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UK Concerts

All concert reviews from the UK.

Shattering Shostakovich Fifth from Bournemouth SO

12/12/201707/12/2017 by Ian Lace

United KingdomUnited Kingdom Prokofiev, Rachmaninov, Shostakovich: Kirill Gerstein (piano), Bournemouth Symphony Orchestra / Victor Aviat (conductor). Lighthouse, Poole, 6.12.2017 (IL)

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Categories Concert Reviews, UK Concerts Tags Ian Lace, Poole Leave a comment

An Intense Russian Extravaganza with the BBC Scottish SO

12/12/201704/12/2017 by Simon Thompson

United KingdomUnited Kingdom Tchaikovsky, Shostakovich: Denis Kozhukhin (piano), BBCSSO / Alexander Vedernikov (conductor), Usher Hall, Edinburgh, 3.12.2017. (SRT)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Edinburgh, Simon Thompson Leave a comment

Brilliance and Humanity Complement Each Other in Lilit Grigoryan’s Superb Recital

12/12/201704/12/2017 by Glyn Pursglove

United KingdomUnited Kingdom Bach/Busoni, Mendelssohn, Szymanowski, Beethoven, Rachmaninov: Lilit Grigoryan (piano), Dora Stoutzker Hall, Royal Welsh College of Music and Drama, Cardiff. 26.11.2017. (GPu)

L
Lilit Grigoryan (piano) (c) Reinar Nicklas

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Categories Concert Reviews, UK Concerts Tags Cardiff, Glyn Pursglove Leave a comment

Elusive New Piano Concerto Precedes Grandiose Bruckner

12/12/201703/12/2017 by Mark S Jordan

United StatesUnited States Sciarrino, Bruckner: Jonathan Biss (piano), Cleveland Orchestra / Fabio Luisi (conductor) Severance Hall, Cleveland, 30.11.2017. (MSJ)

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Categories Concert Reviews, UK Concerts Tags Cleveland, Mark S. Jordan Leave a comment

L’Arpeggiata Reveal the Inventiveness of the Baroque

12/12/201703/12/2017 by Valeria Vescina

United KingdomUnited Kingdom Luigi Rossi, Maurizio Cazzati and Lorenzo Allegri, L’Arpeggiata: L’Arpeggiata ensemble / Christina Pluhar (director), Wigmore Hall, London 1.12.2017. (VV)

Giuseppina Bridelli_foto Francesco Squeglia_4432
Giuseppina Bridelli (c) Francesco Squeglia

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Categories Concert Reviews, UK Concerts Tags London, Valeria Vescina Leave a comment

Dolce Duello: Cecilia Bartoli and Sol Gabetta Save the Best for Last at the Barbican

12/12/201702/12/2017 by Jim Pritchard

United KingdomUnited Kingdom Various composers, Cecilia Bartoli & Sol Gabetta: Dolce Duello: Cecilia Bartoli (mezzo-soprano), Sol Gabetta (cello), Cappella Gabetta / Andrés Gabetta (concertmaster). Barbican Hall, London, 1/12/2017. (JPr)

Decca © Esther Haase
Sol Gabetta & Cecilia Bartoli © Esther Haas

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Categories Concert Reviews, UK Concerts Tags Jim Pritchard, London Leave a comment

Hearing this English Concert Live was Well Worth the Opportunity

12/12/201702/12/2017 by Colin Clarke

United KingdomUnited Kingdom Blow, Purcell, Handel, Bach – Welcome to all the pleasures: The Choir of New College, Oxford; The English Concert/Robert Quinney (director/harpsichord/organ) Wigmore Hall, London, 29.11.2017. (CC)

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Categories Concert Reviews, UK Concerts Tags Colin Clarke, London Leave a comment

Vladimir Jurowski Rescues Eine Herbstsymphonie from Unjustified Neglect

07/12/201701/12/2017 by Alan Sanders

United KingdomUnited Kingdom Chausson, Respighi and Marx: Julia Fischer (violin), London Philharmonic Orchestra / Vladimir Jurowski (conductor), Royal Festival Hall, Southbank Centre, London, 29.11.2017. (AS)

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Categories Concert Reviews, UK Concerts Tags Alan Sanders, London Leave a comment
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CHOOSE A WEEK TO VIEW

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TOP 10 SEEN AND HEARD POSTS

  • Choral epiphanies and anniversary Britten at the Lammermuir Festival
  • A countertenor without limits: Carlo Vistoli in recital at the Park Avenue Armory
  • Technical precision, interpretative freedom: Nemanja Radulović in Bucharest
  • Beczała and Grigorian herald the new Vienna State Opera season in grand gala style
  • Arcangelo and team of baroque-specialist soloists impress with refined Mass in B minor at the Proms
  • Bach, Beethoven and Schubert at Wigmore Hall reveals Ólafsson as an outstanding musician
  • Cleveland Chamber Music Society launches season with subtly crafted program of Glière, Fauré and Brahms
  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • Choral epiphanies and anniversary Britten at the Lammermuir Festival (12/09/2026)
__________________________________
  • A countertenor without limits: Carlo Vistoli in recital at the Park Avenue Armory (12/09/2026) __________________________________
  • Technical precision, interpretative freedom: Nemanja Radulović in Bucharest (12/09/2026) __________________________________
  • Beczała and Grigorian herald the new Vienna State Opera season in grand gala style (11/09/2026) __________________________________
  • Arcangelo and team of baroque-specialist soloists impress with refined Mass in B minor at the Proms (11/09/2026) __________________________________
  • Bach, Beethoven and Schubert at Wigmore Hall reveals Ólafsson as an outstanding musician (11/09/2026) __________________________________
  • Cleveland Chamber Music Society launches season with subtly crafted program of Glière, Fauré and Brahms (11/09/2026) __________________________________
  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026) __________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
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  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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