK TO VIEW

CHOOSE A MONTH TO VIEW

TOP 10 SEEN AND HEARD POSTS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026)
__________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • The ninth revival of Zeffirelli’s 2010 Turandot is still impressive in the Verona Arena (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026)
    __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
  • King Charles III unveils new Main Stage curtains at the Royal Opera House (16/05/2026) __________________________________
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