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Kurt Gottschalk

Playing in a Crypt, a Cellist Imagines Waking the Dead

27/05/201724/05/2017 by Kurt Gottschalk

United StatesUnited States Bach, Ligeti, Crumb, Roman: Joshua Roman (cello), The Harlem Crypt, New York City, 3.5.2017. (KG)

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Riffing on Music from Films and Cowboys

16/05/201710/05/2017 by Kurt Gottschalk

United StatesUnited States Ian Dicke, Nicole Lizeé: Kathleen Supové (piano, typewriter), Ian Dicke (piano, electronics), The Cell, New York City, 23.4.2017. (KG)

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When the Experimental No Longer Seems Like an Experiment

30/04/201725/04/2017 by Kurt Gottschalk

United StatesUnited States Cage, Armleder, Brecht, Marclay, Young, Schwitters, Tone: John Armleder and Christian Marclay (performers). The Kitchen, New York City, 7.4.2017. (KG)

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An Explorer Unites Instruments with Elementary Electronics

29/03/201727/03/2017 by Kurt Gottschalk

United StatesUnited States Tristan Perich: Mariel Roberts [cello]; JACK Quartet [Christopher Otto, Austin Wulliman (violins), John Pickford Richards (viola), Jay Campbell (cello)]; The Kitchen, New York City, 18.3.2017. (KG)

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Bach’s Goldberg Variations, Translated to Reeds

24/03/201719/03/2017 by Kurt Gottschalk

United StatesUnited States Tchaikovsky, Muhly, Bach: The Calefax Wind Quintet (Oliver Boekhoorn [oboe], Ivar Berix [clarinet], Raaf Hekkema [saxophone], Jelte Althuis [bass clarinet], Alban Wesly [bassoon]) Town Hall, New York City, 5.3.2017. (KG)

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Soper’s IPSA DIXIT is Another Singular and Perfectly-Crafted Work

06/03/201728/02/2017 by Kurt Gottschalk

United StatesUnited States Kate Soper, IPSA DIXIT: The Wet Ink Ensemble: (Ian Antonio (percussion), Erin Lesser (flute), Josh Modney (violin), Kate Soper (soprano) Dixon Place, New York City. 4.2.2017. (KG)

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Blindfolded, Indulged, and Listening to Debussy

13/01/201704/01/2017 by Kurt Gottschalk

United StatesUnited States Debussy’s String Quartet: A Sensorial Concert: Adam von Housen and Charlotte Munn-Wood (violins); Pedro Vizzarro Vallejos (viola); Liz Kovalchuk (cello); Whitney George (music director). Brooklyn Academy of Music, Fisher Hillman Studio, Brooklyn, NY. 09.12.16 (KG)

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World Premieres Inspire a ‘Sleepy’ Recital

14/12/201609/12/2016 by Kurt Gottschalk

United StatesUnited States Malin Bång, Tom Johnson, David Remnick, Kate Soper, Brett Dean, Christopher Cerrone: Tim Munro (flute), Kate Soper (soprano), Face the Music, Mary Ellen Stebbins (lighting design), Miller Theatre at Columbia University, New York City, 10.11.16. (KG)

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TOP 5 SEEN AND HEARD POSTS

  • Sofia Opera’s vibrantly colourful Götterdämmerung is enhanced by great singing
  • Two Adès compositions score big in Aspen Music Festival’s first weekend
  • Salieri’s The School for Jealousy is offered with flair and improvisatory flourish in Oxford
  • Oldenburg’s The Cunning Little Vixen is an excellent ensemble effort
  • Crouch End Festival Chorus under David Temple: musical variety is the spice of a really good concert

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  • Ross aldridge on Longborough’s Péllias et Mélisande uses audience imagination to tell the story and the music is terrific!
  • Zsuzsi on Appl and Lepper showcase Kurtág and Schubert in Lines of Life at the Wigmore Hall
  • Ernest on Nadine Sierra is Violetta in an excellent La traviata at Madrid’s Teatro Real
  • denise stott on Gillian Anderson’s Blanche disappoints as the object of masculine desire in the Young Vic’s replayed 2014 Streetcar
  • Joan B Sutton on An Idomeneo with visual depth and musical incisiveness from San Francisco Opera

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SEEN AND HEARD'S RECENT REVIEWS

  • Sofia Opera’s vibrantly colourful Götterdämmerung is enhanced by great singing (08/07/2025)
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  • Two Adès compositions score big in Aspen Music Festival’s first weekend (08/07/2025) __________________________________
  • Salieri’s The School for Jealousy is offered with flair and improvisatory flourish in Oxford (07/07/2025) __________________________________
  • Oldenburg’s The Cunning Little Vixen is an excellent ensemble effort (07/07/2025) __________________________________
  • Crouch End Festival Chorus under David Temple: musical variety is the spice of a really good concert (06/07/2025) __________________________________
  • The Istanbul Music Festival 2025 closes with a splendidly performed Rossini Petite Messe Solennelle (03/07/2025) __________________________________
  • Witty production enhances beautiful singing in Hamburg’s Le nozze di Figaro revival (02/07/2025) __________________________________
  • The charming island of Kiniliada hosts an unforgettable evening of Greek and Turkish music (02/07/2025) __________________________________
  • The Cunning Little Vixen in Münster – musically convincing but a production which fails to coalesce (01/07/2025) __________________________________
  • ‘Caravaggio & Monteverdi’ is a sensational success at the Istanbul Music Festival (01/07/2025) __________________________________
  • Garsington offers a vision of hope as well as freedom in a musically urgent account of Fidelio (30/06/2025) __________________________________
  • Longborough’s Péllias et Mélisande uses audience imagination to tell the story and the music is terrific! (30/06/2025) __________________________________
  • Eyvazov is a compelling Hermann and Netrebko an expressive Lisa in a Vienna revival of The Queen of Spades (29/06/2025) __________________________________
  • Piotr Beczała and Asmik Grigorian triumph in Rusalka at Barcelona’s Liceu (29/06/2025) __________________________________
  • Istanbul’s Music Festival splendidly celebrates nature and Sufi tradition in Karademir’s ‘Strings of Love’ (29/06/2025) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Blossom Music Festival – 3 July to 7 September (03/07/2025)
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  • 2025 Shostakovich Symposium Leipzig: a report by Gregor Tassie (19/06/2025) __________________________________
  • Lammermuir Festival 2025 – 4 to 15 September (12/06/2025) __________________________________
  • ‘Eternal Light’: Summer Music in City Churches – 18 to 27 June 2025 (04/06/2025) __________________________________
  • Gala de Danza at Westminster’s Central Hall on 25 and 26 June 2025 (03/06/2025) __________________________________
  • Oldenburg State Theatre in 2025-26 (31/05/2025) __________________________________
  • Zach Carstensen examines the Chicago Symphony Orchestra’s history with Mahler (24/05/2025) __________________________________
  • Das Rheingold at Grange Park Opera in June and July 2026 with the Orchestra of English National Opera (20/05/2025) __________________________________
  • Grimeborn Opera Festival 2025 – 16 July to 13 September (20/05/2025) __________________________________
  • English National Opera in 2025-26 and their new Music Director André de Ridder (14/05/2025) __________________________________
  • London’s Sadler’s Wells theatres in 2025-26 (13/05/2025) __________________________________
  • Bournemouth Symphony Orchestra in 2025-26 (09/05/2025) __________________________________
  • Oxford International Song Festival: 10 to 25 October 2025 (09/05/2025) __________________________________
  • Sir Antonio Pappano The Royal Opera’s first Conductor Laureate (09/05/2025) __________________________________
  • An interview with Alon Kariv who plays Chopin’s First Piano Concerto at the Cadogan Hall on Sunday 11 May (06/05/2025) __________________________________
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