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Zurich

Bringuier Bows Out Gracefully With His Trademark Ravel

18/06/201810/06/2018 by John Rhodes

SwitzerlandSwitzerland R. Strauss, Prokofiev, Ravel: Thomas Grossenbacher (cello), Michel Rouilly (viola), Yuja Wang (piano), Tonhalle Orchestra Zurich / Lionel Bringuier (conductor), Tonhalle Maag, Zurich. 7.6.2018. (JR)

Lionel Bringuier (c) Jonathan Grimbert-Barre

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Categories Concert Reviews, International Concerts Tags John Rhodes, Zurich Leave a comment

Musical Sincerity from Magisterial Mauro Peter and Selfless Helmut Deutsch

06/06/201830/05/2018 by Casey Creel

SwitzerlandSwitzerland Schubert, Liszt: Mauro Peter (tenor), Helmut Deutsch (piano), Opernhaus, Zurich, 28.5.2018. (CCr)

Helmut Deutsch and Mauro Peter (c) Wigmore Hall

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Categories Concert Reviews, International Concerts Tags Casey Creel, Zurich Leave a comment

Misfortune Strikes Yet Again for La forza del destino in Zurich

06/06/201829/05/2018 by John Rhodes

SwitzerlandSwitzerland Verdi, La forza del destino: Soloists, Chorus of the Zurich Opera, Philharmonia Zurich / Fabio Luisi (conductor), Zurich Opera, Zurich 27.5.2018. (JR)

Preziosilla (J’Nai Bridges) and Chorus © Monika Rittershaus
Preziosilla (J’Nai Bridges) and Chorus © Monika Rittershaus

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Categories International Opera, Opera & Ballet, This Week's Review Tags John Rhodes, Zurich Leave a comment

Chiaroscuro Quartet Inspires with the Élan of Early Mendelssohn and Beethoven

06/06/201828/05/2018 by Casey Creel

SwitzerlandSwitzerland Bach, Beethoven, Mendelssohn: Chiaroscuro Quartet (Alina Ibragimova & Pablo Hernán Benedí [violins], Emelie Hörnlund [viola], Claire Thirion [cello]), Kirche St. Peter, Zurich, 27.5.2018. (CCr)

Chiaroscuro Quartet (c) Agnese Blaubarde

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Categories Concert Reviews, International Concerts Tags Casey Creel, Zurich Leave a comment

Calaf, Liù and Timur are Time Travellers in Zurich Opera’s Turandot

06/06/201827/05/2018 by John Rhodes

SwitzerlandSwitzerland Puccini, Turandot: Soloists, Chorus of the Zurich Opera, Philharmonia Zurich / Giampaolo Bisanto (conductor), Zurich Opera, Zurich 25.5.2018. (JR)

Zurich Opera’s Turandot (original production)
© Judith Schlosser

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Categories International Opera, Opera & Ballet Tags John Rhodes, Zurich 1 Comment

Conducting and Orchestral Playing of the Finest in Pappano and the COE’s Brahms

06/06/201824/05/2018 by Casey Creel

SwitzerlandSwitzerland Ligeti, Brahms: Lisa Batiashvili (violin), Chamber Orchestra of Europe / Sir Antonio Pappano (conductor), Tonhalle Maag, Zurich, 23.5.2018. (CCr)

Lisa Batiashvili (c) Anja Frers

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Categories Concert Reviews, International Concerts Tags Casey Creel, Zurich Leave a comment

Massenet’s Werther Revival by Zurich Opera is Easy On Eye And Ear

14/12/202020/05/2018 by John Rhodes

SwitzerlandSwitzerland Massenet, Werther: Soloists, Chorus and Children’s’ Chorus of the Zurich Opera, Philharmonia Zurich / Lorenzo Viotti (conductor). Zurich Opera, Zurich 18.5.2018. (JR)

Zurich Opera’s Werther original production © Herwig Prammer

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Categories International Opera, Opera & Ballet Tags John Rhodes, Zurich 1 Comment

Gergiev and Mariinsky Frustrating in Tchaikovsky Cycle

21/05/201811/05/2018 by John Rhodes

SwitzerlandSwitzerland Tchaikovsky: Mariinsky Orchestra / Valery Gergiev (conductor), Tonhalle Maag, Zurich  8.5.2018 (JR)

Valery Gergiev (c) Micros Kulturprozent Classics
Valery Gergiev (c) Micros Kulturprozent Classics

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Categories Concert Reviews, International Concerts, This Week's Review Tags John Rhodes, Zurich 2 Comments
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CHOOSE A WEEK TO VIEW

CHOOSE A MONTH TO VIEW

TOP 10 SEEN AND HEARD POSTS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026)
__________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
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  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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