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Mark Berry

Barry Takes Musico-Dramatic Sledgehammer to Wilde’s Importance with Hilarious Results

10/04/201604/04/2016 by Mark Berry

United KingdomUnited Kingdom Gerald Barry, The Importance of Being Earnest: Soloists, Britten Sinfonia, Tim Murray (conductor). Barbican Theatre, 29.3.2016. (MB)

The Importance of Being Earnest 29 March—3 April 2016  Barbican Theatre Gerald Barry’s operatic adaptation of Oscar Wilde’s classic play is a comic masterpiece. Music Gerald Barry Libretto Gerald Barry Creative: Tim Murray Conductor Director Ramin Gray  Set Design Ben Clark (after an idea by Johannes Schutz) Composed by Costume designs Christina Cunningham Lighting Design Franz Peter David Movement Director Leon Baugh Cast: Simon Wilding as Lane/Merriman Benedict Nelson as Algernon Moncreiff Paul Curievici as John Worthing Stephanie Marshall as The Hon. Gwendolen Fairfax Alan Ewing as Lady Bracknell Hilary Summers as Miss Prism - as Cecily Cardew - as The Rev. Canon Chasuble, D.D
The Importance of Being Ernest (c) ROH/Stephen Cummiskey.

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry Leave a comment

Gluck’s Orfeo Offers new Challenges to Barenboim with a Stylish Production

08/04/201631/03/2016 by Mark Berry

GermanyGermany Gluck, Orfeo ed Euridice: Soloists, Dancers, Staatsopernchor Berlin (chorus master: Martin Wright), Staatskapelle Berlin, Daniel Barenboim (conductor). Schiller Theater, Berlin, 27.3.2016. (MB)

orfeo_sto0033
Orfeo ed Euridice (c) Matthias Baus

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Categories International Opera, Opera & Ballet Tags Berlin, Mark Berry Leave a comment

Two Great Pianists – and Musical Minds – in Partnership

08/04/201631/03/2016 by Mark Berry

GermanyGermany Berlin Festtage (3) – Schumann, Debussy, and Bartók: Daniel Barenboim, Martha Argerich (pianos), Torsten Schönfeld, Dominic Oelze (percussion). Philharmonie, Berlin, 26.3.2016. (MB)

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Categories Concert Reviews, Festival 2016, Festivals, International Concerts Tags Berlin, Mark Berry Leave a comment

High Standards of Musical Performance and Dramatic Intelligence In Staatsoper Berlin’s Parsifal

03/04/201631/03/2016 by Mark Berry

GermanyGermany Wagner, Parsifal: Soloists, Staatsopernchor Berlin (chorus master: Martin Wright), Staatskapelle Berlin, Daniel Barenboim (conductor), Schiller Theater, Berlin, 25.3.2016. (MB)

PARSIFAL OHP0059
Parsifal (c) Ruth Walz

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Categories Festival 2016, Festivals, International Opera, Opera & Ballet Tags Berlin, Mark Berry Leave a comment

Barenboim’s Revelatory Approach to Elgar Brings Magnificent Results

03/04/201630/03/2016 by Mark Berry

GermanyGermany Berlin Festtage (1) – Dvořák and Elgar: Yo-Yo Ma (cello), Staatskapelle Berlin, Daniel Barenboim (conductor). Philharmonie, Berlin, 24.3.2016. (MB)

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Categories Concert Reviews, Festival 2016, Festivals, International Concerts, This Week's Review Tags Berlin, Mark Berry Leave a comment

Engrossing Experiences During George Benjamin Day

25/03/201621/03/2016 by Mark Berry

United KingdomUnited Kingdom George Benjamin Day: Soloists, George King (piano), Mahler Chamber Orchestra, George Benjamin (conductor). LSO St Luke’s and Barbican Hall, London, 19.3.2016. (MB)

George Benjamin
George Benjamin

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Categories Opera & Ballet, UK Concerts, UK Opera Tags London, Mark Berry Leave a comment

The Festival ‘It’s All About Piano!’ Stimulates and Delights Again

23/03/201620/03/2016 by Mark Berry

United KingdomUnited Kingdom ‘It’s All About Piano!’ – Film: Alexandre Tharaud, ‘Le Temps dérobé’; Ligeti, Satie, Liszt, Wagner, and Piazzolla: Joanna MacGregor (piano). Ciné Lumière, Institut Français, London, 18.3.2016. (MB)

Joanna MacGregor
Joanna MacGregor (c) Mariona Vilaros

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Categories Concert Reviews, UK Concerts Tags London, Mark Berry Leave a comment

Dramatic and Convincing Boris Godunov at Covent Garden

20/03/201617/03/2016 by Mark Berry

United KingdomUnited Kingdom Mussorgsky, Boris Godunov: Soloists, Royal Opera Chorus (chorus master: Renato Balsadonna), Orchestra of the Royal Opera House, Antonio Pappano (conductor), Royal Opera House, London, 14.3.2016. (MB)

Boris-Godunov
Ain Anger (Pimen) & Bryn Terfel (Boris Godunov) (c) Catherine Ashmore

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry 2 Comments
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SEEN AND HEARD'S RECENT REVIEWS

  • Dalia Stasevska conducts a program with the Philadelphia Orchestra that denies easy resolutions (13/01/2026)
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  • San Francisco Symphony’s brass players nail a smart program (13/01/2026) __________________________________
  • Chamber music taken seriously: Lyrica Boston’s ‘WinterFest 2026’ (13/01/2026) __________________________________
  • Laura Samuel and Alfred Brendel: Two extraordinary lives celebrated through sound, memory and love (13/01/2026) __________________________________
  • Trio Laval and the art of chamber music at Lyrica Boston’s ‘WinterFest 2026’ (11/01/2026) __________________________________
  • From affirmation to anxiety: Abduraimov and Noseda with the New York Philharmonic (10/01/2026) __________________________________
  • Welser-Möst and the Cleveland Orchestra are stunning in an unlikely pairing of Mozart and Shostakovich (10/01/2026) __________________________________
  • Kirill Gerstein’s Wigmore Hall recital rings in the New Year in fine style (10/01/2026) __________________________________
  • The National Youth Orchestra at Warwick Arts Centre preserves the tradition of an evening of surprises (09/01/2026) __________________________________
  • Madama Butterfly revival shines thanks to minimalist staging in Zurich (07/01/2026) __________________________________
  • Noteworthy Bremerhaven concert performance of I Capuleti e i Montecchi (07/01/2026) __________________________________
  • Stunning singing is the hallmark of the Met’s complex, retro I Puritani (05/01/2026) __________________________________
  • Gayle Tufts was the magnetic pivot in Bremen’s exuberant Hello Dolly (05/01/2026) __________________________________
  • Elizabeth Watts lights up Bristol Beacon with the Bournemouth Symphony Orchestra (05/01/2026) __________________________________
  • Thoroughly enjoyable Vienna Die Fledermaus revival has Kaufmann’s first Eisenstein on the stage (02/01/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • William Powers named as Pittsburgh Opera’s new General Director (13/01/2026)
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  • Leeds Song Festival 11 to 18 April 2026 (07/01/2026) __________________________________
  • Semyon Bychkov is Appointed Music Director of Paris National Opera from 2026 and Music Director from 2028 (06/01/2026) __________________________________
  • The Man with the Hat about Egyptologist, Dr Zahi Hawass is released on 20 January 2026 (06/01/2026) __________________________________
  • English Touring Opera’s The Gondoliers, Pagliacci and a new opera for children in Spring 2026 (14/12/2025) __________________________________
  • Ballet Icons Gala 2026 celebrates 20 years at the London Coliseum on 15 February (02/12/2025) __________________________________
  • Illustrator and animator Grégoire Pont in conversation with Gregor Tassie (27/11/2025) __________________________________
  • Elgar’s The Kingdom with two choirs under David Temple at the Royal Festival Hall on 29 January (27/11/2025) __________________________________
  • Iván Fischer to receive the 2025 Concertgebouw Prize (27/11/2025) __________________________________
  • News of the Waterperry Opera Festival in 2026 (27/11/2025) __________________________________
  • Winners of International Opera Awards 2025 announced (17/11/2025) __________________________________
  • Mark Jordan in conversation with conductor Dalia Stasevska about her return to the Cleveland Orchestra (13/11/2025) __________________________________
  • SF Opera announce Francesca Zambello’s Ring cycle returns in 2028 (12/11/2025) __________________________________
  • Podcast: Artificial Intelligence at Bayreuth – A discussion with Ring ‘Curator’ Marcus Lobbes (03/11/2025) __________________________________
  • Garsington Opera in 2026 (21/10/2025) __________________________________
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