Opera & Ballet – Page 113 – Seen and Heard International

Jerome Robbins evening at the Paris Opera Ballet: can it ever be better than this?

28/11/202331/10/2023 by John O'Dwyer

France France Jerome Robbins: Paris Opera Ballet, Orchestre de l’Opéra National de Paris / Maria Seletskaja (conductor). Palais Garnier, Paris, 25.10.2023. (JO’D)

Jerome Robbins’s *The Concert*: Vessela Pelovska (piano), Hannah O’Neill and Pauline Verdusen © Julien Benhamou/OnP

John Adams’s Antony and Cleopatra triumphs in its European premiere at the Liceu

30/10/202330/10/2023 by José Irurzun

Spain John Adams, Antony and Cleopatra: Liceu Chorus and Orchestra / John Adams (conductor). Gran Teatre del Liceu, Barcelona, 28.10.2023. (JMI)

John Adams’s Antony and Cleopatra in Barcelona © Gran Teatre del Liceu

Three virgins, an elusive unicorn and social media infusions in Kate Soper’s The Hunt

30/10/202329/10/2023 by Daniele Sahr

United States Kate Soper, The Hunt: Brett Umlauf, Christiana Cole (soprano and ukulele), Hirona Amamiya (soprano and violin). Miller Theater at Columbia University, New York, 14.10.2023. (DS)

Brett Umlauf (Fleur), Christiana Cole (Briar), Hirona Amamiya (Rue) © Rob Davidson

Rarely has Andalusia seemed less inviting or less interesting than in this vulgar production of Carmen

28/10/2023 by Mark Berry

Germany Bizet, Carmen: Soloists, Children’s Chorus (chorus director: Christian Lindhorst) and Chorus (chorus director: Jeremy Bines) of the Deutsche Oper, Orchestra of the Deutsche Oper / Ben Glassberg (conductor). Deutsche Oper, Berlin, 26.10.2023. (MB)

Deutsche Oper’s *Carmen* (2018) © Marcus Lieberenz

Serebrennikov’s new Paris Opera Lohengrin is utterly compelling theatre despite confusing moments

31/10/202327/10/2023 by Jim Pritchard

France Wagner, Lohengrin: Soloists, Chorus and Orchestra of Opéra national de Paris / Alexander Soddy (conductor). Broadcast live (directed by Myriam Hoyer) from the Opéra Bastille, Paris, 24.10.2023 and available on medici.tv from 1.11.2023. (JPr)

Paris Opera’s *Lohengrin* Act I © Charles-Duprat/OnP

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Jerome Robbins evening at the Paris Opera Ballet: can it ever be better than this?

John Adams’s Antony and Cleopatra triumphs in its European premiere at the Liceu

Three virgins, an elusive unicorn and social media infusions in Kate Soper’s The Hunt

Rarely has Andalusia seemed less inviting or less interesting than in this vulgar production of Carmen

Serebrennikov’s new Paris Opera Lohengrin is utterly compelling theatre despite confusing moments

Verdi unconditionally triumphed in the Cadogan Hall when COG performed Un ballo in maschera

In the title role Amartuvshin Enkhbat dominates the current revival of Oliver Mears’s Rigoletto

A marvelous barber, attractive lovers and merry pranks mark LA Opera’s The Barber of Seville