New York

Mostly Mozart (5): Noseda Conducts a Fiercely Individual Beethoven’s 9th

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United StatesUnited States Mostly Mozart (5) Beethoven: Mostly Mozart Festival Orchestra, Gianandrea Noseda (conductor), Erika Grimaldi (soprano), Anna Maria Chiuri (mezzo-soprano), Russell Thomas (tenor), Ildar Abdrazakov (bass),Concert Chorale of New York, James Bagwell (director), 12.8.2014 (SSM)

Gianandrea Noseda Photo credit: Noseda© Chris.Christodoulou
Gianandrea Noseda
Photo credit: Noseda© Chris.Christodoulou

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Mostly Mozart (4): Mark Morris’s Acis and Galatea Adds Mozart to the Mix

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United StatesUnited States Mostly Mozart (4):Handel, Acis and Galatea (arr. by Mozart): Mark Morris Dance Group, Mark Morris (Director and Choreographer), Philharmonia Baroque Orchestra and Chorale, Nicholas McGegan (Conductor), David H. Koch Theater, Lincoln Center, New York, 7.8.2014 (SSM)

Photo: Mark Morris Dance Group: Acis and Galatea (Handel (arr. Mozart) Philharmonia Baroque Orchestra and Chorale Nicholas McGegan, conductor Isaiah Bell, bass-baritone Adrianne Lobel, scenic design Isaac Mizrahi, costume design Michael Chybowski, lighting design Mostly Mozart Festival Dress Rehearsal photographed: © 2014 Richard Termine.
Photo: Mark Morris Dance Group: Acis and Galatea (Handel (arr. Mozart) Isaiah Bell, bass-baritone Mostly Mozart Festival Dress Rehearsal[br] photographed: © 2014 Richard Termine.

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A New York Reviewer Leaves Seen and Heard to Write Music Reviews for the New York Times

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A New York Reviewer Leaves Seen and Heard to Write Music Reviews for the New York Times Congratulations are in order for our young reviewer from England who has been providing  brilliant reviews for Seen and Heard and for Bachtrack and is now writing reviews for the New York Times. A PhD candidate at Columbia University … Read more