Verdi Meets Bergman in Munich’s Highly Recommended Otello

28/12/2018

Verdi, Otello: Soloists, Chorus and Orchestra of Bavarian State Opera / Kirill Petrenko (conductor), Nationaltheater, Munich, 21.12.2018. (ALL)

Anja Harteros (Desdemona) & Jonas Kaufmann (Otello)
© W. Hösl

Production: 

Director – Amélie Niermeyer
Settings – Christian Schmidt
Costumes – Annelies Vanlaere
Lighting – Olaf Winter

Cast:

Otello – Jonas Kaufmann
Desdemona – Anja Harteros
Iago – Gerald Finley
Cassio – Evan LeRoy Johnson
Emilia – Rachael Wilson
Lodovico – Bálint Szabó
Roderigo – Galeano Salas
Montano – Milan Siljanov
Herald – Markus Suihkonen

To fully appreciate this production of Otello one has to completely forget past performances and conceptions. What director Amélie Niermeyer has done is to provide a fresh, profound and convincing perspective on the work that manages to take into account both the story and the music, as well as, the characteristics, strengths and weaknesses of the principal singers.

The central character in Niermeyer’s conception is not Otello but Desdemona, present right from the start during the tempest scene. Otello enters to deliver his famous ‘Esultate’ alone, reminding us of soldiers suffering from post-traumatic stress disorder, who keep reliving their battles in their minds. The stage is divided into two parallel parts, and throughout the opera the action moves frequently from Otello’s to Desdemona’s world.

Desdemona is no longer a passive, innocent victim. At the end of Act I, she is the one kissing Otello, leading him to bed and trying to connect with him, but the music is very clear at this moment and he is the one reminiscing about his military exploits while she is the more tender one. At the very start of Act II, the couple leave without exchanging a word nor a loving glance, and one wonders if the wedding has even been consummated. In Act III, she is a commanding figure wearing black trousers with a red blouse.

We see before our very eyes what the work is really about: a couple disintegrating. Bergman meets Verdi …

As always with theatre directors, Personenregie (character development and characterisation) was strong, but Niermeyer also took cues from the music. A highlight was the second part of Act III, after the terrible ‘A terra!. . .e piangi’, with subtle lighting and imaginative use of video showing how things begin to collapse. The overall concept worked well with the singers. Anja Harteros has wonderful emotional range in addition to beauty of voice. Kaufmann, in this performance, displayed power in the high notes when needed. He tends to become baritonal in the middle register, which could even surprise many who are familiar with the Otellos of Domingo or Vickers. But it worked well here, creating a brooding Otello. Gerald Finley was a subtle Iago, careful with his words – one could hear echoes of the Mozart roles he has sung and perhaps, hopefully, of an upcoming Falstaff. Minor parts were cast with care, as is the rule in Munich. The chorus was terrific including the children’s’ chorus in Act II, perfectly in tune.

In the pit was Kirill Petrenko conducting his first Verdi opera. The orchestra played like lions for him, drawing a thrilling power from the opening scenes onwards. The cello section produced warm, glowing colours. The tempi were swift, contributing to the dramatic feeling. Balance between stage and pit was maintained with great care, no voice was covered at any moment. There was a strong sense of architecture with a long musical line particularly in the chorus passages of Act III. Petrenko truly is the leading conductor of our time.

In spite of the cold winter weather, coughs were minimal. The audience listened attentively. They knew what they were hearing was special, and one could hear a pin, sorry, a handkerchief drop.

This revealing production will be revived for the Munich Opera Festival in July 2019. It cannot be recommended strongly enough.

Antoine Lévy-Leboyer

For and earlier Seen and Heard Otello review click here.

Comments

Leave a Reply

Recent Reviews

Season Previews

__________________________________
  • NEW! Lyric Opera of Chicago’s 2020 Ring Cycles __________________________________
  • NEW! Roman River 2019 Festival __________________________________
  • NEW! Ex Cathedra’s 50th Anniversary Season in 2019-20 __________________________________
  • NEW! Geneva Grand Théâtre in 2019-20 __________________________________
  • UPDATED! 2019-20 at the Royal Opera House, Covent Garden __________________________________
  • NEW! Bregenz Festival 17 July – 18 August 2019 __________________________________
  • NEW! City of Birmingham Symphony Orchestra in 2019-20 __________________________________
  • NEW! Musikfest Berlin 2019 from 30 August to 19 September __________________________________
  • NEW! 2019 BBC Proms 19 July – 14 September __________________________________
  • NEW! Tonhalle Orchestra Zurich in 2019-20 __________________________________
  • NEW! Zurich Opera House in 2019-20 __________________________________
  • NEW! English National Opera in 2019-2020 __________________________________
  • NEW! Adrian Partington Introduces the 2019 Three Choirs Festival in Conversation with John Quinn __________________________________
  • NEW! ENB in 2019-2020 and Updates on their New London City Island Home __________________________________
  • NEW! Classical Music and Other Events at the Southbank Centre in 2019-20 __________________________________
  • UPDATED! Cleveland Orchestra in 2019-20 __________________________________
  • NEW! Classical Music at the Barbican in 2019-20 __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

    __________________________________
  • NEW! CHORUS MASTER STEPHEN DOUGHTY IN CONVERSATION WITH ROBERT BEATTIE __________________________________
  • NEW! Ron Howard’s Pavarotti in Cinemas 13 July (Preview) and Nationwide (15 July) __________________________________
  • NEW! MULTI-FACETED MUSICIAN JOY LISNEY IN CONVERSATION WITH ROBERT BEATTIE __________________________________
  • NEW! ‘MUSICAL MAGIC’: AN INTERVIEW WITH VIOLINIST HENNING KRAGGERUD __________________________________
  • NEW! English National Ballet Announces Winners of Emerging Dancer 2019 __________________________________
  • NEW! CONDUCTOR THOMAS SANDERLING IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! Chelsea Opera Group Perform Anton Rubinstein’s The Demon on 30 June __________________________________
  • NEW! In August Fulham Opera’s Most Ambitious Project to Date – Die Meistersinger Von Nürnberg __________________________________
  • R.I.P. IN MEMORIAM ANDRÉ PREVIN (1929-2019) __________________________________
  • NEW! CHRISTOPHE ROUSSET IN CONVERSATION WITH COLIN CLARKE __________________________________
  • CONDUCTOR ÁDÁM FISCHER IN CONVERSATION WITH MICHAEL COOKSON __________________________________
  • MAESTRO RICCARDO FRIZZA IN CONVERSATION WITH MARGARIDA MOTA-BULL __________________________________
  • A Q&A WITH GERMAN SOPRANO PETRA LANG __________________________________
  • HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • Search S&H

    Archives by Week

    Archives by Month