United Kingdom Baroque at the Edge [II]: Elicia Silverstein (violin), St James Clerkenwell, London, 5.1.2019. (CS)
Baroque at its Boldest from Elicia Silverstein
Claire Seymour
Augustin Hadelich and Charles Owen Offer a Masterclass in Responsive Performing and Listening
United Kingdom Brahms, Ysaÿe, Adams: Augustin Hadelich (violin), Charles Owen (piano), Wigmore Hall, London, 10.12.2018. (CS)
The Escher Quartet’s Intriguing Programme Mixes the ‘Classical’ and the ‘Popular’
United Kingdom Herrmann, Korngold, Gershwin, Ravel: Escher Quartet (Adam Barnett-Hart & Danbi Um [violins], Pierre Lapointe [viola], Brook Speltz [cello]), Wigmore Hall, London, 3.12.2018. (CS)
Muscular Power and Musical Precision from Tai Murray at Wigmore Hall
United Kingdom Grieg, Glass, Saint-Saëns: Tai Murray (violin), Silke Avenhaus (piano), Wigmore Hall, London, 26.11.2018. (CS)
The Brodsky Quartet: In Time Of War
United Kingdom Tanaka, Schulhoff, Shostakovich, Brubeck, Crumb: Brodsky Quartet (Daniel Rowland & Ian Belton [violins], Paul Cassidy [viola], Jacqueline Thomas [cello]), Kings Place, London, 18.11.2018. (CS)
Power and Passion from Veronika Eberle and Dénes Várjon at Wigmore Hall
United Kingdom Bach, Bartók, Janáček, Schumann: Veronika Eberle (violin), Dénes Várjon (piano), Wigmore Hall, London, 13.10.2018. (CS)
The Best Possible Case Made for Dvořák’s Unfairly Maligned Piano Concerto
United Kingdom Sibelius, Dvořák, Bartók: Pierre-Laurent Aimard (piano), London Philharmonic Orchestra / Karina Canellakis (conductor), Royal Festival Hall, London, 10.10.2018. (CS)
Beginnings and Endings: the Orion Orchestra at Cadogan Hall
United Kingdom Alpha & Omega – Shostakovich: Orion Orchestra / Toby Purser (conductor), Cadogan Hall, 9.10.2018. (CS)
Pavel Nikolaevich Filonov, State Tretyakov Gallery, Moscow
Bridgeman Images