Kirill Petrenko’s outstanding Salzburg performance of Mahler’s Eighth sweeps all before it

AustriaAustria Salzburg Easter Festival 2026 [1] – Mahler: Jacquelyn Wagner, Sarah Wegener, Liv Redpath (sopranos), Beth Taylor, Fleur Barron (mezzo-sopranos), Benjamin Bruns (tenor), Gihoon Kim (baritone), Le Bu (bass), Berlin Radio Chorus (director: Justus Barleben), Salzburg Bach Choir (director: Michael Schneider), Salzburg Festival and Theatre Children’s Choir (directors: Wolfgang Götz and Regina Sgier), Tölz Boys’ Choir (director: Marco Barbon), Berlin Philharmonic Orchestra / Kirill Petrenko (conductor). Grosses Festspielhaus, Salzburg, 3.4.2026. (MB)

Mahler’s Eighth Symphony at the Salzburg Easter Festival 2026 © Monika Rittershaus

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A pleasant LSO St Luke’s concert, but one that skated on the Mozartian surface

United KingdomUnited Kingdom Mozart: Benjamin Marquise Gilmore (violin), Eivind Ringstad (viola), Daniel Jemison (bassoon), Timothy Jones (horn), LSO Chamber Orchestra / Jaime Martín (conductor). LSO St Luke’s, London, 29.3.2026. (MB)

Bassoonist Daniel Jemison, conductor Jaime Martin and the LSO Chamber Orchestra © LSO/Mark Allan

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There was much evidence that the Staatsoper audience in Berlin enjoyed their first Janáček Vixen

GermanyGermany Janáček, The Cunning Little Vixen: Soloists, Children’s Choir of the Staatsoper Unter den Linden (director: Vinzenz Weissenburger), Staatsopernchor Berlin (director: Dani Juris), Staatskapelle Berlin / Sir Simon Rattle (conductor). Staatsoper Unter den Linden, Berlin, 28.2.2026. (MB)

Staatsoper Unter den Linden’s The Cunning Little Vixen © Monika Rittershaus

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Berlioz was a magnificent ending to a magnificent Berlin Philharmonic Orchestra evening

GermanyGermany Mendelssohn, Brahms, and Berlioz: Noah Bendix-Balgley (violin), Bruno Delepelaire (cello), Berlin Philharmonic Orchestra / Tugan Sokhiev (conductor). Philharmonie Berlin, 27.2.2026. (MB)

Cellist Bruno Delepelaire (cello) and violinist Noah Bendix-Balgley, conductor Tugan Sokhiev and the BPO © Stephan Rabold

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