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This Week’s Review

Piotr Beczala and Carlos Álvarez Shine in the Liceu’s Un ballo in maschera

30/10/201725/10/2017 by José Irurzun

SpainSpain Verdi, Un ballo in maschera: Liceu Orchestra and Chorus / Renato Palumbo (conductor), Gran Teatre del Liceu, Barcelona, 23 & 24.10.2017. (JMI)

Un ballo in maschera: © A. Bofill
Un ballo in maschera © A. Bofill

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Categories International Opera, Opera & Ballet, This Week's Review Tags Barcelona, José Irurzun Leave a comment

International Concert Series in Cardiff: the Opening Night

21/10/201718/10/2017 by Paul Corfield Godfrey

United KingdomUnited Kingdom Tchaikovsky, Mussorgsky: John Lill (piano), St Petersburg Symphony Orchestra / Alexander Dmitriev (conductor). St David’s Hall, Cardiff, 17.10.2017. (PCG)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Cardiff, Paul Corfield Godfrey Leave a comment

Rafał Blechacz in High Form at his Hong Kong Recital

21/10/201718/10/2017 by Lam Pak Ling

ChinaChina Bach, Beethoven, Chopin: Rafał Blechacz (piano), City Hall, Hong Kong, 12.10.2017. (LPL)

Rafal Blechacz. Photo: Felix Broede.
Rafal Blechacz (c) Felix Broede

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Categories Concert Reviews, International Concerts, This Week's Review Tags Hong Kong, Lam Pak Ling 1 Comment

LA Opera at Its Finest: Verdi’s Nabucco

18/10/201716/10/2017 by Jane Rosenberg

United StatesUnited States Verdi, Nabucco: Soloists, Chorus and Orchestra of LA Opera/James Conlon (conductor), Dorothy Chandler Pavilion, Los Angeles, 14.10.2017. (JRo)

 Liudmyla Monastyrska as Abigaille in Nabucco. Photo: Ken Howard/LA Opera.
Liudmyla Monastyrska (Abigaille) (c) Ken Howard/LA Opera

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Categories International Opera, Opera & Ballet, This Week's Review Tags Jane Rosenberg, Los Angeles Leave a comment

Vocalists and 21st-Century Microtones — in a Crypt

14/08/202016/10/2017 by Bruce Hodges

United StatesUnited States Ben Johnston, James Weeks, Kayleigh Butcher/Bethany Younge, Courtney Bryan, Liza Lim, Cassandra Miller: Ekmeles/Jeffrey Gavett (conductor), The Crypt at the Church of the Intercession, New York, NY. 7.10.2017. (BH)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Bruce Hodges, New York Leave a comment

Petrenko in an Unofficial Audition with French and Russian Works

18/10/201716/10/2017 by Zach Carstensen

CanadaCanada Ravel, Scriabin, Prokofiev and Debussy: Charles Richard-Hamelin (piano), Orchestre Symphonique de Montréal / Vasily Petrenko (conductor), La Maison Symphonique, Montréal, 11.10.2017. (ZC)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Montreal, Zach Carstensen Leave a comment

Gergiev Crosses National Boundaries with the Oxford Philharmonic

18/10/201716/10/2017 by Curtis Rogers

United KingdomUnited Kingdom Rossini, Stravinsky, Mendelssohn: Roman Simovic (violin), Oxford Philharmonic Orchestra / Valery Gergiev (conductor), Town Hall, Oxford, 13.10.2017. (CR)

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Categories Concert Reviews, This Week's Review, UK Concerts Tags Curtis Rogers, Oxford Leave a comment

John Copley’s production of Die Fledermaus retains its champagne sparkle

23/11/201716/10/2017 by Glyn Pursglove

United KingdomUnited Kingdom Johann Strauss II, Die Fledermaus: Soloists, Chorus and Orchestra of Welsh National Opera / James Southall (conductor), Wales Millennium Centre, Cardiff, 14.10.2017. (GPu)

Die Fledermaus, Welsh National Opera; photo credit - Bill Cooper.
WNO’s Die Fledermaus (c) Bill Cooper

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Categories Opera & Ballet, This Week's Review, UK Opera Tags Cardiff, Glyn Pursglove Leave a comment
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CHOOSE A WEEK TO VIEW

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TOP 10 SEEN AND HEARD POSTS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026)
__________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
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  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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